Giving a Cowboy the Boot!! by Charlene Sands



Little did I know that when writing Jackson Worth’s story that he’d have a weakness for a woman in boots.  Enter, Sammie Gold, just your normal run of the mill wholesome girl, who is a good friend of the Worth family.  Not only is our Sammie, Callie Worth’s best friend, she is a girl who is down on her luck and hoping to start a new life, with a brand new boot boutique. 

The boots Sammie wears turn Jackson’s head.  Whether stylish and sleek or sweet and innocent, to confirmed bachelor Jackson Worth, on Sammie they all look hot!  And that’s where the trouble begins!  Remember the coined phrase…what happens in Vegas? 

Well, what happened in Vegas didn’t stay there. It followed Sammie and Jackson to Arizona. 

In honor of boots all over the world, here’s a bit of boot trivia:

The Brooks and Dunn song ‘Boot Scootin’ Boogie’ on their 1994 album, ‘Brand New Man,’ resurrected the popularity of country music’s nearly defunct line dancing.  The hit spurred the country duo to fame and other than Simon and Garfunkel, they’d come to sell more albums than any other recording duo in history.



The popular “ugg” boots made of sheepskin were first became popular in Australia and New Zealand by local surfers who used the furry shoes to keep their feet warm after they exited the surf.  It is rumored that the manufacturer named the boots so because his wife said the first pair he made were ugly, thus “uggs”.


Go Go Boots were named from the French word “a gogo” which means “abundance or galore”.  In the 1960’s go go boots and mini-skirts changed everyday fashion.  Nancy Sinatra wore knee-high boots and sang these famous lyrics:

These boots are made for walking, and that’s just what they’ll do
One of these days these boots are gonna walk all over you.


Boots were originally designed to keep the feet protected and warm, but boots have come back in a big way not just for function but for style.  Cowboy boots, field boots, military boots, riding boots,work boots, Victorian ladies boots, rain boots – whether midcalf, knee-high or thigh-high, boots today are designed to make a statement.  Boots have attitude! 


Unfortunately, my own two feet don’t do boots well, but I was able to live out my boot fantasy at Sammie’s Boot Barrage in Worth The Risk.  And I had fun researching and designing my own pair of Marianna boots in the story.  Tell me what you think? Would you wear outlandish boots? What’s your favorite type of boot?  Are you a style or function type of boot wearer?  

Please also, take a moment to check out my Worth The Risk..Risky Release Party and you can win $25 Gift cards and an ereader! 

*** I was thrilled that an excerpt to my story was added to Diana Palmer’s, Betrayed by Love. 

Adding just a cooool note:  Today is 10-11-12.  

And tomorrow, look for our new Petticoats and Pistols Contest!!




Honky-tonk: a cheap, noisy saloon or dancehall. Okay, I’ll go along with the online definition for honky-tonk as a noisy bar or dancehall. But cheap? I don’t think so. As a plot-moving literary venue, a good honky-tonk is worth its weight in gold. It’s a place where characters gather to gossip, hook up, or plan the demise of a certain villain who has evicted them from their mansion. It can be a funny, romantic, or sad setting depending on the occupants—an entire town of crazy matchmakers, a sexually steamed up couple, or a depressed, drunk widow.

When planning my small town of Bramble, Texas, I knew that there had to be a honky-tonk. I even traveled to Odessa, Texas, to do a little research. Not only did I find the perfect small town saloon with pool tables and a sawdust dance floor, I found a friendly owner who didn’t mind sharing a story or two—some even too naughty for a romance writer. (If you ever run into me, ask me about the lost false teeth story:o)

After hanging out most the night at the country bar, I couldn’t wait to get back to the hotel and dive right into Going Cowboy Crazy. And where did I start my Deep in the Heart of Texas series? At a honky-tonk, of course.

Bootlegger’s is a one-story stucco hole in the wall with a big dance floor, plenty of pool tables, and a bar the length of a football field. My honky-tonk has become the venue for homecoming queen imposters, jealous heroes, pissed off daddies, and a little naughty bathroom sex. It even offers sanctuary to Joseph, a Wiseman, an angel, and a pig in Small Town Christmas–O Little Town of Bramble. (An eBook anthology that includes stories from my friends, Jill Shalvis and Hope Ramsay)

 As a writer, I love to return to Bootlegger’s to see what my crazy townsfolk are up to. There’s nothing I enjoy more than bellying up to the bar between Mayor Sutter and Sheriff Winslow, ordering a shot of Jose Cuervo, and listening to one of Kenny Gene’s stories. Some folks might view a honky-tonk as cheap. This author just views it as heaven.

 Have you ever been to a honky-tonk? Did you love it or hate it? Do you think that true love can start in a bar?

Comment for a chance to win a novel from my Deep in the Heart of Texas series—Going Cowboy Crazy, Make Mine a Bad Boy, and Catch Me a Cowboy. And be sure to keep an eye out for my upcoming releases: Hunk for the Holidays due out September 25 and Trouble in Texas due out December 18.

I would love to hear from y’all: Twitter-ktlane3

Streets of Laredo

I’ve sung “Streets of Laredo” since grade school, and have long wondered where the song came from.   The answer’s interesting but complicated.  There are many versions of this song, also known as “Cowboy’s Lament.”  Here’s one of the most familiar.

As I walked out in the streets of Laredo

As I walked out in Laredo one day,

I spied a young cowboy, all wrapped in white linen

Wrapped up in white linen and cold as the clay.

“I see by your outfit, that you are a cowboy.”

These words he did say as I slowly walked by.

“Come sit down beside me and hear my sad story,

For I’m shot in the chest, and today I must die.”

“‘Twas once in the saddle I used to go dashing,

‘Twas once in the saddle I used to go gay.

First down to Rosie’s, and then to the card-house,

Got shot in the breast, and I’m dying today.”

“Oh, beat the drum slowly and play the fife lowly,

And play the dead march as you carry me along;

Take me to the valley, and lay the sod o’er me,

For I’m a young cowboy and I know I’ve done wrong.”

There’s more, too much to include here.  The song is widely considered a traditional ballad, and the origins are not entirely clear. It seems to be primarily descended from a British folk song of the late 18th century called “The Unfortunate Rake.”  Here’s a sample of the English lyrics – definitely not for the kiddies.

As I was a walking down by the [Hospital]

As I was walking one morning of late,

Who did I spy but my own dear comrade,

Wrapp’d in flannel, so hard is his fate.

Had she but told me when she disordered me,

Had she but told me of it at the time,

I might have got salts and pills of white mercury,

But now I’m cut down in the height of my prime.

I boldly stepped up to him and kindly did ask him,

Why he was wrapp’d in flannel so white?

My body is injured and sadly disordered,

All by a young woman, my own heart’s delight.

Transported to America, the song evolved into a New Orleans standard, “St. James Infirmary Blues.”  Here’s a verse from the Louis Armstrong version:

I went down to St. James Infirmary,

Saw my baby there,

Set down on a long white table,

So sweet, so cold, so fair.

Let her go, let her go, God bless her,

Wherever she may be,

She can look this wide world over,

She’ll never find a sweet man like me.

“Streets of Laredo” is closer to the original.  The old-time cowboy Frank H. Maynard (1853-1926) claimed authorship of the revised version, but most scholars believe he edited an already existing song.  As for the melody, I’m a bit confused myself.  According to Wikipedia, the British ballad shares a melody with the British sea-song “Spanish Ladies.”  Since I wasn’t able to find the music I’m not sure it’s the tune used in “Streets of Laredo.”

Be that as it may, here are links to versions sung by two of our favorite cowboys, Marty Robbins and Johnny Cash.  Do you have a favorite version of this song?  Is there anyone out there who’s never heard it?


Home on the Range

Does the name Dr. Brewster Higley ring a bell?  It didn’t with me until I researched the subject of this blog.  Now I’ll never forget it.

Dr. Higley, an Indiana physician and lawyer, left his practice in 1871 to move to the Kansas prairie.  He built a cabin on some land awarded him by the Homestead Act of 1862.  It wasn’t fancy living, and Higley’s parcel of land was small.  But evidently it was a beautiful place, with a creek running through it and wild animals, like buffalo, deer and antelope, roaming the landscape.

Dr. Higley seemed contented there.  He was so contented that one day in 1872, he sat down on the banks of the creek and jotted down a bit of poetry he titled, “My Western Home.”  It started like this:

Oh, give me a home,
Where the buffalo roam,
And the deer and the antelope play,
Where never is heard a discouraging word,
And the sky is not clouded all day.

The poem was never intended for an audience.  But one day a friend named Trube Reese dropped by the cabin for a visit, found the poem and convinced Higley to turn it into a song.  Higley got a fiddler named Dan Kelley to help him set the poem to music.  Here are a few more of the original lines:

A home! A home!  Where the Deer and the Antelope play,

Where seldom is heard a discouraging word, And the sky is not clouded all day.

Oh! give me a land where the bright diamond sand Throws its light from the glittering streams,

Where glideth along the graceful white swan,Like the maid in her heavenly dreams.

The song was an instant hit.  Before long it had taken on a life of its own.  Settlers and cowboys passing through the territory heard the song and took it with them, adapting the lyrics to each new place.  There was “My Colorado Home,” and “My Arizona Home.”  Within five or six years, hardly anyone remembered who had written the original or set it to music.

The first commercial recording of “Home on the Range” was made by a Texas singer named Vernon Dalhardt.  More recordings followed.  By 1935, the song was everywhere.  Then an Arizona couple filed suit, claiming they’d written the song 30 years earlier.  An attorney doing research for the defense came across a copy of Higley’s poem in an 1876 edition of a Kansas newspaper.  Even with the changes over the years, the poem was close enough to the lyrics to establish Brewster Higley, who’d died in 1911, as the original author.

Early in the 20th century, Texas composer David Guion did a new arrangement of the music and sometimes credited as the composer.  “Home on the Range” was adopted as the state song of Kansas in 1947 and is commonly regarded as the unofficial anthem of the American West.

Want to here it sung?  Here’s a link.

 The version I learned in grade school is closest to the one presented by folklorist John Lomax (1910).  Do you have any special memories of “Home on the Range?”  Do you think children still sing it today?

Christmas and Cowboys

As we find ourselves with Christmas less than a week away, I’m sure many of you are as busy with last minute shopping and preparations as I am.  I thought this would be a good time to pause for a few minutes to reflect on the meaning behind all the hustle and bustle of Christmas.

And along those lines, a friend sent the poem A Cowboy’s Christmas Prayer by S. Omar Barker, and I thought it would be good to share it with all of you.


And to make it extra special I’m sharing it as a link that will take you to a video of a cowboy reciting the poem.

* Hear a recitation of A Cowboy’s Christmas Prayer 


And as a bonus, I’ve also included a link to John Denver singing Christmas For Cowboys.

* Hear John Denver sing Christmas For Cowboys


I wish you all a very merry and blessed Christmas, filled with family, love and peace.

The Great Canadian Barn Dance

First off, HAPPY THANKSGIVING to my fellow Canucks!  I hope you’ve stuffed yourselves full of turkey and cranberry sauce this weekend!

When I was a girl, I lived on a farm, so we never really vacationed much.  In the summer time, it was too busy.  In the late fall and winter, I was in school. There was the odd trip to the Annapolis Valley for apple grower field days in the summer. But I didn’t camp.

My husband’s family, on the other hand, camped A LOT. When we started dating, I suddenly learned what Coleman stoves and lanterns were for. How to put up a tent. The taste of bacon and eggs cooked in the outdoors. How you don’t touch the sides of the tent in the morning or when it rains or else you’ll get wet.  We moved out west and had kids and bought a bigger tent. Then we bought a tent trailer – a pop up that keeps us off the ground and has a table that works out dandy when it’s raining.  I love how I can leave my dishes and necessities in it and not have to pack them up every time.  It has burners but we still take the Coleman stove and use it unless it’s pouring down rain. It wouldn’t be camping without the camp stove.

One of my favourite camping trips ever was the summer before we left Alberta. We’d already spent a few weeks in the Shuswap area of British Columbia, but after being home a few days we felt the urge to hit the road again.  The husband left the destination up to me. I think for a while he regretted it, because I picked The Great Canadian Barn Dance  in Hillspring, Alberta – I think it was 2 or 3 nights camping and then a roast beef dinner and dance included.

Now my husband is a quiet guy.  The idea of going to a “group” dinner and then a barn dance earned me a few nasty looks. The girls, on the other hand, thought it sounded marvelous.

Southern Alberta is beautiful, and the campground was only a short drive from Waterton National Park. If you’re at all familiar, you’ll know that Waterton is on the Canadian side of the Montana Border and Glacier National Park. It’s absolutely stunning. And all around it is some of the most beautiful ranch country I’ve ever seen.

And the barn dance was great. First there was dinner – roast beef, potatoes, beans, coleslaw, buns….mmmm.  And Apple Crisp for dessert. Then there was the entertainment – the place is run by the Kunkel family and they’re all pretty talented. There’s an audience participation component (can you see my husband’s eyes roll again?) and wouldn’t you know he got chosen to play the “gut bucket” aka washtub bass. But he was a good sport.  After that the kids got a wagon ride around the place and then there was the dance itself.

Don’t worry if you don’t know how to two-step or line dance.  They’ll teach you.  They’ll teach you something called The Butterfly too.  A mutual friend taught me to two-step several years ago, but this was the first time my husband ever did it, and it was great. We left before it was over to put the kids to bed, but as we sat outside we could still hear the music.  We even shared a dance beneath the stars as the party ended.

Now that we live on the East Coast, we’ll probably never make it back there again. But I’m sure glad we went.  And glad we’ve got the memories. Heck, it even inspired one of my Romances that was out in 2009.

Our camping trips inspired lots of locations, sometimes just be exploring a part of Alberta or British Columbia and finding it particularly pretty.  Such is the case with my next Harlequin Romance, Proud Rancher, Precious Bundle.  It’s out in February, but it’s out this month in the UK as a Mills and Boon Cherish.

A Horse Is A Horse . . .

momlogolihLiving in Lexington, Kentucky, my husband and I see horses all the time.  We were driving down New Circle Road the other day, not paying attention to anything, when a truck with a horse trailer pulled up next to us. The horse neighed at the top of its lunghorses backyard smalls and startled us both.

My husband, being a bit of a comedian, started singing the Mr. Ed Song. That led to all sorts of trivia questions about the old show. It also got me thinking about famous songs about horses.  The “Mr. Ed Theme Song” is on the list, of course, of course,  but it’s not exactly a personal favorite. 

Just for fun–and because I’m still up to my chin in revisions due May 30th–here are some of my favorite songs about horses:

No. 1 on my list is Strawberry Roan by Marty Robbins.  You’ve got to love a horse that can “turn on a nickel and give you some change.”  The song is about a horse no one can Strawberry Roanride. Right away, I’m thinking about putting that horse in a book and pitting him against a hero with a lot of patience and a lot of love.

No. 2. is Silver Stallion by the Highwaymen.  You probably know this group is made up of Johnny Cash, Kris Kristofferson, Waylon Jennings and Willie Nelson.  Talk about the Mount Rushmore of country music!  This song is full of romance and adventure. When I need inspiration, I play it.

No. 3 always makes me laugh. It’s Beer for My Horses by Toby Keith and Willie Nelson.  There’s something wonderfully outlandish about the whole picture. I’m not the only person who likes this song. In 2003 it spent six weeks at No. 1 on the Billboard Country charts. 

No. 4 on the list is a Golden Oldie from 1948.  Ghost Riders in the SGhost Ridersky is a folk tale about a cowboy who envisions red-eyed, steel hoofed cattle being chased across the sky by doomed cowboys. He takes it as a warning to change his ways.  I love the drama in this song.  It’s been recorded many times, but the version I remember is by Frankie Laine. Bing Crosby sang it, too. I can’t quite imagine that! I’ve also heard the Johnny Cash version. Very cool!

No. 5 on my list is a song that sometimes I like, and sometimes I don’t. I’m not generally a Rolling Stones fan, but their Wild Horses is classic.  Susan Boyle just remade it. She put a whole new spin on it.

That’s my list.  I know there are others . . . Garth Brooks has some horse songs.  The group “America” did A Horse with No Name. That song always bothered me.  I wanted to name the horse, of course, of course! Anything but Mr. Ed!  That’s my list.  Does anyone have titles to add?

Cowboys of the Silver Screen ~ ROY ROGERS

With the issuance of the “Cowboys of the Silver Screen” stamps, the U.S. Postal Service honors four extraordinary performers who helped make the American Western a popular form of entertainment. Film stars from the silent era through the singing era are featured on the stamps: William S. Hart, Tom Mix, Gene Autry, and Roy Rogers. The stamps go on sale April 17.


Roy Rogers was so much more than an extraordinary performer. Born Leonard Slye on November 5, 1911, on a quiet street in Cincinnati, Ohio, whroy-rogersere Cinergy Field, home of the Reds, now stands; “right where second base is now” according to Roy.

Though Roy was city born, he was farm raised. His family bought a small farm near Duck Run, OH, when Roy was seven. On Saturday nights, Roy was the musical entertainment, singing, yodeling, and playing mandolin while the family and their neighbors danced. His yodeling abilities were self-taught, and he, his mother, and sisters used the musical form to communicate when they worked in different areas of the farm.

The Roy Rogers we know best was a silver screen cowboy who sang his way to stardom. He always played the Western hero, with a warm smile, good character, and strong values.

Thanks to Gene Autry and his wildly successful films, every movie studio in Hollywood wanted a singing cowboy. Columbia Pictures signed the Sons Sons of the Pioneers_CMHFof the Pioneers to appear in a series of westerns. Here, give ’em a listen.

Sons of the Pioneers ~ Tumbling Tumbleweeds, written by band member Bob Nolan

When Gene Autry, who’d grown unhappy with his contract with Republic Pictures, threatened not to report for the start of his next film,  Republic held auditions for another singing cowboy, just in case. Roy heard about the auditions: “I saddled my guitar the next morning and went out there, but I couldn’t get in because I didn’t have an appointment. So I waited around until the extras began coming back from lunch, and I got on the opposite side of the crowd of people and came in with them…” It worked, and Republic signed him to a sever year contract. And when Autry left the studio, they put Len Slye, who had been renamed Roy Rogers, into the lead role in Under Western Stars. When the film was released in April 1938, it became an immediate hit, and Roy Rogers was a star.Roy Rogers and Trigger

In preparation for filming of Under Western Stars, several of the stables that provided horses to Republic brought their best lead horses to the studio so Roy could select a mount. The third horse Roy got on was a beautiful golden palomino that handled smoothly and reacted quickly to commands. Roy used to say “he could turn on a dime and give you change.” Roy named him Trigger, and the horse became synonymous with Roy Rogers.

As Roy’s popularity grew he never failed to give Trigger credit for much of his success. Roy was proud of the fact that through more than 80 films, 101 episodes of his television series, and countless personal appearances, Trigger never fell.

Trigger wasn’t his only sidekick. Smiley Burnette was Roy’s sidekick in his first two films, followed by Raymond Hatton, who worked with him in three films. Early in 1939, Gabby Hayes was cast as Roy’s sidekick in Southward Ho. Although Gabby had already made a number of films with John Wayne and William (Hopalong Cassidy) Boyd, he is probably best remembered today for the many films he made with Roy Rogers.

Roy Rogers & Gabby Hayes ~ We’re Not Comin Out Tonight

In 1943 Roy was voted the #1 Western star at the box office, and Republic began billing him as the King of the Cowboys. A few months later he made a guest appearance in the Warner Bros. all-star wartime musical film Hollywood Canteen, in which he and the Pioneers introduced the Cole Porter song Don’t Fence Me In.

Here’s another one I think you’ll enjoy: Roy Rogers & Sons of the Pioneers ~ Cowboy Ham and Eggs 

Dale_EvansBy 1944, Roy had starred in 39 films and had worked with almost as many leading ladies. Then the studio cast Dale Evans in The Cowboy And The Senorita. The immediate chemistry between Roy and Dale lit up the silver screen. Dale’s intelligence, strong will, beauty and talent earned her the moniker “the queen of the West.”

Did you know that Happy Trails to You, the song that became a Roy Rogers trademark, was written by Dale? Here are the two of them singing it together: Happy Trails to You

 Children across America who grew up on The Roy Rogers Show wanted to be just like him and tried to live by the Roy Rogers Riders Club Rules:Roy & Dale

  1. Be neat and clean.
  2. Be courteous and polite.
  3. Always obey your parents.
  4. Protect the weak and help them.
  5. Be brave, but never take chances.
  6. Study hard and learn all you can.
  7. Be kind to animals and care for them.
  8. Eat all your food and never waste any.
  9. Love God and go to Sunday School regularly.
  10. Always respect our flag and our country.

Roy Rogers died on July 6, 1998, at the age of 86. Although Roy was a huge success in show business, he remained a down-to-earth country boy that Americans couldn’t help but admire. “Roy Rogers was a man who unashamedly loved his God, his family, and his country. He was that rare public figure who was just the same on screen as he was off. He just wouldn’t have known how to be anything else.”    — from Happy Trails: The Life of Roy Rogers by Laurence Zwisohn  (

It’s Home Sweet Home to Me

Roy Rogers

“Goodbye, good luck, and may the good Lord take a likin’ to ya.”  – Roy Rogers

Cowboys of the Silver Screen: GENE AUTRY

momlogolihNot much happened in the telegraphy office of the St. Louis-San Francisco railroad, especially not on the late shift. To pass the time, the young clerk brought his guitar and played to amuse himself. On one of those lonely nights, he received a visitor. That visitor was legendary humorist Will Rogers, and Rogers liked what he heard from a young man called Orvon Gene Autry.

The chance meeting launched a career spanning six decades that included 640geneautry1 records with over 100 million copies sold.  And that’s just the start of it. Gene Autry starred in 95 movies, had a long running radio program, and produced and starred in his own television show.  When he retired from Hollywood, he went on to own the California Angels and KTLA, a Los Angeles television station. He’s also the only entertainer to have five stars on the Hollywood Walk of Fame, one for every category established by the Hollywood Chamber of Commerce.  No wonder he’s on a postage stamp honoring Hollywood cowboys!

His success was quite a leap for the young man born Sept. 29, 1907 in Tioga, Texas. At the age of five, Gene’s preacher-grandfather taught him to sing. His mother encouraged her son’s interest in music with hymns and folks songs. Gene was 12 when he bought his first guitar for $8 out of the Sears Catalog. After graduating from high school, he took the telegraphy job that led to his chance meeting with Will Rogers.

Rogers advised him to purse a career in show business, and a year later Gene went to New York to audition for RCA Victor. He didn’t win immediate favor. An executive told him to come back when he’d gotten more experience, and Gene did just that. He returned in six months and made his first recording, “My Dreaming of You” with a flipside of “My Alabama Home.”

Gene Autry horse guitarIn 1929 he signed with Columbia Records and went on to star in “National Barn Dance,” a popular show on a Chicago radio station. By the 1930s, he was one of the most beloved country singers in America, and his sales proved it. Gene Autry earned the first Gold Record ever awarded. No wonder he’s known as “America’s Favorite Singing Cowboy.”

Movies came next for Gene. He first appeared on the screen in 1934, but the film that made him a star was “Tumbling Tumbleweeds” in 1935. It led to several more “singing cowboy” movies, produced by Republic Pictures at a rate of a movie every six weeks. By 1937, Gene was rated a top box office attraction in the class of Clark Gable, Mickey Rooney and Spencer Tracy.

In addition to the  movies, Gene had a radio presence. His “Melody Ranch” show aired from 1940 to 1956.  Just about everyone knew the words to Back in the Saddle Again.  When television became the main source of familyGene Autry radio entertainment, Gene was the first major movie star to make the shift. He produced and starred in the Gene Autry Show for six years.

The stats for Gene Autry go on and on, but there are two things he’s known for that don’t have a number attached. One of those things is “Rudolph The Red-Nosed Reindeer.” Gene recorded this Christmas song  in 1949, and it’s a true American Classic.

The second is even more fitting for Petticoats & Pistols, a blog dedicated to western romance.  Gene Autry is credited with “The Cowboy Code.” Here is it:


 1. A cowboy never takes unfair advantage – even of an enemy.

 2. A cowboy never betrays a trust. He never goes back on his word.

 3. A cowboy always tells the truth.

 4. A cowboy is kind and gentle to small children, old folks, and animals.

 5. A cowboy is free from racial and religious intolerances.

 6. A cowboy is always helpful when someone is in trouble.

 7. A cowboy is always a good worker.

 8. A cowboy respects womanhood, his parents and his nation’s laws.

 9. A cowboy is clean about his person in thought, word, and deed.

10.A cowboy is a Patriot.

If that doesn’t sum up what it means to be a western hero, I don’t know what does. Autry small


 The Singing Cowboy stamps go on sale Saturday, April 17th.  It’s fitting the official unveiling will be at the Autry National Center in the Museum of the American West in Los Angeles. 

Western Theme Songs and Cowboy Ballads


I heard a song on the radio the other day that took me way back to the days when westerns dominated the movie screen and the television airwaves.  The song was The Man Who Shot Liberty Valance.  Hearing the song immediately put me back in front of the screen reliving scenes from that great movie. 


Cowboy Ballads

Got me to thinking about other Cowboy/Western ballads I love – not all of them movie related – and I thought I’d do a list of my top ten favorites for this post.  And for those of you who want to hear them again (or for the first time), I’ll post links to videos that feature them as well.


The Man Who Shot Liberty Valance

High Noon

The Streets Of Laredo

El Paso

Come A Little Bit Closer

Big Bad John


Big Iron

Johnny Reb

Ballad Of The Alamo



And as a bonus, I thought I’d include my 10 favorite western TV classic theme songs as well



Have Gun, Will Travel


Bat Masterson

Wyatt Earp




Rin Tin Tin





So how about you – did I leave one of your favorites off of my lists?  If so – share!