I couldn’t let another day go by as we rush into fall without showing off my new “stand alone” short stories. Let me tell you why I’m so excited about these stories.
First of all, I love to read and write short stories as well as novels. In today’s world, short stories are growing increasingly popular because they can be finished in one sitting, usually. Publishing by Rebecca J. Vickery, and her imprints, Western Trail Blazer and Victory Tales Press, have been a fantastic source of anthologies and “stand alone” short stories in today’s growing market.
The anthologies are themed anthologies, based upon a season or holiday. The stories that are contracted for those anthologies cannot be reprinted anywhere else for six months. But, when their “time” is up, a contract may be put in place to continue to sell them in the anthologies and to also offer them as “single sell” .99 offerings, as well.
I just had three of my stories come up for that option this past month: ALWAYS AND FOREVER, which first appeared in A HALLOWEEN COLLECTION last year; THE LAST OF HER KIND, which came out in A MYSTERY/SUSPENSE COLLECTION; and A HEART FOR A HEART, which was first offered in A VALENTINE COLLECTION.
This growing short story market has been a great way for readers to sample different authors in sub-genres they love, or take a chance on an author that maybe they’ve never read before in a sub-genre they wouldn’t normally read—because the price is right. At just .99 a story, you really can’t go wrong.
All of my short stories are available on Nook, through Barnes and Noble, and on Kindle, through Amazon. Here are some covers and blurbs for the latest short stories of mine that have come out this past month as single sell offerings.
If you enjoy Native American heroes, you will find them in two of my newest single sell offerings, featured below, A HEART FOR A HEART and ALWAYS AND FOREVER. (And it never hurts to have Jimmy Thomas on the cover, either.) <G>
I hope you enjoy!
THE LAST OF HER KIND (paranormal suspense):
An old Victrola is the cherished possession of Cassie’s grandmother. Her father also seems oddly attached to the antique phonograph, but her new stepmother detests it and wants it gone. Grandmother is sick, probably dying, and Cassie will be the only one left in the house who sees through Trish as Cassie’s brothers no longer live with them.
Then Cassie discovers a wonderful, yet frightening secret. Will her new knowledge save her family or destroy it?
ALWAYS AND FOREVER (contemporary “2nd chance at love”):
At a children’s Halloween carnival, a Gypsy fortuneteller predicts a new love for both Cindy and Gage. When the two meet over a poorly carved pumpkin, love flickers to life and the stars begin to align.
But the odds of finding a new love later in life seem insurmountable and the prophecy seems too good to be true. After all, Gage has been burned before and Cindy doesn’t believe in fortunes or second chances.
Will doubt overshadow their attraction or has love already been set in motion? Can the star-crossed pair put their faith in the love that was foretold? Can they believe in each other?
A HEART FOR A HEART (sweet romance):
Kiera is all set to welcome Cory into her home as a foster child. Orphaned and with a learning disability, Cory is looking forward to living with his tutor. Until his uncle shows up…
Sam Tiger returns from military duty to find his deceased brother’s son being taken in by a stranger. The boy needs his family and Sam is it. He never expects the tutor to stand up to him and want to keep Cory. Then the worst happens—he finds himself attracted to Kiera.
FOR A COMPLETE LIST OF ALL CHERYL’S WORK, CLICK HERE:
What is the most romantic room in a home? In our romance stories, it’s quite often the bedroom where the romance actually physically happens. Other rooms in our characters’ homes are romantic and meaningful to the hero and heroine for various reasons as well.
The room I think of as most romantic is one that doesn’t exist yet: the room addition.
How can adding on a room be romantic? Okay, first of all, let’s remember this IS make- believe! In real life, home construction or remodeling projects will cause the topic of divorce to be introduced into the loving couple’s conversation at some point. Over and over.
Two short rollers and a can of paint in a bathroom can break a marriage faster than an overdrawn bank account. But come with me to the world of fiction—historical fiction—where women are heroines and men are heroes…and the announcement of “needing another room” is a joyous occasion, and not just another “honey-do.”
The addition of a room most generally heralds the impending arrival of a baby, or the growth of the young family in some way. Because cabins were so small and were generally put up as quickly as possible to provide a more permanent shelter for a family, improvements often had to wait until time, weather, or supplies permitted.
In our historical romances, our heroes are always eager to do whatever is necessary to provide the best possible quarters for their families. You’ll never hear them say, “I’ll do it when the playoffs are over.”
All joking aside, I believe we find the room addition romantic for several reasons, the most obvious one being that our heroine is pregnant and there needs to be a room for the little one the couple has created. Most women can relate to that maternal instinct of preparing a safe, warm place for their baby to sleep.
The second reason a room addition is romantic, is that the hero is actually building something with his skill, knowledge and love to provide for his growing family. It’s his answer to the heroine’s maternal need. Generally, the delivery of the news that a baby is on the way and discussion of the room addition is a shock to the hero, but not an unwelcome one. It transitions him from “husband” to “family man” and gives him the opportunity to “show his stuff.” He proves himself by his reaction to the news. The action he takes toward following through with the reality of building on shows the heroine (and the reader) that he is our “dream man.”
The family unit, complete, is probably the most romantic reason of all. The room addition shows the reader that the heroine and hero have matured, grown in their love for one another and are able to look toward the future as a family unit now. In the child to come, they will see themselves and one another, and will risk everything for the safety, comfort and protection of that child.
And it all starts with…the addition of the extra bedroom for the new life they’ve created.
In the following excerpt from FIRE EYES, Jessica gives Kaed the news that they’re going to be needing a nursery. This is an especially poignant moment because of Kaed’s past, and what it means to him personally. He’s being given a second chance—one he wasn’t sure he wanted, but now is desperate to hold onto.
FROM FIRE EYES:
“Looks like we gave up our bed.” Kaed’s gaze rested on Frank and the two girls. Nineteen. God, he looked so young, like a boy, as he slept, all the lines of worry around his eyes erased. Nineteen. I remember nineteen. Just didn’t understand until now how young it really is.
“Twice now.” Jessica’s voice called him from his thoughts. She grinned and nodded toward where Tom lay talking to Harv. “Maybe by this time tomorrow morning we’ll get lucky,” she whispered, reaching up to kiss his cheek.
“Neither one of us is going to ‘get lucky,’ in any respect, until everyone’s gone,” he grumbled softly, letting go a frustrated sigh. “One thing’s for sure. When everything settles down around here, I’m gonna add on a bedroom. With a door that shuts.”
Jessica was quiet for a moment, then very softly she said, “Better make that two.”
“Uh-huh. Ours, and a nursery.”
Kaed nodded. “For Lexi.”
“And the new baby.”
His gaze arrowed to hers.
“Our baby, Kaed.”
The blood rushed through his ears, pounding at his temples. Nothing existed but the woman standing in his strong embrace, her love washing over him in warm waves as her eyes sparkled into his.
“Jessi.” The words he’d spoken to her the day he left came back to haunt him. I just hope that maybe we got lucky. Maybe it didn’t take.
But it had. And damn if he didn’t feel like the luckiest man alive. A baby. He read the unasked question in her expression, and he bent to kiss her. To reassure her. To let her know a family was what he needed and wanted. He felt her relax beneath his hands.
“I told you I was working my way through it, Jess,” he whispered against her cheek. “I’ll be a good father.”
Tears rose in her eyes. She nodded, her hair soft against his stubbled beard. “You’ll be the best.”
“Better than I was before, that’s for sure.” The words slipped out before he could stop them. He took a deep, jagged breath as Jessica finally dared to meet his eyes. He looked away, his gaze wandering about the small cabin, finally returning to lock with Jessica’s.
“I can appreciate what I’ve got this time, Jessi. I took it for granted the first time, and I lost it. I won’t let that happen again.”
Jessica shook her head. “Promise—” she began, but he tilted her face up, putting his lips to hers once more in a gentle, reassuring kiss.
“I’ll never let you go, Jessi. And I’ll never hurt you. I want what we talked about, the family, the farm, maybe a ranch.” He stopped and moistened his lips that had suddenly gone dry. “But most of all, I want you.” He glanced across the room at Tom, who gave him a fleeting grin. After a moment, he returned his gaze to the fathomless pools of Jessica’s eyes. “None of it means anything without the woman I love, Jessica. You. Yes, I promise, sweetheart. I promise everything.”
Travis leaned against the kitchen doorjamb, fresh coffee in hand. “Guess we’d better start beating the bushes for a preacher-man, boys. Get it done up legal and right for Miss Jessi while Kaed’s in this mood. I never seen him like this. Never heard him talk so serious.” He took a drink of his coffee, his green eyes mischievous above the rim of his cup. “I do believe he means it, Miss Jessi.”
I hope you enjoyed this post and excerpt. Do you have any experience with a “romantic” room in your house? I’d love to hear about it!
These gorgeous covers are from my novel, FIRE EYES, available at:
My story, “A HEART FOR A HEART”, is a contemporary about a single young woman who is a tutor. When one of her young Indian students, Cory Tiger, loses his parents in a tragic automobile accident, she steps in to be his foster mother. But the night before he is to become her ward, his uncle, Sam, returns from his military service in Iraq to claim him. Here’s the blurb:
A Heart for a Heart by Cheryl Pierson – Kiera takes Cory into her home, but when his uncle returns from military duty he wants to take over. Can they work this out for?