Hello everyone, Winnie Griggs here. As many of you know, I’ve been hard at work on my upcoming historical romance, The Heart of Honor, my contribution to our Petticoats and Patriots series. The story is set in 1876, a year that held special significance for Americans because it marked the nation’s one hundredth birthday.
While doing research for the book, I found myself paying particular attention to how people actually celebrated the Centennial. We all know about fireworks and Fourth of July picnics, but what did the celebration look like for ordinary folks living in small towns and rural communities far from the nation’s largest cities?

The Centennial Exposition held in Philadelphia was one of the most visible parts of the national celebration. It was the first official World’s Fair held in the United States and drew visitors from around the globe. New inventions, technological marvels, and exhibits showcasing America’s progress filled the fairgrounds. For many people, attending the exposition was the opportunity of a lifetime.
But not everyone could travel to Philadelphia.
Across the country, both large and small communities found their own ways to celebrate. Towns organized parades, patriotic speeches, church services, brass band concerts, community picnics, and readings of the Declaration of Independence. Buildings were decorated with flags and bunting, and local newspapers often devoted special coverage to the occasion.
What I found especially interesting was that the celebrations often reflected the region where they took place.
In New England, many communities highlighted their connections to the Revolutionary War and the nation’s earliest history. In the South, the Centennial arrived just eleven years after the end of the Civil War, so the celebrations often carried a different tone as communities continued rebuilding and healing. Meanwhile, in the growing western states and territories, festivities frequently blended patriotic observances with the practical realities and traditions of frontier life.

One detail that especially caught my attention was how the Centennial encouraged Americans to look back as well as forward. While much attention was given to the nation’s progress and future possibilities, there was also a renewed appreciation for the people and events that had shaped the country’s first hundred years. Some communities and families reflected on their own histories, sharing stories and preserving memories of earlier generations.
In fact, this aspect of the Centennial helped inspire a key part of my story. My heroine, Mercy Owens, serves on her town’s Centennial Planning Committee and is responsible for collecting the stories and artifacts of the people who helped build the community. Like me, she believes that family stories are often what bring history to life. Dates and events have their place, but it is the people behind those events—their sacrifices, dreams, struggles, and triumphs—that make the past meaningful.

As I continue working on The Heart of Honor, I find myself thinking about that balance between remembering where we’ve been and looking ahead to where we’re going. Perhaps that’s one reason the Centennial captured the imagination of so many Americans in 1876.
![]()
So now I’m curious: If your hometown were celebrating its 100th anniversary, what story, keepsake, or piece of family history would you contribute to a community display? Leave a comment to be entered in a drawing for a signed copy of one of my books.
![]()
Fun news! The first issue of Petticoats & Patriots Magazine is here! Filled with Revolutionary War features, inspiring articles, patriotic recipes, reader activities, and stories celebrating the courage that built a nation, this special collector’s edition is the perfect way to begin celebrating America’s 250th birthday. Available now! Get your FREE digital copy HERE!

If you haven’t had a chance to check out our Petticoats and Patriots series yet, you can read about the first 5 books on our series page HERE.
And don’t forget, the first book in the series, Shanna’s For Liberty and Love. releases on June 16th and is available now for PREORDER!
In 1982, when my Great-Aunt Alice died, the few personal belongings she had in the nursing home came to me. Among them were a couple of pieces of jewelry, a photo album and some larger loose photos, her art portfolio from when she was drawing in the 1940s and 50s, and her father’s collection of writings. Her father was a writer and a sports reporter for the Chicago Inter Ocean newspaper during the post-Civil War days through the late 1800s. The story of her father and mother I’ll save for another blog, but I’ll tease you with this: His writings include several semi-pornographic poems circa 1877. Yup, there’s really nothing new under the sun, is there?
I’m fairly sure that I know who two of the women are: One is my Great-Aunt Alice (upper right) and one is my Great-Aunt Ruth (upper left). Alice, we verified with a known photo of her taken at roughly the same time where she’s wearing the same necklace she has on in the group shot. We did the same with Great-Aunt Ruth, although she’s very distinctive looking anyway. The one sitting on the cushion down in the front could be my grandmother, also named Ruth, but when she was very young. That young girl looks remarkably like my own mother when she was in her early teens.












We chose the hills of southern Indiana again, but this trip, we booked four nights at an inn in New Harmony, Indiana. Neither of us had ever been there before, so we were taking a chance, but the website looked good and the history looked downright fascinating.
The thing we noticed most about our stay in New Harmony was how incredibly peaceful the town was—the quiet, which could’ve been disconcerting, was actually extraordinary. We wandered–oh, how we wandered! All through an old hilly cemetery, through the spectacular cathedral labyrinth, past home after restored home, and into a lovely old church that remains open twenty-four hours. The beautiful magnolia trees, the spring flowers, the friendly folks we met while walking, the labyrinths and museums, even the restaurants exuded the harmony and peace that was the cornerstone of the town in the early nineteenth century.
FYI: Make It Real, book 2 in my Walkers of River’s Edge series is still on sale for just 99 cents, but only for a few more days! If you haven’t been to River’s Edge yet, now’s your chance. More sweet, small town romance in beautiful southern Indiana!








Tattoos were used to mark slaves, criminals, and gladiators, and the Latin word “stigma” was used to mean a brand, or scar–any permanent mark left on a person’s skin. When French and British traders met native people, they often recorded the markings on their bodies, instead of their names in trading logs. During the Revolutionary War, colonial sailors decorated themselves with symbols of their newborn country–the “goddess” Columbia, the face of George Washington, eagle with sheaves, or the American flag.






FORT BRIDGER, WYOMING: Everyone knows who Jim Bridger was, right—the famous, 19th-century frontiersman, fur trapper, and wilderness guide, who was among the first to visit the Yellowstone region and to explore the Great Salt Lake area, reaching it by bullboat in 1824. Jim left his mark on much of the American West.
supplies and threatened to kill him. The following spring, Young sent a detachment of well-armed Mormons to take control of both Fort Bridger and the Green River ferries, both of which became integral parts of the Mormon settlement plans for the region. Alterations included a thick stone wall around the fort. In July 1855, Bridger returned and agreed to sell to the Mormons.
In the fall of 1857, Jim’s old fort became embroiled in a new controversy when President Buchanan sent U.S. troops to Utah Territory to enforce federal authority and to install federally appointed territorial officers. This began what became known as the Utah War. To keep the fort from being seized, Mormon militia under “Wild Bill” Hickman and his brother burned both it and Fort Supply. Johnston’s army spent a miserable winter with little shelter and food.
Instead, it turned the commercial parts of its operation over to William Alexander Carter, who had come west with Johnston’s army as a sutler. Along with his family, Carter lived at the fort, rebuilding and stocking it and eventually becoming Wyoming’s first millionaire.