Western Cinderella

Happy Valentine’s Day!

On a day built for romance, I thought we could celebrate one of the most classic romance stories ever told – Cinderella.

Next month, my western Cinder-fella story will release, and I can’t wait to introduce you to Asher Ellis (ashes instead of cinders) and Samantha Dearing (endearing instead of charming) to you. Can you tell I love playing with character names? Reimagining this fairy tale in an 1800’s Texas setting has been so much fun.

What’s a girl to do when the most interesting man at her matrimonial ball isn’t one of the bachelors on her father’s guest list? Hunt him down, of course, using the only clue at her disposal—the boot he left behind.

As any self-respecting rancher will tell you, boots don’t just fall off like ladies slippers do, so coming up with a reason for my hero to take his boots off at a ball he wasn’t invited to, created a tricky plot point. But once we got that figured out, the rest fell into place with adventure, danger, romance . . . and a pair of imaginary sewing mice.

Did I mention I love playing with names? I worked hard to create names that would harken back to the original Disney tale while still carrying meaning of their own. Instead of Cinderella, we have Asher Ellis – Ash being a synonym of Cinder, and Ellis playing off of Ella. The three key older ladies of the story all have names inspired by royalty as befits a fairy tale – Regina, Elizabeth, and Victoria. Asher’s step brothers are named Jonathan and Fergus. However, Jonathan goes by Jack, giving a nod to the mice from Disney’s Cinderella, Jaq and Gus. Asher’s horse is named Bruno in honor of the dog who saved Cinderella from the tower room. And don’t forget the cattle king with a foreman named Duke. 

Bruno

While I used the classic Disney version of Cinderella that I grew up on as my main inspiration, there are other versions that I have fond memories of as well.

I adore musicals, and as a child of the 80’s, I adored seeing Whitney Houston as the fairy godmother in the Rodgers and Hammerstein’s version with Brandy and Broadway superstar Bernadette Peters.

And what romance lover doesn’t adore Ever After with Drew Barrymore? One of the best Cinderella movies ever!

As an extra bonus, I wanted to mention that there is a Goodreads Giveaway going on now for If the Boot Fits. You can enter here.

What is your favorite Cinderella adaptation?
Do you have any romantic plans for Valentine’s Day?

THE DEVIL’S IN THE DETAILS #4–CONAGHER AND CINDERELLA by CHERYL PIERSON

Have you ever read a story that made you wonder why the author spent such a long, boring time describing an item or place that seemed of little importance to the story?

Usually when that happens, it’s because its importance will be revealed later on, or some scene will call up that particular memory or description for some reason—and its usually a pretty darn good reason!

Let’s look at Cinderella’s slipper as our first example for this. Of course, a glass slipper would be highly unusual, wouldn’t it? In fact, most likely, there would be no other slippers like that one pair!

This particular pair of shoes serves as a symbol for the entire story—improbable things happening to a young woman who has been treated so terribly for so long that lead to her ultimate happiness—it’s a story we can all relate to!

The magic that brings her happiness is not just going to the ball and all the wonderful things that happened on the way—the beautiful gown, the carriage, and so on—the true magic for Cinderella is falling in love. And how can the two lovers hope to be reunited? Well, if it weren’t for those exquisitely, perfectly-fitting glass slippers, everything else that came before—all the magic, hopes, and dreams—could have amounted to nothing at all. Everything hinges on the glass slipper fitting!

Hence the description of the slippers themselves, carrying the slipper on a pillow (which I always believed was taking a terrible chance!) and the endless search and trying on of the slipper throughout the kingdom.

The slipper is all-important because it is the proof that she is “the one” –and it has come to symbolize the very story itself. When we see a picture of the glass slipper, we know it “means” Cinderella, right?

Think about Lous L’Amour’s iconic western, Conagher. Two lonely people meet and fall in love through heartfelt notes that Evie, the heroine, writes and ties to tumbleweeds. They could be found and read by anyone—or no one at all.

http://g.tinyurl.com/y6y8yj33

 

But the fact that Conagher feels they speak directly to him, shows us how important what she did is to the story. This is further borne out when, in conversation with him, she uses a phrase she’s written on one of the notes—and he knows immediately it is she who has been writing them.

 

Loneliness and the vast emptiness of the land is a common theme throughout the book. It was unimaginable to her that Conagher would be the one who found “that note” – the one she repeated the phrase from in conversation with him—but it wasn’t impossible. And his line to her is one of the most romantic of all time, in my opinion.

 

He takes one of the notes out of his pocket and asks if she wrote it, and she says yes, she did. She tells him she was just so lonely she had to talk to someone, even if no one was there to hear. He says, “There was, Evie, there was me.” 

 

The details of:

  • The land around them and their feelings about the emptiness and aloneness of where they are…
  • Evie’s acting on those feelings by just writing them down on paper and tying them to tumbleweeds…
  • The act of Evie repeating the phrase in conversation she’d used on the note Conagher found…

all add up to make this story so special and memorable—and one you will not want to put down once you start reading!

Conagher isn’t a fairy tale, but it does have its own brand of magical connections that lead to love. The details and descriptions in both of these stories, as different as they are, give the reader insights that the author, in both cases, was masterful in providing throughout the story!

 

Finally, another couple of tales that come to mind are two short stories many of us read in our high school English classes—The Necklace, by Guy De Maupassant, and The Gift of the Magi, by O. Henry. Do you remember these—both based on objects that were described in great detail—and the twists at the end that left you gasping in surprise?

 

If you haven’t read them, or even if it’s been a while, they are always good to revisit and are classic examples of why detailed descriptions of “things” can be so important to a story’s premise.

Can you think of an example in your reading where the detailed description of something had deep importance to the story?