Sometimes Only a Cowboy Will Do

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If you’re like me, you love to watch historical shows and movies, but really crave anything with a western flair.  There have too little of them lately, too few and far between.  My latest fan crush is OUTLANDER (Scottish–not western but wonderful) and my biggest gripe is that there were only 7 made for Showtime and the next full season doesn’t start until April 2015!  That’s a long time for an avid fan!  

Here’s a list of IMDb’s (Internet Movie Database) Highest Rated Western Television Shows.  I think you’d be surprised with some of them.  

1.    Deadwood   2004

deadwood

 

 

 

 

 

 

 

 

 

 

2.    The Adventures of Brisco County   1993

3.    Trigun  1998 Animated

4.    Have Gun Will Travel  1957

5.     Saber Rider and The Star Sheriffs  1987 Animated 

6.      Hell on Wheels   2011

7.      Zorro  1957

8.    The Rifleman   1958

9.    Maverick    1959

10.   The Wild Wild West  1965

11.   Rawhide   1959

12.   Longmire   2012

13.   Gunsmoke  1955

14.   The Big Valley   1965

15.   King Fu   1972

Hell on Wheels

 

 

 

 

I was surprised Bonanza wasn’t in the top 15.  It came in at  #17, while Little House of the Prairie was #19 and Dr. Quinn, Medicine Woman, was 20th. Looks like westerns rocked the television screens in the 1950’s.   Now, occasionally a good western will come our way, but not often enough if you ask me.

Is your favorite on this list?  What are your top 5 westerns, movies or television series?  

I have a great two-in-one Desire to give away to one blogger today!  (Suddenly Expecting and The Texas Renegade Returns)

 

LOOK FOR MY NEW HARLEQUIN ONLINE READ coming in January to kick off my Moonlight Beach Bachelors series! TITLE TBA

HER FORBIDDEN COWBOY coming in February!

 

 

 

 

The Victorian Parlor: aka The Chamber of Horrors

MargaretBrownley-header

This past week I wrote a scene in which my cowboy hero was forced to sit in a formal parlor. It was during the 19th century age of clutter which meant the front room was filled to capacity with ornate furniture, needlepoint cushions, framed photographs, musical instruments, and enough froufrou to create a dusting nightmare. The poor man in my story couldn’t move without knocking over a beaded fringed lamp or a delicate music box. Worse, he had to trust his six foot parlor6two bulk to a spindly chair since no “sincere” furniture existed.

Parlors Were Never Designed for Comfort

A proper parlor had one purpose and one purpose alone; to showcase a woman’s gentility to all who entered.

In his book Domesticated Americans Russell Lynes describes the parlor as a chamber of horrors for children. “It (the parlor) set husband against wife, daughter against father and swain against maiden.” It also took a lump out of the family budget.

A Hostess Must Avoid Any Allusion to the Age, Personal Defects or Ill-manners of Guests

No one really knew how to act in a parlor and this unleashed a steady stream of articles and books on the subject. Not only were people counseled on how to enter a parlor without “Jiggling their bodies” but how to leave it.  Phrases, such as”What-d-ye call it,” “Thingummy,” “What’s his name,” or any such substitutes for a proper name or place were to be avoided at all costs.

Go Already!

The Ladies Indispensable Assistant explained the rules of exiting in great detail. “Don’t stand hammering and fumbling, and saying ‘Well I guess I must be going.’ When you are ready go at once.”

parlor2Parlor rules existed for every possible situation, even courting. Never was a man to sit with his “arms akimbo” or strike an awkward pose. Nor was he to enter a parlor without the lady’s invitation.

God Made Weather to Give Us Something to Talk About

Visitors were cautioned against talking about religion, politics, disease, dress or, heaven forbid, one’s self. Cookbook and etiquette writer Miss Leslie wrote that inquiring about a hostess’s children was to be done “with discretion.” Saying that a son “was the very image of his father,” could be offensive if the father was not a handsome man. Even then the visitor could be treading on ice if “the mother was vain and wished the children to look like her.”

Sparlor1everal things happened to make the parlor with its endless rules fall out of favor. Women were admitted to college and soon after entered the work force. No longer was a woman judged by her parlor but rather by her contributions to society.

The westward movement should also receive credit for putting sanity into the home. Though some pioneer women tried to carry the tradition westward, many soon learned the folly of such ways—much to their husbands’ gratitude.

 

Not all parlors died a quiet death. Some lingered into the twentieth century. As a child, I remember our next door neighbor’s parlor—and yes, that’s what she called it. Everything in it including the lampshades was covered in plastic which made a crinkling sound if you wiggled. Did any of you spend time in such a room?

Working Undercover is no Job for a Lady!

Click cover to pre-order book 1 in Margaret’s exciting new series

Petticoat Detective coversmall

 

Unusual Frontier Fashion

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I’ve never been much of a fashionista myself. Comfort trumps style in my life except for a few special occasions. But there is some part of me that still loves to play dress up, at least where my characters are concerned.

Researching time-period clothing is one of my favorite areas to explore when starting a new novel. I’ve collected quite a few reference books and bookmarked dozens of websites where one can find full color fashion plates or scans of 19th century fashion magazines. It’s rather like playing paper dolls or having unlimited outfits for Victorian Texas Barbie.

My latest novel, Full Steam Ahead, took me to a time period I had not researched before. The early 1850’s. While many aspects of antebellum fashion mimic that of the hoop skirts so famous during the Civil War era, there were some notable differences. One of those most interesting to me was a staple of women’s clothing that was an outer garment and at the same time an undergarment. It was called simply, an undersleeve.

Undersleeves 2Undersleeves 1

 

 

 

 

 

 

 

 

 

 

 

As you can see from the arrows in these pictures, the undersleeves consisted of white or off-white fabric that extended beyond the bell-shaped sleeves of the formal garment. They could be plain or decoratively embroidered. Not only were they stylish, but they served a practical purpose as well. Since they were a separate piece and not sewn directly into the dress itself, they could be easily removed and laundered, thereby saving the dress from the wear-and-tear of excessive washings. A sleeve was less likely to be soiled by everyday activities such as eating, cleaning, or even writing letters when an undersleeve was worn.

I discovered these beautiful examples of undersleeves on an historic costuming site called Maggie May Fashions. The one on the left is a more plain, everyday example, while the one on the right has intricate needlework for a more sophisticated look. The undersleeves were often held in place with a series of ties or could be basted loosely by hand into the inner sleeve of the dress itself. Some ladies used an early form of elastic around the upper casing and kept them completely separate from the dress.

Undersleeves 4Undersleeves 3

 

 

 

 

 

 

 

 

 

1850s Dress

 

Since my heroine worked as a secretary for the hero, she was always around ink, and was certain to wear her undersleeves. This is the dress that I pictured Nicole wearing  when she first met Darius in his study. I changed the color to a deep wine red instead of the green, but the rest of the description fits.

I was a little disappointed that the dress featured on my book’s cover didn’t have the deep bell sleeves and white undersleeves that were so typical of this era, but since the cover itself was so lovely, I didn’t complain.

FullSteamAhead Cover Final

So what about you?

  • What is the most unusual fashion item that you found yourself falling in love with?

I was a child of the 80’s and while I never went in for the leg warmers or ripped t-shirts, I will admit to owning stone-washed jeans and having big 80’s style bangs.

The Painted Lady

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Dressing TableThis weekend, my 15 year-old daughter and I passed another feminine milestone–the acquisition and application of cosmetics. Yep, my baby is now wearing make-up. Although, to be fair, it’s not by her choice. She and her closest friends have avoided this fate for as long as possible. In fact, the ONLY reason she agreed to the lessons this past Sunday evening was because the drill team she joined this year was having a photo shoot on Monday and make-up was a requirement.

As the mother of a teenage daughter, I am secretly counting my lucky stars that my daughter has no interest in the world of beauty products. Our girls grow up far too quickly today in my opinion, so I was happy to support her decision to skip the whole make-up mess. My only concern was teaching her how to do it properly so that when she did dive into those waters, she didn’t come out looking like one of those blue eye shadow disasters. Thankfully, she was content to let me pick out neutral shades to accentual her natural beauty instead of turning her into a painted lady.

“Painted Lady” – Remember the negative connotation such a name would imply back in the Victorian era? Any woman who would paint her face was considered of low moral character. Only actresses and prostitutes would use such ungodly enhancements to lure men down a sinful path.

You might recognize Marilyn Monroe's saloon girl character from the classic western, River of No Return.
You might recognize Marilyn Monroe’s saloon girl character from the classic western, River of No Return.

In the American West, the working girls at the saloons had this dubious distinction, dipping into the rouge pot to add a “youthful glow” to their cheeks or applied to lips to stain them an enticing red. Kohl would be used to darken the lashes or could be drawn on with a tiny brush like eyeliner. Powders and creams were used to help achieve a pale complexion.

However, it wasn’t only the “bad girls” who painted themselves. Wealthy women who had time and money on their hands often dabbled in the cosmetic arts as well, only they kept their tricks severely secret for if anyone found out they were using “paint” they would be ostracized. So they found ways to enhance their beauty in subtle ways, avoiding the painted lady look. They applied lemon juice to their skin to help fade freckles and promote the pale complexion that was so in fashion. In the evening, if they dared, they might even use a touch of rice powder. Beet juice could be used to add a touch of color to their cheek and lips, though many just tortured themselves with painful pinches to bring the blood to the surface. Instead of painting on kohl around their eyes, these women would add a touch of wax to their lashes the dust them with soot. Can you imagine having soot in your eyes all evening long? Yuck!

Gibson Girl
Gibson Girl

It wasn’t until the turn of the century with forces like the Gibson Girl, World War I, and the motion picture industry that the pendulum started to swing back the other way, opening the door for cosmetics. The Gibson Girl became the famous pin-up model that men idealized and women strove to imitate. World War I saw so many men overseas that the women at home entered the workplace, earning independence and their own discretionary income. New improvements in Hollywood by Max Factor created natural-looking cosmetics that  could be worn in off the movie set and still look beautiful, not like theater grease paint. Soon the female populace at large demanded access to these items as well, and the American cosmetic market was born.

So what do you think?

  • Are you glad we have cosmetics? Or do you wish the hassle was unnecessary?
  • If you lived back in the 1800’s, would you have been tempted to sneak a little beauty aid here or there?

The Umbrella – History and Fun Facts

Photo WG2 smallHi!  Winnie Griggs  here.

Today is National Umbrella Day (who knew, right?).  It even has its own FACEBOOK PAGE.  And in honor of this little-known holiday, I thought I do a little research on the device and share it with you.

 

The umbrella itself has been around for about four thousand years.  Evidence of its existance has been found in drawings found in Egypt, Greece, China and Assyria.  But these early umbrellas were created not to protect bearers from the rain but from the sun.  In fact, the word umbrella comes from the Latin ‘umbra’ meaning shade or shadow.  The word parasol – which is the type of umbrella that appears in my stories – comes from the Latin word ‘papare’ (to prepare) and ‘sol’ (sun).

It was the Chinese who eventually waterproofed the umbrellas to protect the holder from rain.  They did this by waxing and lacquering the paper used to craft them.

It was early in the sixteenth century before umbrellas became widely accepted in Europe.  And even then it was considered a ‘woman’s accessory’.  Then along came Jonas Hanway, writer, philanthropist and founder of the Magdalen Hospital.  Born in 1712, he spent his young adult years travelling widely in Russia and Persia.  When he returned to London for good, around 1750, he carried an umbrella with him regularly.  Though he was often mocked for its use, before long it became a trend to have an umbrella handy.  In fact, for a while, umbrellas were known as Hanways.

1786 – The first patent for the umbrella with the circular coned canopy shape was registered by John Beale

Between 1808 and 1851 over 103 patents were issued for improvements and inventions related to umbrellas

parasol

Parasols became a popular feminine accessory in the early nineteenth century among aristocratic English women.  Some of the more enterprising of these women had the handles fitted to carry perfume, writing materials or even a dagger.

1830 – The first dedicated umbrella shop, James Smith & Sons, opens its doors in London.  It is still open today, in the exact same location.

1852 – Samuel Fox invents the steel ribbed design.  Before this time whalebone was used predominantly.  He claimed to have implemented the use of steel as a way to use up excess stocks of steel stays intended for women’s corsets.

1928 – Hans Hupt’s pocket umbrella arrives

1930s – the ladies parasol finally fell from popular fashion

In the U.S., the annual market for umbrellas hovers at around $350 million

 

The word Bumbershoot, a synonym for umbrella, is an Americanism that came into use in the 1890s (I always thought this originated in England)

During the Napoleonic Wars, some British soldiers took umbrellas with them into battle.  Some Americans also took umbrellas with them into battle during the Indian Wars.
The study of umbrellas actually has its own name – brolliology

More replacement umbrella purchases are made due to lost than broken umbrellas.  In London alone nearly 75,000 umbrellas are forgotten on buses and subways each year.

The superstition about it being bad luck to open an umbrella indoors came from an ancient African belief.  The umbrellas at that time and placed were used a sunscreens.  They believed it was an insult to the sun god to open an umbrella in the shade and that doing so would bring his wrath down upon them.

So what do you think?  Did any of these facts surprise you?

Reticules: A Woman’s Necessity

 

Linda New SigFrom the beginning of time women needed a place to put personal things. And whether you call it a chanery, chatelaine, pocket, reticule, handbag or purse it became something a women couldn’t do without.

 

crocheted reticuleThe English called reticules “indispensables.” The French called them “ridicules” and mocked women who carried them.

 

An interesting thing is how very small they were in the beginning in the 1700’s. That was because way back then women rarely carried anything. If she went shopping a maid accompanied her and paid for all the purchases. A woman didn’t talk about money and heaven forbid she certainly didn’t HANDLE it.

 

So, visiting cards, a handkerchief, small bottle of perfume, or the ever-present smelling salts (because you never knew when you were about to keel over) were about all she needed to keep with her.

 

They were made of all sorts of things—silk, velvet, brocade, leather, straw, old doilies, handkerchiefs. You name it and it could be made into a reticule. And then there were the knitted and crocheted ones. Some had adornment and some were plain Jane.

Velvet Reticulebeaded reticuleFabric Reticle 

Usually reticules had a drawstring closure but not always. The two reticules below are mine and both have a chain handle.

Linda's Gold Sequined Purse                Linda's Reticule

 

 

 

 

 

 

 

 

In my research, I ran across a notation about women of courting age spending large amounts of time embroidering their name and date on their reticule to show a potential husband her domestic skill. As though that would’ve certainly sealed the deal. Too funny.

Today’s purses are all shapes and sizes and made out of anything you can imagine. Some are inexpensive and some would require me taking out a loan to buy.

 

And Lord at the things we carry in them!

Just don’t ever ask me to crochet or knit one. This girl is not very domestic.

 

What about you? What kind of purse do you favor?

19th Century Fashion – By the Decade

We tend to define decades by many things – music, hairstyles, and of course, clothing. Think poodle skirts, Go Go boots, bell bottoms, and leg warmers. Here’s a picture of me in the 80’s – oh those high school years. How about that big hair and big earrings? At least this picture isn’t as bad as the one I had in 6th grade where my hair looked a little too much like the cinnamon buns that Princess Leia sported in Star Wars.

Fashion in the 19th Century was much the same. Certain styles came to define certain decades. In fact, historians often use these styles to help them date old family photographs. I thought it would be fun to look at a few of these examples. My current work in progress takes me out of my comfort zone of the 1880’s and back to the 1850’s, so I’ll start there.

1850

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I modeled one of my current heroine’s dresses after the one on the right. These models aren’t wearing hoop skirts yet, just stiffened petticoats or crinolines to give the skirts their bell-shape. Notice the deep V shape of the bodice. This was very typical of the late forties – early fifties. The sloping shoulders with no definitive seam. And of particular distinction, note the wide sleeve hems with the white cotton undersleeves.

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1861

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Now you can think Gone with the Wind. Full hoop skirts have come into fashion. Also notice the short-waisted bodices. This Empire style waistline ended at the bottom of the ribcage instead of extending to the natural waist. The shoulders remained sloping in design and small, lace collars came into fashion.

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1871

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A drastic change occurred in very little time. In about 2 years, hoop skirts disappeared, replaced by the bustle. Decorative emphasis moved the the back of the dresses. Skirt fronts hung straight down while the backs were gathered over bustles with flounces that would drape over the underskirt. The sloping shoulders were taken over by more fitted designs. The bustle disappeared by the end of the decade to make way for the very slender silhouette popular in 1880. But watch how the bustle regains popularity and surges to crazy heights.

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1880
1883
1887

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Thankfully, the bustle’s popularity finally died a true death. However, all the extra fabric had to go somewhere, so in the 1890’s, they decided to move it to the sleeves. Ha!

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If you had to chose an era to dress for, which decade would you choose?

Cheryl St.John: Mail Order Merchandise

montgomery-ward-catalogThe Montgomery Ward catalog has been called one of the most influential American books ever published. One such nominating committee, the Grolier Club, stated: “The mail order catalogue has been perhaps the greatest single influence in increasing the standard of American living. It brought the benefit of wholesale prices to city and hamlet, to the crossroads and prairie.”

Aaron Montgomery Ward was born in Chatham, New Jersey in 1844 and his family went west to Niles, Michigan in 1853 where his father took up the cobbler”s trade. Aaron left school at 14 to work in brickyards and a barrel factory where he learned his most valuable lesson: “I learned I was not physically or mentally suited for brick or barrel making.”

After clerking at a shoe store and then a country store, earning $6 a month,
plus board, Ward was then ready to go to the big city. At that time Chicago was home to 30,000 people and known, none too affectionately, as “The Mudhole of the Prairies.” The streets were barely above the level of Lake Michigan and covered with bottomless muck.

ward-picBut by the late 1860s, Chicago was teeming with post-Civil War energy. Fifteen railroad lines moved 150 trains a day out of the busy terminals. Like thousands of other young men Ward arrived in Chicago in 1866 and began work in various dry goods firms, including one operated by Marshall Field. He became a salesman, his income rising to a whopping $12 a week.

As he made tedious rounds through the mud in his horse and buggy, he took particular notice of the country stores along his route. They were gathering places with potbelly stoves and moonlighted as meeting places for local farmers. However these outlets were far from helpful when the farmers had to actually buy something. Selections were small and prices high. Storekeepers were at the mercy of big-city wholesalers.

After considering how he could help the disadvantaged farmer, Ward decided on a mail order store. He planned to set up in the big city where he could easily reach suppliers and buy in quantity to get the best prices. He could send a catalog listing his prices to farmers who could order and receive their items by mail, cash on delivery. It was not a new idea but the few direct mail firms at the time sold only one or two items. Ward was going to bring the whole store to the farmer.

ward-catalogueWard worked and saved. He talked about his idea with friends and associates. They all agreed he would go broke trying to sell goods sight-unseen to back country folk. He was not dissuaded. By 1871 he finally saved enough money to buy a small amount of goods at wholesale prices. On October 8, 1871 the Great Chicago Fire engulfed the city for 30 hours. Every building in a 4-square mile area was destroyed. So was Ward”s inventory.

Ward went back to work. By August 1872 he scraped up money and convinced a few people to join him, raising $1600 in working capital. He printed up a one-page price list and hand-addressed the first circulars to the Grangers, a co-operative farm supply organization. One of his earliest price lists contained 163 items under the banner Supplied By The Cheapest Cash House In America. Most of the items cost one dollar, including clothing, a 6-view stereoscope, and a backgammon set.

wards-corsetFor most of 1873, Ward”s mailbox was bare. His partners wanted out and Ward—who still had his sales job—managed to buy them out of their small investments. The Panic of 1873 quickly sunk even the established traditional retailers.

His business was ridiculed by the Chicago Tribune as a disreputable firm “hidden from public gaze with no merchandise displayed and reachable only through the post office.” Under threat of a lawsuit, the Tribune printed a retraction. The retraction was added to the next flyer and sales increased!

About this time, ready-made clothing began appearing. The accepted belief was that no two people had the same measurements; therefore tailors were needed to make quality garments. But the crunch for uniforms in the Civil War had demonstrated that certain combinations of measurements could be standardized. Ward told his faraway customers: “Give your age and describe your general build and we will nine times out of ten give you a fit.”

Ward wrote all the early copy. He always included a message in his catalogs, often giving money-saving tips. “It is best to make your order around five dollars. Shipping charges on small orders will eat up your savings. Consider joining a buying club with your neighbors.”

wards-hatsConsumers came to trust Ward”s unseen store, and business grew rapidly. He bound his first catalog in 1874, and in 1875 the book expanded to seventy-two pages. Worrying that he might become too big, Ward took an ad in Farmers Voice just to reassure his customers he had not lost touch with their needs.

In 1893 Ward sold controlling interest to George R. Thorne who had come on as a partner late in 1873. Ward remained president, but after a while he stopped attending board meetings. The last twenty years of his life were spent preserving the Chicago waterfront as a park for the people. He spent over two hundred thousand dollars of his own money to defend the public”s right to open space.

His long-time efforts to prevent the erection of buildings along Lake Michigan won him the title of The Watch Dog of the Lake Front. At one time there were forty-six building projects planned in the park, and he fought them all successfully, losing many influential friends along the way. Finally, just before his death in 1913 he won his final legal battle to forever keep the waterfront an open area.

 
ward1892The Tribune, no friend of Montgomery Ward, wrote: “We know now that Mr. Ward was right, was farsighted, was public spirited. That he was unjustly criticized as a selfish obstructionist or as a fanatic. Before he died, it is pleasant to think Mr. Ward knew that the community had swung round to his side and was grateful for the service he had performed in spite of misunderstanding and injustice.”

 

It’s amazing to think he was the forerunner for all the mail order catalogues that would follow, and that shopping by mail would become commonplace. Imagine what Mr. Ward would think of telemarketing or the incredible world of ebay!

 

Quite honestly, I make most of my book purchases online, plus a great many other things, from toys to cabinet hardware. The most awesome things I’ve purchased online recently are reproduction Jadeite cabinet knobs and glass handles and a really cool neck and shoulder heating pad stuffed with flaxseed. Received any interesting deliveries in the mail lately?stjohn.jpg

 

ORDER A REPRODUCTION CATALOGUE FROM AMAZON

The History of Bolo Ties

     I was writing a ranch wedding scene in the 3rd.  book in the Big D Dad – The Daltons series the other day and decided to do a little research on the history of bolo ties. I found some interesting material on the Internet. The matter of where and when they first appeared seems to be a subject of debate, though all agree the ties in one form or another have been around for quite a while.

It appears that part of the confusion about the ties’ origins stems from the different varieties that have been popular through the years. A few things most agree on are that the ties are worn beneath the shirt collar outside the shirt. The bolo slide may be made of stone, metal, or plastic and can be in different shapes. A thin strip of leather or other fabric which is frequently braided has tips on both ends to allow it be strung through the slide.

 

Some people have dated the bolo ties back to the 1860’s. Others date its beginning to the 1900’s. One report is that the tie was created by Silversmith Victor Cedarstaff. It is said he slipped his hatband around his neck to keep from losing it while riding his horse on a windy day. Someone commented that he was wearing a nice tie which inspired him to create the bolo tie.

Bolo ties are especially popular in western states. Arizona named the bolo tie the official state neckwear in 1971. In 2007, both New Mexico and Texas named it their official state tie. (Who knew states had official ties?)

One of the most interesting bits of pop culture concerning the bolo was that John Travolta wore one in Urban Cowboy. I do think I remember that.

On another note I want to remind you that Trumped Up Charges, book 1 in the Big D Dads – The Daltons series will be available on June 1.

WHEN A MOTHER’ LOVE MEETS A FATHER’S INSTINCT

Ex Marine Adam Dalton once dreamed of a life with Hadley O’Sullivan, but war and a near-fatal injury cost him dearly. Now he returns to Dallas to discover the unthinkable—Hadley is the prime suspect in the disappearance of their twin baby girls…the daughters he never knew he had.

Beyond Hadley’s terror of having her children kidnapped is the shock of seeing Adam. Yes, she had kept him from his daughters, but now, when he insists they work together as a united front, she knows she is still in love with him. Despite their past, finding their children is their only hope of finally becoming a family—if time doesn’t run out first.

You can read an excerpt at http://www.amazon.com/Trumped-Up-Charges-Harlequin-Intrigue/dp/0373696930/ref=sr_1_1?s=books&ie=UTF8&qid=1369021974&sr=1-1&keywords=trumped+up+charges+by+joanna+wayne

 

High Button Shoes!

eBOOK IS ONLY $3.99! To ORDER PLEASE CLICK ON COVER.

A feisty widow; a dashing outlaw– something’s

definitely afoot.

 

The Widow

Beautiful Maggie Turner was the soul of respectability, determined to earn an honest living for herself and her town children in rough and tumble nineteenth century California.

 The Outlaw

Dominick Sanders was shrouded in mystery, known to Maggie as the notorious Kissing Bandit—a man who kissed the women in the stages he robbed!  It was enough to make Maggie’s blood boil—and heart pound faster.

The Marriage

But now these two are thrown together in a mock marriage designed to deceive the world. Maggie has no choice but to play along—or else risk losing everything she’s ever worked for, including the man she has no business loving.

 

The right shoe can take you to all the right places!

I loved writing this book because it takes place in one of my favorite towns, Santa Barbara, California.  I actually walked the old stagecoach road searching for the right spot to send a coach over the mountainside–literarily speaking, of course.  Surprisingly, the ruts of the stagecoach wheels can still be found. 

 

It was also fun to write about a female shoemaker. Having learned the trade from her deceased husband, Maggie Turner is determined to open her own shop. She knows a thing or two  about High Button shoes, popular from the 1870s until World War  I. 

Nothing makes you forget your other troubles faster than a tight pair of shoes!  

The shoes were well suited for Victorian times;  only the most morally challenged women would be seen without high collars, long sleeves and boots designed to keep ankles appropriately hidden from the male eye. Women paid dearly for such modesty; once the shoe was on the foot, a hook had to be threaded one by one through twelve or more holes and each button grabbed and pulled back out. 

 

The overlapped panel hid the closure and allowed women to wear the smallest possible size.  Flesh bulging over the tops of the boots were hidden under long skirts. 

In fairy tales, shoes are often an escape

 from a humdrum life. 

-Linda O’Keeffe

A shortage of leather during the war and women in the workforce made the flapper shoe more practical. But then, as now, women still wanted something larger– in the same size.

www.margaretbrownley.com 

 

So what is your favorite type of shoe? 

How many pairs of shoes do you own? 

How about cowboy boots?

 Come on, fess up!

 

 

Petticoats & Pistols