Periodicals in the 19th Century

Early magazines in the 19th century had a tough go and it was due mainly to distribution difficulties. There was no easy way to get the periodicals into the hands of women. It often took weeks and months for mail to travel via stagecoach.  Another factor was the fact subscriptions were very expensive at $2 and $3 dollars a year, and few could afford that especially for non-essentials. In the larger cities, some magazines resorted to accepting pork, corn, cheese etc. in lieu of cash.

Nineteenth century women were often starved for something to engage their minds and relieve the tedium of their lives but before Godey’s Lady’s Book their choices were severely limited. Godey’s was the most widely circulated before the Civil War. The magazine was in circulation from 1830 to 1878. The magazine was owned by Louis Godey with Sarah Hale as the editor. Women loved reading articles they could relate to. While fashion plates were included in every issue, the magazine was geared toward the ordinary woman.

 

While Godey’s mostly appealed to women, Old Farmer’s Alamac was a staple in homes for men. They only sold for $.o4 a copy and was wildly popular. It began publishing in 1792 and still is today. Amazing. I enjoy reading it for for the interesting things it contains.

Ladies Home Journal began in 1883 and was in circulation for 131 years. Sadly, the July 2014 issue will be the last. It was the first magazine to attain one million subscribers and it was one of the first periodical to tackle some of the problems of the nineteen century such as suffrage, family planning, marriage advice, and child rearing.

Good Housekeeping came along in 1885. The thirty-two-page biweekly sold for $2.50 a year. It offered advice on home decorating, cooking and dressmaking but also carried puzzles and quizzes. It’s still in circulation today and publishes ten editions around the world. Their Seal of Approval has become a gold standard for quality in everything.

Cosmopolitan began in Rochester, New York in 1886 by Paul Schlicht who after sufffering financial difficulties due to the $4.oo a year subscription price sold the magazine to John Walker. To bolster interest in the periodical, Walker set out on a railroad tour of the New England states, giving the memoirs of either Ulysses S. Grant or General William T. Sherman to new subscribers. By 1896 the Cosmopolitan had secured its place as a leading periodical. The Hearst Corporation acquired the magazine in 1905.

Vogue was born in 1892, House Beautiful in 1896, National Geographic in 1888 and finally Scientific American in 1845.

There were others of course like the New England Kitchen Magazine in 1894 and the Delineator which included dress patterns in every issue, but the ones I’ve listed were the leading sellers. Although it was probably rare for any kind to find its way into a pioneer woman’s hands.

After the struggles of the first magazines, it seemed a periodical explosion took place.

I had no idea some of these went back so far. I’ll bet you didn’t either. If you had lived back then and had the money, which might you have subscribed to?

Hidden within the pages . . .

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old booksRecently, a friend of mine forwarded me a link to a fabulous collection of antique books. The books were wonderful in and of themselves, but what made them truly spectacular was the art hidden within the pages. Not illustrations inside the text, but hidden paintings secreted in the fan of page edges.

The art is called fore-edge painting. When the book is closed the art is invisible. It can only be seen when the pages are fanned. While painted edges of books dates as far back as the 10th century for simple symbolic designs, the art of fore-edge painting with disappearing paintings can be traced back to a family’s coat of arms signed and dated in 1653 on a Bible printed in 1651. Edwards of Halifax, and English bindery, advanced the art with many finely executed landscapes and depictions of ancestral homes which were attractive to the British elite. 

Often the artist would paint a picture that matched the text. For example, these double fore-edge paintings (double meaning one picture shows when you fan the pages one way and another appears when you fan the pages in the opposite direction) of the Garden of Eden and the Last Supper were found on a Bible printed in 1803.

Eden Fore Edge Painting

Last Supper Fore Edge

 

Here are a couple You Tube videos that show how the artwork is hidden.

This one shows a seafaring scene:

 

This one shows a doule fore-edge painting:

 

This art form continues today, especially in England, where artists like Martin Frost, help to revitalize the antique book trade by taking lovely old books with gilt edges that constomers have no interest in because of the dry subject matter, and increase their aesthetic appeal by adding fore-edge paintings.

If you could paint a scene from one of your favorite classics, which classic would you select and what scene would you choose to paint?

For the Love of Books

Since I”m a writer, it probably comes to no great shock to any of you that I love to read. I”ve been a dedicated bookworm since I was four years old, always hungry for a new story to get lost in.

Well, this month, in addition to my writing responsibilities, I”m also involved in some serious reading. You see, one of the biggest awards for romance writers, the RITA Award, is in the judging stage, and every author who enters a book is also asked to judge. So I have 8 books to read over the next few weeks. Such a hard job, I know. It breaks my heart to have to hide away and do my “homework.”

All this reading, though, put me in mind of some of the wonderful artwork that depicts women reading. Portraits of men might include horses, hounds, or guns, but women were the ones who chose to be painted with their favorite books. As I browsed through this artwork, I came a cross one painter in particular who had captured several such booklovers on canvas–Charles Edward Perugini.

Perugini was born in Italy and studied art there as a young man, then met up with Lord Frederic Leighton, an Englishman who brought the young artist to England and became his mentor and patron. Leighton provided the social invitations needed for Perugini to meet the priveleged families who would commission portraits from him and help him establish his career. In 1874 Charles Perugini married Kate Dickens. Yes that Dickens. Kate was the youngest daughter of famous author, Charles Dickens, and was herself an artist.

The portrait on the left is of Perugini, painted by none other than Frederic Leighton. The lady, of course, is Kate Dickens.

Perugini specialized not only in portraits, but also in depicting scenes from ancient Greece and Rome.

 

Some of my favorite portaits of his are below. Notice all the

lovely books!

 

Girl

Reading

Portrait of Miss Helen Lindsay

 

 

 

 

 

 

 

 

In the Orangery
Girl Reading (Probably Kate Dickens)

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So which of these paintings is your favorite? Are they putting you in the mood to pick up a good book? They are me. Think I”ll get back to that novel I was working on.