A Little Bit About Cameos and a Fun Giveaway

A few weeks ago, I was rummaging through an old box in my closet and found this treasure. It’s a cameo locket my grandmother gifted me when I was about ten or eleven years old (we won’t say how long ago that was). The chain went missing who knows when, and the fastener is broken, but the locket itself is intact. It’s not expensive and has only sentimental value, but I’m flooded with many happy memories whenever I hold it, and for that reason I’ll continue to keep it.

I got to thinking, when did cameos first appear, and what are the different types? So, I did a bit of research. Seems cameos have been around since ancient times and were first made from soft stones like onyx and agate. Later, craftsmen began using shells. While lockets seem to be the most popular, cameos are also set in rings, brooches, earrings, bracelets, and pocket watch fobs.

In the early days of cameos, they were used for more than jewelry and ornamentation. Because they are a relief carving (created by cutting away background material), cameos were used as official seals with wax. For the Greeks, they doubled as a form of currency. Since their beginnings, cameos have been worn by both men and women in every way from the simple and inexpensive to the elaborate and costly – inlaid in gold and adorned with precious gems.

I noticed that a woman in profile — especially Greek or Roman in appearance — is one of the most common cameos. Other ancient figures you might see are Roman warriors, Greek mythological characters such as Zeus and Medusa, minstrels, mermaids, and sirens. You can also find animals such as peacocks, birds, and rabbits. Modern cameos often feature fairies, angels, Christmas bells, cats, dogs, flowers, and hearts. Oval is a prevalent shape, but I’ve seen circles, hearts, and squares. Some lockets, like mine, open to reveal a miniature photo. Cameos’ popularity have risen and waned over the centuries. They were very popular during the Victorian era (mid-1800s to early 1900s), so they often made their way west with pioneers and travelers.

If you could design a cameo, what figure would you use? As an author, I think it might be fun to have a cameo featuring an open book.

After all this talk, I decided it would be fun to end the day with a little giveaway. A cameo, of course. Just comment and let me know if you have a cameo, ever had one, want one, or what is your favorite. I’ll randomly draw a winner at the end of the day and mail this rose cameo along with one of my backlist print books (sorry, U.S. shipping only). So, have fun and play along.

Autumn Beauty, Seasons of Celebration and a Special Give-Away

Howdy!

Welcome, welcome to another terrific Tuesday.

Autumn, how I love it — the crisp air, scented delicately with falling leaves and the smoke from wood stoves;  Cinnamon and fresh apple cider, pumpkin pie, turkey and cranberry sauce, apple pie, the last of the corn on the cob…

And what about the “feels” of autumn? Traipsing through leaves, racking them up and jumping in them; picking up a leaf and tracing its pattern; warm days, cool nights, the pleasure of feeling Mother Earth prepare for a few months’ sleep.

And how about the touch of the Fall atmosphere upon one’s skin? And don’t you love the sounds of autumn?  Cold nights and warm blankets, football games announcing the players; the sounds of cheerleaders and marching bands; long practices — even the quiet sound of leaves falling to the ground.  How I love it.

thanksgivingOf course, to the people who lived close to the earth in our not-so-distant past, the look and feel of Fall was as beloved then as it is today.  So much was this the case that the Eastern American Indians devoted an entire festival of fun and merriment to Autumn — and that festival was called the Harvest Festival.

Naturally, we are all pretty much aware that our Thanksgiving has a lot to do with the colonists’ association of the Eastern Indian tribes, and in particular Squanto who helped the new people who had come into this country.  Although sometimes the history of our Thanksgiving is attributed to an English celebration, I’d like to put forth a differing point of view, if I might.  At the end of this blog I’d love you to tell me your point of view..

When the colonists first came to this country, history tells us that the colonists were escaping religious persecution, and, indeed, this is true.  But a deep dive into history also reveals that many people came to America as slaves or indentured servants because England was at that time emptying its prisons.  But, regardless of why they came to America, we also know that their first winter in the new world saw the colonists ill-prepared for what was to come and many of those people suffered that first winter.

Seeing this, a particular American Indian man and a Native American tribe decided to help these colonists and taught them about the earth and how to plant the corn, beans and squash so they could obtain a bountiful harvest.  They showed them the best hunting grounds also, as they went about trying to help these people survive.

The particular man who came to the aid of the colonists was Squanto, who had been captured by the English and brought to Spain.  He somehow found his way to the monks in England, who, in turn, helped Squanto to return to his home.  Some versions of this story say Squanto escaped incarceration in England and in doing so, was discovered by the monks.  Some say he was sold to the monks as a slave.

But, whatever was the cause, Squanto came to live with the monks in England and was taught how to speak and how to read and write English.  Imagine the colonists’ surprise when an Indian stepped out of the woods and spoke English to them.

Because of the American Indians’ help and their teaching the colonists how to plant the food that would grow in the soil of New England, as well as the Eastern American Indians sharing the knowledge of the best hunting grounds, when Harvest came, the Indians and the colonists had a bountiful harvest and they came together to celebrate what the Indians called the Harvest Festival.  Th colonists came to call the same celebration Thanksgiving.

It is written the Indians bought much food to the colonists:  deer meat, turkeys, corn, squash, beans and shared it all with their new friends, the colonists.  And the colonists, in turn, shared what they had with the Indians.  Also, there were many games and much fun celebrated on this first Thanksgiving which were common to the Harvest Festival of the American Indian tribes.

Now, the Harvest Festival was only one of six festivals of the Eastern American Indians.  It was part of an ancient celebration wherein He who was and still is known as the Creator, was thanked for a good harvest season

Before the Harvest Festival began, the women would have already harvested the corn, beans and squash.  Much of it would be dried.  Corn husks were made into many different items, such as dolls, rugs and mats.  Did you know that the dolls didn’t have faces?  It was also a time to gather more nuts and berries.  Men were busy, too, with hunting far away.  Bear, moose, beaver were all sought after and hunted.  When the Festival began, there would be much celebration, such as dancing, speeches and prayer.  And of course — food.  From the American Indian point of view, it was this particular festival that was shared with the newcomers to this continent.

Perhaps it’s because this one festival — Thanksgiving — was shared by the American Indians and Colonists alike that set the tone of Thanksgiving for future generations of Americans.  And I do believe that the love of autumn and giving thanks for that which the Creator had given has its roots in The Harvest Festival, so beloved to the Eastern Indian Tribes.

What do you think?

And now for something very special.  Recently a reader contacted me to talk about some of my books and I found out — upon emailing with her back and forth — that she makes Native American clothing and jewelry.  In fact, very kindly she sent me some earrings that are made from deer skin.  They are shaped in the form of a feather and are hand cut so delicately.  They are absolutely beautiful.  And, I’m going to give away a pair of these earrings to one of you lucky bloggers today.

I’m going to try to get my husband to help me upload a picture of the earrings here so you can see them, but I will also describe them because I am technology-challenged.  Please excuse me on this.  We lost internet last night for a while and so my husband was not able to post a picture.  But, see below for the description.  Update:  Red Feather just sent me a couple of pictures of the earrings, and here they are:

The earrings are a light brown or tan color and, again, are shaped like a feather and have a gorgeous copper-colored chain that hangs down the front of the earring.  They are hand-made, hand-cut and are so very, very beautiful.  The creator of these earrings is a woman by the Indian name of Red Feather who has made other unique creations with Native American Style.  email:  garvinpa@aol.com

The first picture is the picture of the earrings I will be giving away and the second picture is of several different colors of the earrings.

To enter into the drawing for the earrings, all you have to do is comment on this blog.  All the terms and conditions of give-aways on this site apply. (They are off to the right here and easy to read and short.)

So, in closing I’d like to ask your opinion.  Do you think the roots of our Thanksgiving comes from a celebration that is found only in England, or do you think it comes from our American Indian heritage and their Harvest Festival?  Is it uniquely American with its roots in Native America?  Or do you think it might a combination of the two?

For me, I think our Thanksgiving has deep roots in Native America, not necessarily England, and that the ancient celebration of the Harvest Festival is still celebrated as a time of giving our thanks to God, The Creator, for the gift of plenty that was and is to be found within this country.

Thank you for reading, for coming to the blog today and for being loyal readers of the Petticoats and Pistols blog.

Happy Thanksgiving.

 

Jewelry Art and a Giveaway

Hi everyone, Winnie Griggs here. Today I thought I’d do a post on one of my more recent hobbies – jewelry art.

I first stumbled on this when visiting a small town Texas festival. I walked inside one of the vendor booths and saw all of this beautiful metallic and bejeweled artwork everywhere. There were Christmas pictures that featured trees, wreaths and angels. There were romantic pictures that featured hearts, flowers and gowns. There were message pictures that featured names, occupations and short sayings. Everywhere I looked there was something new to delight the eye and each of them were entirely unique. And what made it even more fun was when I looked closer I could see that each picture was made up of dozens of pieces of jewelry.

I didn’t take pictures that day (and kicked myself for that later!), but if you want to see some examples, you can look HERE and HERE.

My mind immediately went to the box in my dresser where I tossed all of my broken jewelry, the earrings that no longer had matches and the beads and rhinestones that had fallen from their settings. At last! Justification for holding on to all those seemingly useless bits and bobs. And for the costume jewelry I no longer wanted.

The first thing I tried my hand at was a Christmas tree. While it didn’t come out as polished as some of the ones I saw at the festival I think it looks pretty good ?.

I’ve made several others since then but have given them away and don’t have pictures. But I also tried my hand at forming words which resulted in this Book Lover one.

I eventually ran out of jewelry and put the hobby aside. But I still look for inexpensive pieces when I’m in thrift stores or at garage sales and estate sales and am gradually rebuilding my stores. So who knows, I may give it another go soon.

So what do you think? Have you seen examples of this particular craft before? Have you tried it yourself? Would you like to?

I’ll select one person from among those who leave comments to send the Book Lover picture to. (And in the interest of full disclosure there are several glue stains on the backboard)

 

A Gift of Love and Laughter

Image generously granted public domain license by its creator, Alexandra Constantin.
Image generously released into the public domain by its creator, Alexandra Constantin.

My father was a pure-dee nut. Although he could be very serious when the situation warranted, most of the time he engaged in the kind of subtle silliness that kept everyone’s eyes in a perpetual, disbelieving roll…accompanied by the type of laughter that gets away from you despite your best effort to keep a straight face. The trait must have been genetic, because he passed it on to all four of his offspring.

One Christmas shortly after he returned from a tour in Viet Nam, my father’s sense of humor took a turn for the exasperating. As usual, the six of us sat around the tree waiting for Momma to open the last gift: her present from Daddy. A child of the Great Depression, Daddy usually gave Momma something practical—no less loved, but practical.

On that Christmas, quiet and well-behaved for once, we kids focused rapt attention on the mammoth present in Momma’s lap. Also a child of the Great Depression, she always unwrapped gifts with great care, in order to save the paper and ribbons for use the following year. Momma folded the paper and set it aside, then lifted the lid from the box. Inside lay another wrapped package. She dutifully—and carefully—unwrapped that box, too. Yet another wrapped parcel emerged. And so it went, for what seemed like fifty layers. With each new layer, Momma and all four of us kids gave Daddy one of those ducked-chin, cocked-brows looks that said “I’ll bet you think you’re funny, don’t you?”

Not in the least affected by our disapproval, Daddy continued grinning and chuckling.

Finally, Momma opened the last box. Inside was a worn-out combat boot she thought she’d disposed of months ago.

My siblings and I are lucky our eyes didn’t stick at the apex of an enormous, simultaneous roll. The synchronized groan shook the rafters.

Lips pinched but curved the tiniest bit at the corners, Momma speared Daddy with an undisguised “I’ll kill you when the children aren’t watching” look and reluctantly reached inside the bedraggled boot. From the deepest, darkest recesses of the toe, she withdrew a tiny, elegant box.

Momma's ringA moment frozen in time will remain in my memory long past eternity. Inside the box was a beautiful ring. Diamonds and deep-blue sapphires sparkled with a thousand points of light. Daddy gently slipped the gift onto Momma’s trembling finger.

I hardly ever saw my mother cry, but tears trickled down her cheeks that morning.

Momma and Daddy are gone now, but the ring and the memories will live forever. That sparkly Christmas present from long ago, and the memory of its giving, are among my most cherished possessions.

May your holidays be filled with the little irritations all families inflict upon one another. Even those—perhaps especially those—are priceless gifts.

 

Jewelry Design in Victorian Times

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Leave a comment today and one random winner will receive an autographed copy of WELCOME TO WYOMING!

 

Kate Bridges-web2Hello everyone! It’s nice to be back at Petticoats & Pistols!
In my current novel, WELCOME TO WYOMING, both the hero and heroine are jewelry experts, therefore I had to learn a lot about the topic while writing it. Or at least, enough so that the two of them could carry on an intelligent conversation.
First, a bit about the book so you understand where I’m coming from. WELCOME TO WYOMING is an accidental mail-order bride story. Seeking justice for his murdered colleagues, Detective Simon Garr has gone undercover as infamous jewel thief Jarrod Ledbetter. All is going to plan, until he finds out that Jarrod’s mail-order bride, Natasha O’Sullivan, is on her way to Wyoming. Simon can’t afford to jeopardize his cover, and is left with only one option – he must marry the woman!
“Victorian jewelry” refers not only to that produced in England during Queen Victoria’s reign from 1837 to 1901, but also to the jewelry produced in North America during this time.
Glass or “paste” jewels had been used for centuries in design, and beautifully done in brilliant colors. Some say that glass jewelry got its nickname “paste” because the glass beads were often glued into place, sometimes with colored glues to match. Another theory is that the nickname came about because during creation, glass was molten and extruded like “pasta”.
kbookShady jewelers might substitute glass or “paste” in one or two pieces of an heirloom set, and this would go undiscovered until the piece was appraised or broken up to create new pieces. Pearl fakes were made of luster-coated glass beads.
One of the ways my heroine detects fake gemstones versus real is using their different thermal properties. When she holds the gemstones against her cheek, they heat up very quickly, indicating fake glass stones, whereas real gems would remain cool.
Low necklines weren’t common during this time except in ball gowns. Therefore Victorians (and Americans) wore high lace collars that fit nicely with the use of pins, brooches, and clips. Or their blouses and jackets were open over a lacy chemisette where they would drape a beautiful, long necklace.
Lockets were romantic and popular. Sometimes they were worn beneath clothing to protect the sentimental keepsake from public eyes. Lockets often contained painted miniatures of a person, or a lock of hair.
pheee
Rings were popular, and Queen Victoria sometimes wore one on each finger. Cameos were popular as necklaces, hair ornaments, rings, and bracelets.
The diamond mines of South Africa opened in 1870, and diamonds were then only available to the rich. Only married women and those of a certain age were the ones deemed appropriate wearers of online casino diamonds and gems. Girls and young, unmarried women wore simple items such as crosses, pearls, and chains. Most men didn’t wear much jewelry during this time other than pocket watches, fobs, and lapel pins.
When Queen Victoria lost her beloved husband, Prince Albert, she went into mourning for decades. One unexpected result was that she wore not only black clothing, but she made black jewelry very popular even among those people not in mourning! Her influence reached America. There was an abundance of black materials used, such as Jet, Onyx, and French Jet.
Specific gems had specific meanings. Intimate messages were spelled out in jewelry. For example, the first letter of each gemstone would be phcccused to spell out the message. They might use “P” in pearl, “E” in emerald, “A” in Amethyst, “D” in diamond, and so on. Pieces could spell out words such as Mother, Dear, etc. Several countries practiced this “secret message” technique. I use a similar detail in my novel.
Different symbols meant different things. For example, Ivy=fidelity or marriage, Serpent=eternal love, Daisy=innocence, Mistletoe=kiss, Horseshoe=good luck.
Up until 1854 in England, the legal standards for gold were 18ct and 22ct. After 1854, gold standards were lowered to include 15ct, 12ct, and 9ct. Gold and silver mines discovered in America in the mid-1800s reduced the price of gold and silver, and in many cases, increased the quality.

Are you surprised to learn something about jewelry you didn’t know? Do you have a favorite piece of jewelry that means something special to you?

www.katebridges.com

 Reference sources: Old Sacramento Living History Museum, Antique Jewelry University

Messy Brushes, Big Hair and A Strange Form of Art

Vicki LogoI can’t decide if the topic of this blog is interesting or just plain gross. My nose wrinkles when I think about it. I get itchy. My neck prickles. I don’t get this old Victorian practice at all, and it strikes me as too weird to explain.

This fascination started during a chat with my mother-in-law. We were looking at some of her treasures, things that have been in her family for a long time. One of those items was something I couldn’t identity. Hair receiver blue

“What’s that?” I asked.

“I don’t know what it’s called,” she answered. “But women used it to save hair they pulled from their brushes.”

My eyebrows shot up. “Why would they save it?”  (Anything that comes out of my hairbrush goes in the trash or down the toilet.)  

Neither of us knew, so I did some googling and discovered Victorian hair receivers, “ratts” and the lost art of hair jewelry. hair receiver 3

In Victorian times, just about every woman had a hair receiver on her dressing table. She also had a lot of hair. After brushing it, she’d cull the broken strands from the brush and put them in the container.  Hair receivers were typically made of porcelain, glass, wood or celluloid. They sat in plain sight and were generally quite pretty.  They’re most easily identified by the finger-sized hold in their lids, designed to allow a woman to push through the hair.

Hair receivers kept a dressing table clean and free from loose strands, but what do you do with the hair? Commonly, the collected hair was used to make pin cushions. The wad could be quite dense, and the oil on the hair had a lubricating effect on the pins. The hair could also be used to make small pillows.  The soft texture gave it an advantage over pin feathers, which could be prickly.

hair receiver girlThe collected hair had another common use. A woman’s hair was considered “her crowning glory.” As a result, Victorian women had elaborate hairstyles. To get the fullness and volume, they used “ratts” (sometimes spelled rats).  A ratt was made by stuffing a hairnet with hair, sewing it shut and inserting it into the elaborate coif.  A ratt, roughly the size of a potato, gave a Victorian woman her trademark “Big Hair.”

A lot of us probably have a lock of hair in a scrap book. I’ve got a snip from my oldest son’s first haircut. In Victorian times, this sentimental practice went far beyond a snip or two in a locket.  “Hair art” might have been the “scrapbooking” of its day.  It was considered a suitable occupation for young ladies and gave rise to a variety of interesting creations.hair on chain

Mourning brooches were common. With high infant mortality rates and the devastation of the Civil War, death was very much present. Jewelry made from the hair of a lost loved one was seen as a fitting memorial. Friends and family members often exchanged sentimental tokens. The hair used in hair art didn’t typically come from hair receivers. It was carefully selected for color and texture and had to be straight to get the desired effect. Hair jewelry is deserves a blog of its own. 

So what do you think? Are hair receivers gross or useful?  I’m still on the fence, but I’m in awe of women who made such good use of something I’d have thrown away.

19th Century Bling ~ Watch Chains & Fobs

tracy-garrett-tile

My 96 ½ year old maternal grandmother is a pack rat. We discovered this when, at her insistence, the family began cleaning out her home and readying it to sell.

After three days of sorting, my sister, mother and I sat down to go through her jewelry boxes. The memories were fun – the bird and flower and dragonfly pins she always wore when teaching because her kindergarten and first grade students loved them. [The articulated owl was my favorite.] We found several cameos [see my August 7 post Carved in Stone–or Shell]. And pearls, of all lengths. Seems GGG-Great Grandmother Grace loves pearls.

In a box marked “Keepsakes” we found hat pins and buttons and old marbles. And a watch fob. The card with it says it belonged to GGG’s father, my Great Grandfather Ole, a Norwegian wheat farmer from North Dakota.

The chain is nothing fancy but there is a bit of bling on it that brought a wonderful surprise. The square gold locket fob hanging from the center held an old photo of my Great Grandmother Julia.

The find got me thinking: what kind of bling would you find on a gentleman’s dressing table in the 1800s?

A fancy button waiting to be sewn back onto a vest. We found a few of those, military coat buttons mostly, carefully pinned to cards identifying the owners.

Cufflinks of gold, perhaps declaring the gentleman’s membership in an organization like the Masons.

man-wearing-watch-with-fobThe most common bit of bling would likely be a pocket watch and chain, that extra little something that showed a man’s taste, his position, and sometimes offered a glimpse into his life.

The pocket watch has been around since the 1500s. Originally a status symbol only the very rich could afford, by the 19th century most anyone who wanted one could buy one.

Attached to the pocket watch would be a chain, one end secured to his clothing, the other to the watch. Most commonly, the chain would hook through a button hole on his vest or coat, leaving the chain to drape across his middle to the pocket containing the watch. The chain was functiohair-chain-w-watch2nal–it kept his watch attached to his person should it accidentally slip from the pocket–but it could also be jewelry.

My Great Grandfather’s watch chain was made of human hair. I assume the chain was braided by Julia for Ole–perhaps it was a gift for him when they were betrothed. I can imagine him, all spiffed up and looking proud, with that chain and fob adorning his vest.

What is a fob, you ask? Fobs are medallions that would hang from the end of a gentleman’s watch chain. Their purpose was to help pull the watch from their vest pocket.

They could be made of the same material as the chain: gold, silver, hair, etc. Here’s a good example – the fob is the small length of braided hair chain hanging by the button finding.

See the little loop at the end? From there the gentleman could hang almost any bit of bling he wished.

The fob could display the family crest.fob_with_crest_and_eagle2501

Or be covered with gold and jewels.cameo-watch-fob-1890s

fob-gold-and-jewels

It could be a locket, like Great Grandfather Ole’s. Or perhaps a cameo.

There were Double Albert chains, named for Queen Victoria’s husband, with a fob hanging from the center.

Double Albert watch chain

And the fob wasn’t an exclusively male piece of jewelry. Women commonly wore very ornate little fobs such as decorated balls or baskets of flowers or lockets.

In Victorgarmentclip2ian times, garment clip chains were worn by women on the pocket of a blouse or waist band of a skirt and were worn by men clipped directly on the trouser pocket or vest pocket.

Women also wore their watches on long chains, or slides. The slide was a very long chain with a slide in the middle that could be adjusted to the length that looked best with the lady’s garment. The slide itself could be engraved, or decorated with seed pearls or small gemstones. ladiesslide2

Or perhaps she preferred to wear a pin.watch pin

The possibilities were only limited by the wearer’s taste and financial means.

Does anyone you know wear a pocket watch? What’s the most unusual watch fob you’ve seen?

http://www.tracygarrett.com

Carved in Stone—or Shell

  

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I have always loved cameos. I received one as a birthday gift years ago, white carving on a brown background set in an antique gold broach, and it’s one of my favorite pieces of jewelry. Not because I wear it all the time, but because of the history of the gift. My history.

Recently my mother, sister and I were sorting through my grandmother’s jewelry. Among the dozens of bird and animal pins—she loved wearing them for her kindergarten students—were several cameos. Some were plastic, others looked to be rather old. Since GGG (she signed her cards this way—stands for Great Grandmother Grace) didn’t collect fine jewelry, the old pieces wecameo-antique-victorian-sardonyx-1880re probably her mother’s. Looking at those wonderful pieces got me thinking about the history of the cameo.

The cameo is much older than I thought. Though the origins are still under dispute, most think the word “Cameo” comes from the Hebrew word KAMEA, meaning a charm or amulet, or from the Latin CAMMAEUS, meaning “engraved gem”.

Historians believe this carving tradition came from Alexandria, Egypt, nearly three centuries before the birth of Christ. Early Greek and Roman carvings featured images of gods and goddesses, mythological scenes and biblical events. Some immortalized rulers or heroes. During the era of Helen [323BC – 31/30BC], women wore cameos depicting a dancing Eros as an invitation to perspective lovers.

They’ve been used on military uniforms, rings, watch fobs, pins, amulets, vases, cups and dishes. They became a collector’s item during the reign of Queen Elizabeth to demonstrate status and wealth.

queen-victoria1Queen Victoria popularized the cameos made of sea shells. Napoleon wore a cameo to his own wedding and founded a school in Paris to teach the art of cameo carving to young apprentices.cameo-coral2

 

Stone, shell and coral are the materials most often used for the carvings. In stones, you’ll find agate and less often, turquoise.

 

Shell is probably the most commonly used material, because of it’s availability cameo-strombus-giga-shellto carvers in all locations and financial situations. Among the shells used are Cornelian, Cassis Madagascariensis, Empire Helmet or Conch, Sardonyx (that’s the material in the pink amulet above), and Strombus Giga.

 

cameo-antique-victorian-shellThe cameos we’re most familiar with show a young woman, hair and dress appropriate to the period of the carving, in various colors. 

In the 1840s, the goddess Athena cameo-athena-french-1840was a popular subject.

They even carved cameos of such things as peacocks and horses.cameo-antique-ivory-peacocks 

cameo-antique-victorian-painted

 

cameo-blue-porcelain-horse1

Here’s one of my favorites from my research:

 

 

 

I still don’t know the origin of the lovely pieces in my grandmother’s collection, but that doesn’t matter so much. I appreciate them for their beauty and the history they portray—my history.

Do any of you own cameos? Do you know where they came from?

www.tracygarrett.com