Who’s Got Talent? Acting Up in the Old West

victoria_bylin_bannerHas anyone here been bitten by the acting bug? Maybe you sang in a high school musical or auditioned for a television commercial. Have you sung in a choir? How about Karaoke?  Have you ever taken the microphone?

I’ll confess to one group Karaoke adventure. There were six of us, all women.  We did a truly awful version of  “Lollipop” at a community potluck.  Thankfully this was before YouTube. Other than that one experience I’ve only been on the audience side of the entertainment world, yet somehow I’ve ended up with an actress as the heroine in my current manuscript. She’s given up her career to raise her two younger siblings, but she still has a heart for the stage.

What would her life have been like?  1870s-opera-singer

Interesting, to say the least!  The traveling theater troupes in the Old West offered a variety of acts with a varying degrees of sophistication. Shakespeare recitations were popular, and so were trained monkey acts, jugglers and acrobats. Singers performed everything from Italian opera to popular songs like “Home Sweet Home.”

There was something for everyone in a theater show, and the audiences were diverse. Reserved sections had cushioned chairs and catered to people with money.  The cheap upper balcony seats were available to folks with lesser means. The key here is that theaters brought large numbers of people together for the sake of being entertained.

This was a definite shift in how Americans enjoyed music, songs and storytelling.  Instead of enjoying these pursuits in their homes with family and friends, people became part of a crowd. We’ve all heard it . . . the thunderous applause, the collective gasp at a moment of drama. Going to a theater performance, then or now, is very different from listening to Cousin Lizzie pound out “Beautiful Dreamer” on an out-of-tune piano. Folks would be–and still are–entranced by a certain actor or singer and a star would be born.

actress-lotta-crabtreeAmong the most well known actresses in the west was Lotta Crabtree.  Born in New York City in 1847, Lotta traveled west to Grass Valley, California with her parents as a child. She started performing at the age of six and gained the attention of famous actress Lola Montez. Lotta was in the right place at the right time. The California Gold Rush brought countless miners to the gold fields, and they were hungry for entertainment. A singer, dancer and banjo player known for her Irish tunes, she become known as “Miss Lotta, the San Francisco Favorite.”

Just for fun, I want to mix in a little Hollywood. Do you remember Josie Marcus? She wasn’t well known for her stage roles, but she earned fame in Tombstone. She’s the actress who married Wyatt Earp. One of my favorite scenes in the movie Tombstone, (the one with Kurt Russell as Wyatt Earp) is when he and Josie go riding. The movie does a nice job of depicting the audiences that took in theater shows as well as the variety of acts that entertained those rowdy crowds.

tombstone

 

Life with an acting troupe didn’t include caviar and fancy dressing rooms.  opera-star-wt-carletonExpenses had to be covered by ticket sales, which could vary drastically.  If sales were low, the owner of the show (often the lead actor) might cancel the show and move the troupe on. For a popular show, extra performances would be added.  An opera company (“opera” here means light opera performed in English) would travel with a small orchestra and add local talent where it was available. There was no time for rehearsals, so that first show could be interesting for the audience and the musicians.

What about you?  Have you had an interesting experience on a stage?  Have you sung karaoke-style or been on television?  Maybe you play a musical instrument. I’m in awe of musical and acting talent and would love to hear about your experiences.

 

Victoria Bylin: Once Upon A Time

Vicki LogoOne of my earliest memories is sitting on the floor in my bedroom with a children’s book of fairy tales. The book was tall and wide and about a half-inch thick. The cover showed Rapunzel with her hair flowing while a prince in a pointy hat gazed up at her. Red Riding Hood is looking up, and there’s a unicorn in the background.

tasha-tudor-book-of-fairy-tales-small

These memories rushed back to life when I started researching the second book in the Swan’s Nest trilogy. No title yet, but those of you who have read The Maverick Preacher will remember Pearl. This is her story. She needed a fresh start, so I packed her off to Cheyenne where she meets a troubled lawman with a five-year-old daughter. He’s a rough and tough ex-Texas Ranger, but he’s got a soft spot when it comes to his little girl. Every night, he reads a story to her.

That vision led to all sorts of questions. What would he read? Would he have purchased the book? Would it be a family heirloom? What would it have looked like? The story takes places in 1875 Wyoming. With the arrival of the railroad, the town had money and some culture. It seemed reasonable that his little girl could have a big book of fairy tales similar to mine, but I had to be sure.

thumbelina-smallAnd so the research began . . .

Fairy tales have been around forever, but children’s books the way we know them weren’t common until the late 1800s. In 1875 Wyoming, my little girl would mostly likely have a copy of “Mother Goose,” a collection of ten fairy tales collected by Charles Perrault in 1658 and translated into English from French. The first American edition, titled Mother Goose’s Melody or Sonnets from the Cradle was published in 1787 and had many of the stories we love today. Among them were Cinderella, Sleeping Beauty in the Wood and Little Red Riding Hood.

In addition to traditional stories, children’s books in the 19th century contained short rhymes, moral lessons and simple drawings. Some of the rhymes would be familiar to us all, things like “One, Two. Buckle My Shoe” or “Hey Diddle Diddle.” I can’t read those words without smiling. Both my sons (now grown) were fascinated with the idea of a cow jumping over the moon.

The most well known publisher of children’s books in the 19th century was the New York firm of McLoughlin Brothers. Their books had color illustrations which must have thrilled little girls just like the ones in my book thrilled me. The pictures weremother-goose-book-cover-1870s made using etched zinc plates, chromolithographs and photo engravings. They popularized well known illustrators including Thomas Nast and Ida Waugh.

When I wrote the scenes where my hero reads to his little girl, I pictured my well thumbed copy of The Tasha Tudor Book of Fairy Tales. The book itself is too modern for an 1875 setting, but the feeling of discovery would be the same. Like me, the child in my story would be magically transported to another place and time. My hat’s off to the men and women who illustrate these wonderful books, especially to Tasha Tudor. Her drawings gave me hours of pleasure and fueled my imagination. Who’d have thought? The little girl sitting on the floor with her big book of fairy tales grew up to write stories of her own.

 

 

A Collection of Vintage Children's Books

Do you remember reading fairy tales as a child? Maybe you’re a mom or a grandmother or an aunt. Do you read stories to the children in your life? I’d love to hear about your favorites!

 

Available now at Amazon.com

Pardon Me – What Did That Say?

tracy-garrett-tile

Right out of the chute, let me say how thrilled I am to be joining Petticoats & Pistols as a new Fillie! I’ve loved this site since the day it opened and now I get to be here among these fabulous western writers on a regular basis.

I love history. That’s no surprise, of course, to anyone who knows me. I not only enjoy writing about the past, but researching those bits and pieces that make the historical story I’m writing realistic, interesting and accurate.

Research comes in many forms. I can spend hours in a library, hunting through books. Or online, looking for one particular fact. But my favorite type of research is the kind I didn’t plan. 

salt-war-markerIn my trips to research a story, I’ve come across some fun facts. Did you know there was a salt war in Texas? Neither did I was researching for this blog. Bonus: I discovered the Texas Historic Sites Atlas while looking for a picture of the marker.

Were you aware there was a Revolutionary War battle in St. Louis, Missouri? That’s right, halfway up the mighty Mississippi. The Battle of Fort San Carlos wastl-arch1s fought when British-led Sioux, Sac, Fox and Winnebago warriors attacked a newly built French entrenchment in May of 1780. That historical fact came from a local newspaper article my mother forwarded.

Ever heard of Crash, Texas? It’s a town that was built for the express purpose of allowing spectators to witness a train crash up close and personal. A fripony-express-statueend sent me that news story.

Then there’s the Great Santa Fe Trail Horse Race, begun in 1848 and revived in 1977. I found out about it when researching the coach stops along the Santa Fe Trail after visiting the Pony Express Museum in St. Joseph, Missouri.

Do you read the footnotes and attributions at the end of a historical research article? You might take a stroll through the archived blogs right here at Petticoats & Pistols –the Fillies have shared some wonderful research.I love running across obscure information while I’m researching something else. And you can find some of the most interesting—and mostly useless—tidbits in some unlikely places. ebay® is one place that surprised me. I found some cool info on china and crystal and Texas artifacts there while researching my latest release, Touched by Love.

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Now, you’ll have to excuse me. There’s a museum website I just heard someone mention.

What’s the most unusual fact you discovered in the most unlikely place?

Cheryl St.John: Where I Get My Ideas

cheryl_stjohn_logo.jpgAny writer can tell you that the most frequently asked question they hear is, “Where do you get your ideas?” Writers get their ideas the same as everyone else does. Ideas just come to us. The difference is that writers learn to brainstorm and embellish on the original idea until it’s a plausible idea for a book.

 

I used to reply with a quip, such as one of these:

“I subscribe to Idea Monthly.”
“I close myself in a dark closet, chant a mantra, and don’t come out until a complete story has come to me.”
“I remember everything everyone tells me and I use it.”
“Little green men come to me and night and whisper plots in my ear.”

“There’s a warehouse on the outskirts of Tulsa….”

 

The problem with answering like that is that—people take me seriously!
 
story-creation-beginningMany of my ideas come from hearing a song, watching a movie, reading a book, or from my research. Something will catch my attention, and I’ll think “what if”? Then I play with the notion until I turn it into a story.


From the original concept, I develop the characters first. Exactly what kind of person will fit this role or this scene or this setting? Then I create the other lead character with built in conflict and an opposing goal. I start a binder. The members of my RWA chapter who saw my binder at our retreat have started calling it The Binder of Wonder. Okay, I confess to being a tad obsessive about things now and then.

 

story-creation-the-binderPhotos:

Top one is the binder at the beginning of the process—one page of notes only

Second one is my current binder on my desk

Third one is my desk with the story in progress spread all over – can you find Hugh?

 

Each book gets its own three-ring binder. Into the binder goes a character grid I’ve created by combining other charts into one that works for me, and a character fact sheet, which isn’t about physical appearance at all, but lists of words that describe them and mostly information about their past. Then as I go along I add dividers to separate the material I collect: Research on their occupation or a locale, names I will use, a map, society and etiquette, a brainstormed list of 25 Things That Could Happen, photos of people who resemble my characters. My current hero is Hugh Jackman, but his photo isn’t inside the binder; it’s over my desk. Duh.

 

I accumulate historical facts, dates in history, weather, a calendar of the year, on which I record my events as they take place, photos of places, houses, scenery, and a style sheet, which records all the characters and place names I use in the book.

 

story-creation-the-workspaceThe original idea, that little glimmer of a spark, is most often one thought I write down on one sheet of paper – and then tweak and tweak and tweak. Starting with my first book, here are a few:

— Heaven Can Wait originated as taking a girl who knew nothing of the outside world from a sequestered environment and flinging her into a completely alien culture. That theme still fascinates me, and I have more ideas for others.

— Rain Shadow developed from the desire to do a sequel to Heaven Can Wait, using the previous hero’s brother as the hero, and needing an exact opposite to pair him with. Thus the gun-toting Wild West character of Rain Shadow developed.

— Land of Dreams came from my fascination with and empathy for the children who rode the orphan trains, and, as a result of the many diaries I’d read. So many of the children suffered in their new environments nearly as much as they had on the streets of New York, often being sexually abused or used as servants, and many thinking they’d been adopted into families, only to find out years later that they hadn’t. I wanted to give some of those kids a good home. And Too Tall Thea was a character burning for a story and someone to love her.

huja— Saint or Sinner sprang from my passion for watching late night westerns. There’s an old black and white flick with Joanne Woodward where this guy comes back from the war and builds a church. She’s just a kid he tries to reform, but I thought…what if this fellow had a life after death experience and came back a changed man…and there was a woman who didn’t believe he’d changed?

— Badlands Bride actually started out as merely a title I’d saved for years. I needed a story to go with that great title. The idea of having an unprepared reporter go west disguised as a mail-order bride popped into my head, and I decided to send her to the badlands and use that title. I love the underdog characters, you may have noticed. She’s desperate for her father’s approval.

— A Husband By Any Other Name came from the Bible story of the prodigal son. One son runs away, squanders his inheritance and comes back to his father’s welcoming arms. The brother who stayed home and worked doesn’t think that’s too fair, even though he surely loved his brother. Seeing the father plan a feast and roast the fatted calf irks him. I further complicated that story by having the brother who stays home marry the fiancée of the brother who went away. Did I mention he pretends to be the brother who went away?

— The Truth About Toby: I’ve always been a bit fascinated with dream interpretations, I guess. I had originally titled the book Dream A Little Dream For Me, because the hero is helping the heroine with precognitive dreams. Austin came to me first, a reclusive, tortured hero who simply wants to forget the horrors of his past. And for him I created Shaine, the woman he can’t resist, who needs him to remember it all. And then the eds told me that dream title would never fly. A month after my book came SEP’s masterpiece.

— The Mistaken Widow is a historical version of the movie, “Mrs. Winterbourne, where Ricky Lake pretends to be Brenden Frasier’s sister-in-law. As soon as I saw the film, I started picturing it in a historical scenario. My story has a bit more twists and turns, however.

 

collagemarvel— The Doctor’s Wife came from watching a talk show where the female guest told her story. She came from the “trash family” in a little town. I felt so sorry for her and her story was so sad that I sat and cried. Often when I’m moved by someone’s real life story, I want to write one that turns out better. It’s like I can fix the world one book at a time or something. The real person in this case was ridiculed and teased by the other children. Her family was so poor that she wore her brother’s underwear. Her mother gave birth to more than one baby and made the daughter go bury them. One particular time, she secretly gave the baby away. This was one of those reunion shows, and they brought out the sister whose life she saved so many years ago and they were reunited with hugs and tears. Bizarre story, eh? Once again truth is stranger than fiction. Well I changed all that and had the baby be my heroine’s and had her hide it to keep it safe. But that’s where the idea was conceived.

and on and on…..up to the book I’m working on now:

 

— Her Make-Believe Husband started out as one little thought. I wanted a child to get letters from a made-up father. And then the made-up father to show up. It took me months of hashing out the idea and coming up with things and then having to chuck them because they wouldn’t work and then setting it aside time after time. Finally one time when I went back to it, something clicked and the idea all fell together. I am loving this story so much — and who wouldn’t with Hugh Jackman as the hero, eh?

 

stjohn.jpgSo anyway, ideas come from anywhere and everywhere: TV shows, the newspaper, songs, other books. I’ve never found that warehouse outside Tulsa, dag-nabbit, so I do most of the dirty work on my own. Actually, the ideas are the fun part, the part that never runs out. Carrying out the work is the hard part. There are a lot of people who call themselves writers and who come up with ideas, but there are far fewer who actually do the work and get it all in publishable story form on paper!

 

Ask another writer and she will most likely have a completely different explanation of where stories come from – but I’ll bet she won’t know about the warehouse outside Tulsa.

 


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