
If you read the Fillies’ “It’s Yee-Haw Day” on Monday, you know that I got a tattoo…my very first (and probably my last!) in early February. My nephew owns a tattoo business in Florida. At the invitation of my son and daughter-in-law, we flew down for a long (and I might add, VERY COLD) weekend. While I was getting the tattoo, we talked about the history of the art of tattooing.

My daughter-in-law immediately got on her phone, offering information. When I heard that it was popular during the Civil War, my radar went up as I was researching interesting tidbits for my next book.
Tattoos have a long history as a means of identification in the military. In ancient Rome, mercenaries were marked with a permanent ink from acacia bark, corroded bronze and sulphuric acid to help in identifying deserters. When King Harold II was disfigured beyond recognition at the Battle of Hastings, his common-law wife was only able to recognize him based on his tattoos.
Tattoos were used to mark slaves, criminals, and gladiators, and the Latin word “stigma” was used to mean a brand, or scar–any permanent mark left on a person’s skin. When French and British traders met native people, they often recorded the markings on their bodies, instead of their names in trading logs. During the Revolutionary War, colonial sailors decorated themselves with symbols of their newborn country–the “goddess” Columbia, the face of George Washington, eagle with sheaves, or the American flag.
“A sailor may not wear his heart upon his sleeve, but he does wear it upon his chest.” E. Barnes
With the onset of the Civil War, these patriotic themes gained in popularity. Martin Hildebrandt, a talkative man with a crucifix inked on his back was happy to tell newspaper reporters about his unusual trade.
“During the war time I never had a moment’s idle time. I must have marked thousands of sailors and soldiers…I put the names of hundreds of soldiers on their arms or breasts, and many were recognized by these marks after being killed or wounded.”
Tattooing can be excruciating (I can testify to that!) and in the Civil War, methods were relatively primitive and conditions less than sanitary. Hildebrandt’s tattoo method required about six #12 needles, bound together in a slanting form, dipped into India ink. The puncture of the skin was made at an angle, ensuring that the needles pricked only the surface. Colorants could be made up of ink and wet gunpowder. However, he was restricted to only two colors, blue and red.

“If we could only get a green to work into a wreath, the contrast would be charming, but I am afraid it can’t be done.” M. Hildebrandt
After the tattoo was done, any excess blood and ink was washed off with water or alcohol, usually rum or brandy. Many a soldier had his name, regiment, and residence inked for identification.
“Every regiment had its tattooers, with outfits of needles and India-ink who for a fee decorated the limbs and bodies of their comrades with flags, muskets, cannon…and patriotic emblems…It was like writing one’s own epitaph, but the custom prevented many bodies from being buried in ‘unknown’ graves.” William Hinman

In addition to identification and patriotism, tattooing during the war was used to memorialize the experience of war and the lives of fellow soldiers. Much like the sailors who pioneered tattooing before them, these soldiers wanted to honor the memories of fallen comrades, to show regimental pride, and demonstrate their love for their homelands.
But beneath their clothes, many men held the marks from the war–voluntary scars to commemorate a shared trauma, claims of individuality in the face of mass death, assertions of humanity that couldn’t be taken away.
*******************A Giveway!*****************
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Have you gotten OR would you be interested in getting a tattoo?
New release coming tomorrow, March 6th…
“Your journey doesn’t have to end in disappointment.”
Lila Hartley had waited for hours on the frozen train platform, a mail-order bride no one came to claim, her trunk beside her like a tombstone. The man who’d promised her marriage, a home, and a future, left her stranded two thousand miles from Boston with nothing but the clothes on her back and a heart full of shattered dreams.
Just when hope was fading, a man emerged from the white curtain of snow like an apparition, took off his coat, and changed her life.
Clay McCallister viewed every woman who had taken a chance on the frontier as the sister he’d failed…a woman who’d risked everything for the possibility of something better, much like the woman standing on the platform in the bitter cold.
Sometimes warmth doesn’t always come from fire — sometimes it comes from the heart.






I’m BEYOND excited to be back with my Petticoats and Pistols family again today!
your own, and pull your weight. Land could be earned. A man could reinvent himself. Titles meant little when cattle needed herding and fences needed mending.

jars sat in the fridge overnight, there was a good two inches of cream at the top. I’m sorry to say that I thought cream was gross. I’d scoop it off when mom wasn’t looking, instead of shaking it up as directed, so that the “good” milk didn’t get contaminated with butter fats. Silly child. But the one good thing about all that cream was that sometimes my dad would scoop into a quart jar and make butter by simply shaking the jar. He had pretty good stamina because I remember him shaking for a long time. Then with a little salt, you had a very decent glob of butter. I loved butter.
I love historicals. There is a wider breadth of dramatic events to choose from. For instance, what in our present world compares to the scope of adventure in a wagon trek westward, the challenges of living in a sod shanty, or the sheer grit of surviving endless dust storms or a vicious snowstorm?











She had moved to a small, wild, western gold mining town in the mountains, so very far from where she had gained her freedom. As a former slave, widow, and single mother—and with a little help from her friends—she rose to become an entrepreneur in a time when being a woman, and one with black skin, made it hard to just exist. But not only had she existed, she thrived in the Wild West and was successful in her business venture. And, she made people feel good, not just in the fresh, clean clothes they wore, but because she could make them laugh while living a tough life under harsh conditions.


The great thing about having a book release is IT’S BORN AFTER BEING IN LABOR FOR ONE YEAR!!!
The main thing I did that was truly Californian is EARTHQUAKES. This is actually the sixth book I’ve set in California. Ninth if you count the three I set around Lake Tahoe…though I mainly think of that as Nevada…but…well, my point is NINE BOOKS and I’ve never had an earthquake before. Well, that is OVER.
When they leave the ranch in search of stolen treasure, will the spark between them survive the perils ahead?