
Whenever I start a new book, I need some serious inspiration. A roadmap, so to speak. I get out my favorite writer handbooks, start thumbing through the pages, and wait for inspiration to hit.
One of those handbooks is “The Complete Writer’s Guide to Heroes & Heroines – Sixteen Master Archetypes” by Tami Cowden, Caro LaFever, and Sue Viders. Originally published in 2000, the archetypes are described as they have been written in fiction through the ages, helping writers develop characters that are well-motivated, believable, and are remembered long after “The End.”
The book divides the archetypes into two groups of eight – heroes and heroines – and then describes archetype interactions to bring characters to an even deeper level.
For the purpose of this blog, I’ll concentrate on Hero Archetypes, because we all love our heroes, right?
Here they are:
- The Chief
- The Bad Boy
- The Best Friend
- The Charmer
- The Lost Soul
- The Professor
- The Swashbuckler
- The Warrior
TRACE, Book 1 of the Bachelors & Babies sweet romance series
Trace McQuade fits the “The Lost Soul” archetype since he has lost everything he is closest to – his ranch and his younger brother, only to have his losses cut deeper when he accidentally shoots the woman he intended to marry (Emma) after she betrayed him and joined an outlaw gang.
He learns later that Emma gave birth to an outlaw’s baby. After Emma’s death, that little girl named Harriett ended up on his doorstep (literally) with Emma’s plea that Trace take care of her.
Trace struggles with trusting women since Emma had lied about her love for him. He sees the baby as everything he’s failed at – not seeing through Emma’s lies and not having a child with her, like he’d wanted. He also fails at capturing the man who killed his brother.
Of course, Trace works through his losses and turns them into new goals for himself. Can you see how being a Lost Soul really builds layers of conflict for Trace’s character and makes him stronger?
Connected with . . . HARRIETT, Book 1 of the Cupids and Cowboys sweet romance series
Cord Brennan is the “Warrior” archetype, my favorite of the eight. As a US Deputy Marshal, he was an easy fit for the archetype, as are most lawmen, soldier, bounty hunter, etc., occupations.
Years later, Cord must escort the same outlaw in TRACE from Texas to the McQuade ranch in Kansas. The outlaw is deathly ill, and due to some blood research being done by a doctor who needs Harriett’s blood, Cord bears the responsibility to keep the outlaw safely incarcerated until Harriett is convinced to cooperate. Of course, a run-in with the outlaw’s old gang who breaks him out of jail forces Cord to not only protect the outlaw in his charge, but also the doctor and Harriett, too, along with her family. Failure to do so will destroy all his careful plans to return to Texas, get a new and perfect job with the US Marshal’s office, and to care for his handicapped father, most of all.
Naturally, this responsibility and the outlaw’s shenanigans war with Cord’s goals, and falling in love with Harriett, sympathy for her predicament, and the eventual dread of returning to Texas without her gives plenty of conflict and layers to his Warrior archetype.
Connected with . . . ARMED & MARVELOUS, Book 8 of the Pink Pistol sweet romance series
Since this book is set in 1955, a time period I’d never written before, Roan Bertoletti proved to be a character I loved as the Charmer archetype. A former movie-star heartthrob who suffers through a scandal invented by his former actress co-star, Roan escapes Los Angeles to the Brennan ranch in Kansas where he finds new happiness and a simpler life as a cowboy.
Harriett and Cord are the heroine’s grandparents in this story, and they hope Roan will someday take over the ranch alongside Rexanna, their only grandchild, who has no intention of settling down in Kansas. Roan is well-liked in the community, and when the Los Angeles scandal follows him back to the ranch, he fears he will lose the happiness he’d worked hard to earn. Throw in a troubled relationship with his father and the dread of Rexanna’s impending departure from the ranch, and Roan turns into a Charmer with layers of conflict.
Which of these archetypes would be your favorite kind of hero and why?
Do you prefer a more alpha type of hero like the Warrior or the Chief?
Or more of a mild-mannered, down-to-earth guy like the Professor or the Best Friend?
![]()
TRACE, HARRIETT, and ARMED & MARVELOUS are now in Audiobook!

TRACE on Amazon
HARRIETT on Amazon
ARMED & MARVELOUS on Amazon
(Note: Amazon has reduced the prices of my virtual voice audiobooks to $1.99 with the purchase of TRACE and HARRIETT ebooks, a 60% savings. My ARMED & MARVELOUS audiobook (human narrator) is reduced to $4.82, a savings of 68% with purchase.)








So that left Narrator #2 whose name was Virginia Nelson. After a brief communication where I told her I’d like the narration done before a Facebook party I had coming up, she was willing to try. I offered her the top of the tier, and she accepted the offer. I sent her a test chapter, she narrated it, I approved it, and the rest of the book followed. We were off and running.
Of course, I’m grateful for the machines that make our lives easier today. Labor-saving washing machines, dryers,
dishwashers, hand vacs, air fryers, Instant Pots…the list goes on and on, and never mind the sanitary wipes, paper towels, spray cleaners, and all those disposables that we use.




To be entered in my random drawing for an ebook version of my Pink Pistol Sisterhood novel, Aiming for His Heart, leave a comment about quilting, superstitions, or whatever’s on your mind.

“the Indians give a very formidable account of the strength and ferocity of this anamal, which they never dare to attack but in parties of six, eight or ten persons; and are even then frequently defeated with the loss of one or more of their party. the Indians attack this anamal with their bows and arrows and the indifferent guns with which the traders furnish them, with these they shoot with such uncertainty and at so short a distance . . . that they frequently mis their aim & fall a sacrefice to the bear. . . . this anamall is said more frequently to attack a man on meeting with him, than to flee from him. When the Indians are about to go in quest of the white bear, previous to their departure, they paint themselves and perform all those supersticious rights commonly observed when they are about to make war uppon a neighbouring nation.”













citizens were church-going people, and they disliked the influx of actors, actresses, producers, cameramen, film technicians, cutters, and so on invading their town.