She’s the sweetest rose of color this darky ever knew,
Her eyes are bright as diamonds, they sparkle like the dew;
You may talk about your dearest May, and sing of Rosa Lee,
But the Yellow Rose of Texas beats the belles of Tennessee.
Those are the original words to the chorus of “The Yellow Rose Texas,” a folksong dating to early colonial Texas. The first known transcribed version—handwritten on a piece of plain paper—appeared around the time of the Texian victory at San Jacinto in April 1836.
In its original form, the song tells the story of a black man (“darky”) who has been separated from his sweetheart and longs to reunite with her. The lyrics indicate the sweetheart was a free mulatto woman—a person of mixed black and white heritage. In those days, “person of color” was considered a polite way to refer to black people who were not slaves. “Yellow” was a common term for people of mixed race.
During the Civil War, “The Yellow Rose of Texas” became a popular marching tune for troops all over the Confederacy; consequently, the lyrics changed. White Confederates were not eager to refer to themselves as darkies, so “darky” became “soldier.” In addition, “rose of color” became “little flower.”
Aside from the obvious racist reasons for the modifications, legal doctrine played into the picture as well. Until the U.S. Supreme Court declared the practice unconstitutional in 1967, all eleven formerly Confederate states plus Delaware, Kentucky, Oklahoma, and West Virginia outlawed marriage and sexual relations between whites and blacks. In four of the former Confederate states—Georgia, South Carolina, Texas, and Virginia—marriage or sexual relations between whites and any non-white was labeled a felony. Such laws were called anti-miscegenation laws, or simply miscegenation laws. In order to draw what attorneys term a “bright line” between legal and illegal behavior, many states codified the “single-drop rule,” which held that a person with a single drop of Negro blood was black, regardless the color of his or her skin.
Texas’s miscegenation law, enacted in 1837, prescribed among the most severe penalties nationwide: A white person convicted of marrying, attempting to marry, or having sex with a person of another ethnicity was subject to a prison sentence of two to five years. Well into the twentieth century, it was not uncommon for the non-white half of the illicit relationship to be severely beaten or killed by irate local citizens.
The first American miscegenation laws arose in the colonies in the 1600s. The laws breathed their last gasp in 2001, when Alabama finally removed the anti-miscegenation clause from its state constitution after a referendum barely passed with only sixty percent of the popular vote.
Texas’s miscegenation law plays a role in “The Big Uneasy,” one half of the duet of stories in my new release, The Dumont Brand. The father of the heroine’s intended “lives in sin” with a free Creole of color. Under a tradition known as plaçage, wealthy white men openly kept well-bred women of color as mistresses in the heroine’s hometown, New Orleans. Texans frowned on the practice nonetheless. The situation causes no end of heartache for the heroine.
The Dumont Brand releases Friday, along with 20 other books, as part of Prairie Rose Publications‘ Christmas in July event. About half of the books are holiday tales (like The Last Three Miles), and the other half are stories set in other seasons (like The Dumont Brand). Each of them will warm readers’ hearts all year long. Prairie Rose will host an extra-special Facebook fandango to celebrate the mountain of releases July 28-29. You can RSVP here. Did I mention the Prairie Roses will be giving away free books, jewelry, and other fun prizes?
On the eve of the Civil War, family secrets threaten everything a ranching dynasty has built…until Amon Collier finds salvation in the wrong woman’s love. In the aftermath of battle, a woman destroyed by betrayal brings peace to his brother Ben’s wounded soul.
The Big Uneasy: To escape the unthinkable with a man about whom she knows too much, New Orleans belle Josephine LaPierre agrees to marry a Texan about whom she knows nothing. Falling in love with his brother was not part of her plan.
Making Peace: After four long years in hell, Confederate cavalry officer Bennett Collier just wants to go home—assuming home still exists. Widowed Jayhawker Maggie Fannin will hold onto her home at any cost…even if she must face down the imposing Rebel soldier who accuses her of squatting.
The Last Three Miles also will debut Friday as part of PRP’s Christmas in July:
When an accident leaves Hamilton Hollister convinced he’ll never be more than half a man, he abandons construction of a railway spur his lumber mill needs to survive. Believing no woman shackled by social convention can be complete, railroad heiress Katherine Brashear refuses to let the nearly finished track die.
The magic of Christmas in a small Texas town may help them bridge the distance…if they follow their hearts down The Last Three Miles.
You can read excerpts from both books and peruse a complete list of the titles that are part of PRP’s Christmas in July event here.
To do a little celebrating of my own, I’ll give an e-copy of The Dumont Brand to one of today’s commenters and an e-copy of The Last Three Miles to another.
Please note: Both are available only as ebooks.
