My Favorite Western Classic: LONESOME DOVE

call and mcraeLonesone Dove DVDLonesome Dove, written by Larry McMurtry, is a Pulitzer Prize-winning western novel and the first published book of the Lonesome Dove series. Can you imagine the daunting task that native Texan and screenwriter Bill Wit tliff took on when he adapted Larry McMurtry’s novel to film? First, he needed to rein in the sprawling 843 page story while still retaining its majestic essence. Wittliff’s work was also made more difficult because, in the novel, McMurtry uses the narrator’s voice to reveal information about characters and to describe events. To provide the same information in the film, Wittliff needed to create dialogue and provide visual cues that did not exist in the novel.

costume sketch

A Southwestern Writers Collection is housed at Texas State and many of the original documents he used while creating this western classic can be viewed online at:

http://www.library.txstate.edu/swwc/ld/ldexhibit.html

The web exhibit features storyboards, costumes, including Gus’s boots, and even Gus’s dead wrapped body.

 

 

The epic four-part six-hour mini-series focuses on the relationship of retired Texas Rangers and their adventures driving a cattle herd from Texas to Montana. McMurtry originally developed the tale in 1972 for a feature film entitled The Streets of Laredo (a title later used for the sequel), which was to have starred John Wayne, Henry Fonda, and James Stewart. That didn’t happen, but thank goodness, McMurtry later resurrected the screenplay as a full-length novel. It deservingly became a bestseller and won the 1986 Pulitzer Prize for Fiction.

The mini-series won six Emmy Awards and was nominated for 13 others.

Casting for this epic was pure genius. Who better to portray these multi-faceted aging Texas Rangers who to this day represent the epitome of courage, loyalty and everything we think of when we think “American West?”

 

Robert Duvall is Captain Augustus McCrae, co-owner of the Hat Creek Cattle Company, and considers himself the brains of the outfit. Generous, humorous, and lazy to the point of eccentricity, he serves as a foil to the more serious, practical Call. When not working, which he does as little as possible, Gus pursues his three chief interests in life: women, alcohol and cards. He is well known in the territory for his loud voice, superior eyesight and accuracy with a revolver.

wardrobetesttlj.jpg

Tommy Lee Jones is Captain Woodrow F. Call, Gus’s partner in the company. Less verbose and chatty than McCrae, Call works long and hard and sees no reason why others should not do the same. A former Texas Ranger, he served with Gus when both were young men. Though Call has utter disdain for lazy men who drink, gamble and whore their lives away, he has his own secret shame, which he hides carefully from his comrade. Call’s ability to manage unmanageable horses is also well known.

 

Danny Glover plays a magnificent role as Joshua Deets, an ex-slave and former Ranger. When the story starts he’s a ranch hand at the company. On the drive, he serves as scout. A remarkable tracker and morally upright man, he is one of the few men whom Call respects and trusts.

 

Before he hit the NY streets as a cop, Rick Shroder played Newt Dobbs, young orphan raised by Gus and Call. His mother was a prostitute named Maggie Tilton, who died when he was a child. He knows his mother was a prostitute, and has no idea who his father might be. Most other observers, notably Gus and Clara Allen, are quite certain that Call is his father. Call eventually comes to this realization privately, but is never able to admit it explicitly.

gus and clara

Anjelica Houston is Clara Allen, a former love of Gus’s She declined his marriage proposals years ago, and now lives in Nebraska, married to a horse trader who is comatose, having been kicked in the head by a horse. They have two girls, though she is afflicted deeply by the death of her sons. Though separated from Gus by many miles and years, she still holds him fondly in her heart. In contrast, she has utter contempt for Call.

lorena

Diane Lane is the lovely young Lorena Wood, a kind-hearted young woman who was forced into prostitution by her lover, then abandoned in Lonesome Dove. Lorena is silent, strong willed, and intimidating, refusing to submit meekly to her various admirers. Discontent with her line of work, “Lorie” hopes to leave the dead town and find her way to San Francisco. Gus is her champion, and who could ask for a better one?

 

Secondary threads with characters of July and Almira Johnson and Blue Duck are intricately woven into the plot and throughout the journey of the cattle drive. You can’t help but be enamored by the characters and caught up in their adventures. Watching the story unfold brings laughter and tears every time. The music that accompanies the panoramic scenes does a beautiful job of enhancing the grandeur of the vast landscape and feel of the untamed west. I often listen to the original soundtrack, composed and conducted by Basil Poledouris. Lonesome Dove spawned the follow-up miniseries, Return to Lonesome Dove.

gusboots.jpg

Trivia facts about Lonesome Dove:

* Robert Duvall, who has appeared in over 80 movies, told CBS that Augustus McCrae, the character he played in Lonesome Dove, was his all time favorite role. We can see why.

* The characters of July Johnson and Roscoe bear the same names as the sheriff and his sidekick who track James Stewart and Dean Martin in the movie Bandolero! (1968). Also, the sequence where Stewart and Martin discuss Montana resembles a similar scene in Lonesome Dove.

* The book, and the character Gus, is mentioned in country singer George Strait’s song “That’s My Kind Of Woman.”

 

So, fess up. How many times have you watched Lonesome Dove? Only last weekend it was the AMC Weekend Western – and I confess I watched parts again. Do you think it stands up to the test of time?

 

Have you watched Streets of Laredo or Deadman’s Walk which precede the story?

If you’re a western lover and you’ve never seen this movie, well, I’m just sad for you. But your situation is subject to change. Netflix night!

Cheryl St.John: June Release and Drawing!

Who doesn’t love it when a town or a family is revisited in a sequel? It’s like seeing old friends again or coming home for a stay. It’s always fun to set up a character in a previous book, and then give them their own story. Readers who enjoyed The Preacher’s Wife and asked about a sequel will be happy to know Elisabeth Hart’s story has finally been told in Marrying the Preacher’s Daughter.

Elisabeth’s family moved west to Colorado from back east, and along the way her mother was drowned. Elisabeth had issues getting used to the idea that her father snapped himself up a new wife in Nebraska before they ever reached their destination. But before the end of that story, Josie and Elisabeth came to an understanding , and are close friends when this book begins.

Elisabeth wants a man just like her father. Someone wise and upstanding, a man who lives by God’s Word and is an example to the community. She has high ideals and lofty expectations.

Enter Gabe Taggart, bounty hunter. Now Elisabeth doesn’t know he’s a bounty hunter when she meets him. He’s keeping that under his cowboy hat. But she does know he’s dangerous, because he’s lying shot in their family home after a gunfight—a gunfight she instigated—but she won’t admit to that. Her father is perturbed with her and insists it’s her job to take care of the man, since she got him shot up in the first place, so like the obedient daughter she is, she’s waiting on the irritating man hand and foot. Her charity and good will are soon spread pretty thin however.

Gabe only cares about keeping his secret and creating a home for the sister he placed in a boarding school. She has graduated and wants to come set up house with her big brother. Irene arrives sooner than expected, and she sure isn’t the quiet, studious little girl he remembers. She’s a full-blown suffragette, with contacts in important circles. Between his outrageous sister and his feisty caregiver, his future is not living up to his peaceful expectations. Worse yet—the two become fast friends. What’s a man to do?

This story is filled with gunfire, kisses, and a few good laughs. But it’s also a poignant look into healing for the grieving process and an example of how God responds to faith. I hope you will find a copy and let me know what you think.

I’m giving away autographed  copies to TWO PEOPLE who click through to my trailer on YouTube, LIKE it and leave a comment here to tell me they did so. The traffic should generate interest for the book.

CLICK HERE FOR TRAILER ON YOUTUBE

Thank you for visiting today!


———————————————————————————————————
READ CHAPTER ONE
Marrying the Preacher’s Daughter
by Cheryl St.John
Colorado June, 1876

“Toss your guns down now!” a male voice shouted. “Hands in the air.”

Elisabeth Hart couldn’t see past the layers of netting on a woman’s hat in front of her, but sounds of alarm rippled through the passengers who sat in the forward rows. The interior of the railcar was sweltering beneath the midday sun, and she blotted her eyes and forehead with her lace-trimmed handkerchief. What should have been a routine stop along the tracks to take on water had become life-threatening.

Thuds sounded as firearms hit the aisle. A man in a battered hat and wearing a faded bandanna over the lower half of his face came into view. Eyes darting from person to person, he snatched up the guns.

Another masked bandit appeared in the wake of the first. Sweat drenched the front of his dusty shirt. “Turn over all your cash and jewelry. Ladies’ bags, too, and none of you gets shot.”

Two more thieves held open gunnysacks and gathered the looted items.

Fear prickled at Elisabeth, but a maelstrom of rebellious anger made her tremble. How dreadful of these men to point guns and make demands. Every fiber of her being objected to their lack of concern for the safety of the passengers and the downright thievery.

She turned to the tall, quiet man who’d been sitting beside her on the aisle side of the bench seat since they’d left Morning Creek, noting the way his hat brim shaded piercing green eyes. He watched the gunman with intense concentration, but made no move to stop what was happening. “Aren’t you going to do something?” she whispered.

The man cast her a glare that would have scorched a lesser woman. One eyebrow rose and he gave an almost imperceptible shake of his head.

“They’re going to rob us,” she insisted. “You still have your gun. I saw it inside your jacket when you leaned to lower the window earlier.”

He focused on the man wielding the revolver, but spoke to her. “Can you count, lady? Just give ’em what they want so nobody gets hurt.”

“But—”

Pausing beside them, the masked robber pointed his gun directly at her seat partner’s chest. The man gave Elisabeth a pointed glare and calmly raised his hands in the air before looking up.

“Right in here,” the robber said.

The seated man handed him a coin purse and tossed several silver dollars and his pocket watch into the bag.

The barrel of the gun swung to Elisabeth. “Lady?”

Elisabeth’s temper and sensibilities flared, but fear kept her silent. Her heart beat so frantically, she thought her chest might burst. She wanted to refuse, but didn’t want anyone to get hurt. Begrudgingly, she forfeited her black velvet chatelaine pocket with the silver handle and removed the gold bracelet she’d received for her last birthday, dropping both into the burlap sack.

The robber pointed at her neck. “You got a chain under there.”

She clapped her hand protectively over the plain gold ring that rested on a chain beneath her damp and wrinkled cotton shirtwaist. “This was my mother’s!”

“Just give it to him,” the green-eyed stranger cajoled in his maddeningly calm manner.

“Now just wait,” Elisabeth argued with a glare. “You don’t understand. This was my mother’s wedding ring.”

The stranger gave her a quelling look that singed her eyelashes. Passengers called out their displeasure and shouted for her to give up her jewelry same as they had.

The ring was all she had of her mother. Since she’d drowned, Elisabeth had worn it every day…and tried to fill the woman’s shoes. The wedding band symbolized Elisabeth’s childhood and her sacrifices. Parting with it would break her heart…but she didn’t want to be the cause of anyone getting shot. What would her father have to say in this situation?

She closed her eyes. Do not store up for yourselves treasures on earth, where moth and rust destroy, and where thieves break in and steal. Her true treasures were in heaven. The ring wasn’t as important as the lives at stake.

The robber leaned down close as if he meant to take the ring from her neck. She raised her hand to her throat to prevent him from touching her. She could do this on her own. He grabbed Elisabeth’s collar and yanked so hard that she jerked forward and the top button popped off.

In that same second, a grim click sounded. The bandit paused dead still.

Elisabeth stared into his shining dark eyes, and the moment stretched into infinity. She could hear her blood pulsing through her veins, her breath panting from between her dry lips. Was this the day she was going to die and meet her Maker?

“Take your hands off the lady, or you’re dead.” From beside her, the stranger’s low-timbered voice was calm, but laced with lethal intent. The hair on Elisabeth’s neck stood up.

No one else was privy to the robber’s predicament. The green-eyed man’s gun was still concealed between the two men, the business end jammed up against the robber’s belly. Elisabeth dared a glance and saw the stranger’s other hand clamped over the man’s wrist, keeping that revolver pointed toward the floor and protectively away from her.

What could only have been seconds, but seemed like an hour, passed with their ragged breaths loud and the tick of a pocket watch encroaching on her consciousness.

“We ain’t got all day, Hank!” one of the other thieves shouted.

The robber leaning over her attempted to move, and pandemonium broke loose. A shot rang out and Elisabeth’s rescuer grunted in pain. The robber tugged at Elisabeth’s collar, and the man beside her fired his gun.

The stench of gunpowder stung her nose. Men shouted. Women screamed. Elisabeth watched the events unfold in a haze of fear and disbelief.

The man who’d threatened Elisabeth crumpled, slumping sideways over the back of a seat. A horrifying crimson blotch spread across his shirtfront. She covered her mouth with her hand to keep from crying out.

The stranger leaped from his seat with his arm outstretched. “Get down!” he bellowed. A rapid succession of shots nearly deafened her. She cupped her hands over her ears, belatedly realizing he’d been ordering her to get down. Praying for safety for the other passengers, she folded herself onto the floor and knelt with her heart pounding. The shock of seeing that man shot and bleeding stole her breath.

Minutes passed with her thoughts in chaos. Would she see her family again? If the stranger protecting her had been shot, maybe other people were being killed or injured, and all because she’d delayed. She’d been going to give him the ring.

An eerie silence followed in the wake of the previous pandemonium, and it took a few minutes to comprehend what that could mean.

The sound of hesitant footsteps and voices told her the battle was over. She opened eyes she hadn’t realized were squeezed shut, unfolded her body and peered over the seat in front of her.

One of the male passengers had picked up the gunny-sacks and now doled possessions back to their owners. In numb silence, she accepted her monogrammed velvet pocket and gold bracelet from his outstretched hand while her mind struggled to comprehend what was going on around her. A conductor and several other railroad men stepped over prone bodies on the floor. The sight made her stomach lurch. Elisabeth could only stare in numb disbelief.

One of the uniformed men made his way to the stranger who was seated on a bench with his back against the side of the railcar, his hand pressed to his ribs. “Find something for bandages!”

Spurred out of her frozen state of shock, Elisabeth straightened and stepped into the aisle. She raised her hem and, holding it in her teeth, tore a wide strip from her petticoat. “Here.”

Others provided handkerchiefs and scarves, and the conductor handed over the wad of material for the fellow to press against the wound. “Sit tight,” he said. “We’ll get you to the doctor in Jackson Springs quick as we can.”

Several men dragged the robbers’ bodies to the back of the car, the dead men’s boot heels painting shiny streaks of blood on the wooden floor. Her stomach roiled and she thought she might be sick.

“Are you all right?”

She swung her gaze to those green eyes, now dark with pain. “Y-yes, I’m fine.”

Had he killed all of those men? He made a halfhearted attempt to sit a little straighter, but grimaced and stayed where he was.

He’d probably saved her life. Without a doubt he’d saved her from losing her precious ring. She perched on the edge of the seat beside his leg, and reached to replace his hand with hers, pressing the cloth against his cream-colored shirt, where it was soaked with blood that flowed from his side. “I’m Elisabeth Hart.”

“Gabe Taggart,” he replied.

“That was a very brave thing you did.”

His expression slid into a scowl. “Didn’t have much choice after the stupid thing you did.”

Taken aback, she was at a loss for words. Before that horrible man had reached for her, she’d been prepared to hand over the ring. Now she felt foolish for ever hesitating.

Steam hissed and the train jerked into motion, picking up speed along the tracks. The stranger winced at the jerking movement. The woman who’d been sitting behind them made her way along the aisle in the rocking car. “Thank you for rescuing us,” she said to Gabe.

Casting a disapproving scowl at Elisabeth, she returned to her seat. Elisabeth glanced at a few of the other occupants of the railcar and noted an assortment of scathing looks directed toward her. None of them understood the value she placed on the ring or the reason for her delay. She hadn’t meant to endanger anyone.

Silently, she prayed for his life, asking God to forgive her for putting him at risk because of her selfish attachment to an earthly treasure. Out of habit, she reached into the jacket pocket of her traveling suit and rubbed a smooth flat stone between her fingers. The keepsake was one of several she’d picked up during her family’s perilous journey to Colorado. The stones reminded her of the sacrifice and dedication that had brought them to a new state and a new life.

The train rocked and turned a bend. Several other passengers expressed their thanks to Gabe as the train neared its destination. When at last they reached Jackson Springs, the tale spread to the baggage men and the families waiting on the platform. Several men carefully loaded Gabe Taggart into the bed of a wagon and drove him away.

Grateful this particular chapter of her life was over and that Taggart would be getting medical attention now, Elisabeth released a pent-up breath and joined the others disembarking.

“Thank the Lord, you’re safe.”

Elisabeth turned with relief and embraced her stepmother, their bodies separated by the girth of Josie’s growing belly beneath her pretty green day dress.

“What happened to that man?” her six-year-old half brother Phillip asked. He had shiny black hair like their father’s and a sprinkling of freckles across his nose and cheeks.

“He prevented robbers from stealing our things,” Elisabeth answered, trying to keep panic and guilt from her voice.

“Lis-bet, Lis-bet!” Peter and John, the three-year-old twins, jumped up and down waiting for her to greet them.

She picked up Peter first, kissing his cheek and ruffling his curly reddish hair. After setting him down, she reached for John. He kissed her cheek, leaving a suspiciously peppermint stickiness on her skin.

Josie turned and motioned forward a slender dark-haired young woman that Elisabeth had assumed was waiting for another passenger. “This is Kalli Tyler. She’s my new helper. Your father thought I needed someone full-time, and I didn’t argue. She’s a godsend, truly. You two are going to get along well.”

“I’ve heard all about you,” Kalli said with a friendly dimpled smile. “Are you sure you’re all right?”

“Yes, I’m fine.” She kept her voice steady, but her in-sides quivered in the aftermath of that drama. She collected herself to study the other young woman.

As her father’s assistant, the notary public and a tutor, Elisabeth did have her hands full. It was wise of Father and Josie to hire additional help. At seventeen and sixteen, her sisters, Abigail and Anna, were busy with school, studies and social activities, and their bustling household did need extra assistance to keep things running smoothly.

“I brought a wagon and Gilbert,” Josie told her. “You had bags, and I’m not up to the walk.”

“Of course,” Elisabeth answered. “Phillip, help me find my bags, please.”

She turned toward the pile where luggage was being stacked just as two men carried one of the robbers from the train on a stretcher. He’d been shot in the chest and his vest was drenched with dark glistening blood. The man was quite plainly dead.


—————————————————————————————————–

If you’re blog hopping today, I’m at Seekerville http://seekerville.blogspot.com/ and

I’m the Spotlight Author at Love Western Romances this month! http://www.lovewesternromances.com/

Send for an Autographed Bookmark

COMING IN JULY

If you’d like an autographed bookmark for Her Wyming Man, along with a handful of trading cards with my various covers, send a stamped self-addressed envelope to me at:

Cheryl St.John

PO Box  390995

Omaha NE 68139

Cheryl St.John: Pushing Past Fear to Try Something New

As authors, we are asked a lot of questions, not only by readers, but by those who have a desire to write a story. At every  book signing at least a few people will ask how to get started — or how to overcome fear so they can start.

Fear often holds us back from trying new things.

In one form or another fear is the number one culprit that keeps us from going after our dreams. Fear is often insidious, disguised as procrastination or poor time management, but it can be debilitating in any form. Figure out first exactly what are you afraid of.

Give that fear a name

For the beginner: Are you afraid of trying to write because you might find out you’re not very good at it? Are you concerned you might give it your all and never get published? Recognizing that something is holding you back is a huge step. Now take another one and figure out exactly what it is you’re worried will happen.

The first thing a beginner writes won’t be publishable. Neither will the first book, most likely (okay it does happen) and maybe not the second. But you will never learn, you will never grow, you will never know that you can, until you put the words on the paper. It took me a long time to figure this out, so if I can teach you this and it sticks, I’ll consider my job done: They are only words. You can write more.

Repeat it: They are only words. If they’re not great, you can toss them out and write more. There are plenty more words where those came from. Thousands, millions, in all sorts of combinations and patterns. You don’t have to get them all right the first time.

COMING IN JULY

Whenever a new member joins my RWA chapter or my critique group, I understand their nervousness. I was in their shoes once. I make it a point to tell them: We all started out in the same place. Years ago my brother knew I was writing, and he brought me a newspaper article of a published author whose husband had been transferred to the air force base in my city and she was starting an RWA chapter. I’d never heard of RWA. I was too inexperienced and uncertain to even call the contact number. Another year or more went by and one of the chapter members was featured in the Sunday paper. My brother brought me that one, too and said, “You have to get with these people.”

It took me weeks to get the courage to call. And when I did, I got an answering machine and hung up without leaving a message. I felt completely out of my league. I knew I’d be stepping into a world of English majors and professional people, and I was just little old me making up stories on my old Selectric typewriter.

COMING IN JUNE

Well, I finally did it. I made the call and left a message. The woman called me back and she was warm and welcoming and delightful. I went to my first meeting with my knees knocking and learned everyone there was someone like me – someone just making up stories for the pure love of it. It was months later when I finally showed a manuscript to that founding published author and she Xed out page after page and wrote “nothing happening” in red in the margins. That hurt. She also showed me the things I did well, and showed me how to change and fix and rework the story. She was the first person who said to me, “You can do this.” Her name was Diane Wicker Davis, a warm Southern lady who mentored other writers and shared her knowledge. She passed a few years ago and everyone who knew her remembers her laugh and her encouragement.

I pushed on after her critique, learning, studying, rewriting, until a few years had slipped by and a stack of rejections had piled up. I can remember becoming frustrated and being so hungry for someone to tell me I could do this thing.

Self-doubt
No one can tell you whether or not you’re going to sell a book, publish fifty more or be a success. As much as we’d love for there to be, there’s no writer’s crystal ball to foretell the future. We all wonder if we have the stuff it takes. As beginners we wonder if we have an inkling of talent. Once other writers and readers validate our talent, we still wonder if it’s good enough, if we have what it takes. It’s good to acknowledge that we don’t know it all and to have a desire to learn and grow. But sometimes doubt holds us back. We shoot ourselves in the foot by creating and feeding feelings of inadequacy, by being unwilling to stick our neck out there and show our work. Submission requires opening ourselves up to criticism and rejection. I know a few writers who don’t even submit for fear of rejection.

Confidence comes with practice and with maturity.

Consider an athlete. He might have a desire to run a hundred meter race. So he goes out and gives it a shot, but he doesn’t do very well. Why not? He didn’t practice! He didn’t study how other runners achieve endurance through diet and exercise. He doesn’t know how good he really is until he’s trained by learning all he can, eating properly for energy and muscle and all that — and after he’s ready, after he’s prepared, stretching to limber up and then RUNNING. Then running again and again and again until he’s fast and he knows he’s fast, and he’s ready to compete.

In many ways submitting a book is a lot like that. Your manuscript will be compared to all the others that cross an editor’s desk. It will be scrutinized for its ability to make the publishing house money in the marketplace. The only way you can have the confidence to know you’re submitting something with a chance of making it past that test is to learn your craft and practice, practice, practice. Work at writing and work at it until you get better, until you hit your personal stride.

Sure, sometimes self-doubt is much deeper, it’s inadequacies we’ve carried with us from childhood and relationships and past hurts and experiences. But there’s help for those things, too, in recognizing it and getting help if need be and working on it. You’re a valuable person. You’re worth it. You deserve to give yourself the gift of improving yourself and reaching for your dream.

What else holds us back?

Fear of Embarrassment
Honesty time. This is actually your pride getting the best of you. We all had to start somewhere. We all wrote crap when we first started–well most of us anyway. When babies first learn to feed themselves and walk, we don’t make fun of them; they don’t know any better. You didn’t get on a bicycle the first time and smoothly take off.

Training wheels aren’t embarrassing to a four-year-old. Why do we think our first attempts at writing are humiliating? You have to be willing to make mistakes.
You have to be willing to be bad. You can fix bad. You can’t fix nothing.

Sometimes we’re just our own worst enemy!

Fear of Failure
What if I do the very best I can, give it my all, and fail? Failure means to fall short; failure is a lack of success. This is where your thinking needs to change. Set realistic goals, which is another entire subject. If we go back and look at the realistic goals we planned for ourselves, we can see where we didn’t fall short in our commitment or resolve or our mission. If you take the steps you planned to reach your goal, you succeed in doing the things that are within your control. Taking that action reduces fear and increases your options. Since failure is defined as an omission to perform an expected action, you haven’t failed if you’ve taken the steps to reach your goal.

Failure is not in being rejected; it’s in not taking the steps.
You can succeed by changing your thinking and your self-defeating behaviors.

And here’s the question I’m famous for asking. I ask it of myself and then I ask if of others who hesitate: WHAT IS THE WORST THING THAT COULD HAPPEN?

Okay, people, we’re talking about writing a book here, not jumping the Grand Canyon on a motorcycle. The worst thing that could happen?

Your first three chapters could suck bilge water and need to be thrown out. Remember, I said there are more words where those came from.

It could take you three years to sell a book once you know how. This is my story – is it so bad?

You could write four books over twice as many years, not sell a one and give up. So? You met wonderful people, you had a great time, you learned a lot, and you stayed out of the casino. What was the worst thing about that?

I’m giving you things to think about. I’m asking you to face your fears. I’m suggesting you take steps to put doubt and lack of confidence under your feet and stomp on them a few times — then don’t pick them up and resuscitate them!

Fear is a lack of knowledge. Learn all you can about yourself, about how you work and the things that get you motivated or the things that hold you back and then take the menace out of them by taking positive action to put them behind you.

Do things differently to see better results.

Cheryl St.John: Behind the Scenes

Some of my favorite shows are the programs on how movies are made. Movie Magic is one, and there’s another on Bravo. And there are all those HBO specials. Those looks into the development of a movie always leave a big impression on me.

Sometimes after learning how over budget a production is, or the how the blue screen effects were done, I go see the movie just to find out how the finished product came out. Even if I don’t have the slightest interest in a movie in the first place, after I watch one of those programs, I have to see how all the special effects and the computer imaging and fake rain and snow and all that stuff came together into 90 minutes of near-perfect cinematography and sound and lighting. The process absolutely intrigues me.

Did you know that in Gone With the Wind, during the scene where Scarlet walks among the wounded soldiers on the battlefield, if one slows the film enough and knows where to look, Judy Garland, dressed as Dorothy in The Wizard of Oz, can be scene peeking around the backdrop? They were filming side by side on the same sound lot.

I’m an Avatar geek, and the CGI technology is one of the most amazing things I’ve seen done in film—that anyone has seen done to date. I had to force myself not to buy the second release with extra footage, because I already owned the first version. When there are no behind the scenes extras on a DVD I’ve purchased, I feel cheated.

Even seeing a movie first and then watching the how-to program fascinates me, but I’d rather know the behind the scenes first, for some reason. Then I can sit and pick out all the places where I know they did a particularly wonderful job—or had an especially difficult time.

When we’ve finished watching a new movie, my husband cringes, because he knows I’m going to go into the menu and watch the behind the scenes trailers and clips. I’ve learned a lot by seeing how scenes are created and changed and how actors get into the roles of their characters.

I think one reason why that intrigues me so, is because everything that looks so polished and perfect in the finished product, was actually grueling, laborious, often times FRUSTRATING work behind the scenes.

I remember for example, in the making of Jurassic Park, every time that huge tyrannosaurus—the one that broke through the fence and came after the kids in the car—every time it got wet in the rain scenes, the mechanical parts stopped working. The crew would have to stop, dry it down, wait, and start over. Hours and hours and hours, and in some cases DAYS of painstaking work just getting a few perfect shots.

It’s not so unlike what we writers do. Other writers and all the readers see us with our good clothes on, our hair fixed, attending meetings and conferences, and book signings, with stacks of the glossy finished product in front of us. But how many hours of unglamorous work went into the finished product? I hate to even think how much I’ve made an hour on some of my projects, because when I think about it too hard, the more difficult it is, the more time it takes. And the more time it takes, the less I’m making per hour.

And I must tell you: I don’t get up in the morning and slip into my pink ostrich-feather trimmed negligee or dictate to my personal secretary. Some days (and nights) I do my best writing in my jammies! Now there’s a picture for ya, eh?

Finished books can represent years. They also often represent other projects that fell by the wayside in between. Not every book that a writer proposes sells. I know a lot of authors who claim they sell about one out of every three stories they come up with.

A book takes anywhere from a few months to several months to complete. Some writers take a year or more. And those words don’t flow out of our brains in perfect order. Great scenes don’t just happen without plotting and planning and playing with dialogue. I usually write a story from beginning to end. I’m a very linear writer. But sometimes I have to go back and add things I belatedly realize are needed. Many authors write in layers, with dialogue first and then go back to add body language and setting. Others write scenes out of order and then connect them like a puzzle. It always amazes me how the process differs with each person—and with each book. I don’t write every book the same way. And then there’s the middle muddle, and all kinds of things that can get a writer off track.

I’ve never asked other writers about this, but most often my books leave an impression on me—an imprint of what was happening in my life at the time it was written, be it good or bad. I remember which book I was writing when something significant happened in my life. While we’re bringing characters to life, we’re simultaneously living life.

I think I can imagine what it’s like when the director, producer and crew of a movie watch their finished product for the first time. They remember how that scene came off beautifully after the boom was repaired or how amazing it is that a shot was edited to remove a dog that shouldn’t have been there. And then I imagine they look at the film with fresh eyes and marvel at how all the parts and players came together in a satisfying and rewarding piece of work.

That’s how a book feels, too. Satisfying and rewarding, even though I know all the things that happened behind the scenes. It’s still a delight to see a new book cover for the first time. When my author copies arrive, I open the box and touch them, open them, read the first few pages. Spotting my release among all the others at Wal-Mart or the grocery store never gets boring. And I consider myself one of the most fortunate people in the world to be doing what I love and getting paid for it. Seriously, how many people can work in their jammies?

There’s something amazing about recognition from your peers, as well, and that is what RWA’s RITA contest is all about. It’s judged by other writers just like myself, who love books and understand the process of writing one. I’ve been honored (for the fourth time) with a RITA nomination—this time for a novella,  MONTANA ROSE in the TO BE A MOTHER anthology from Love Inspired Historicals. Being a finalist is a big deal, accompanied by flowers, champagne and congratulations from friends, agents, editors and fellow writers. I am clearing a spot for that bad boy statue above my desk! Root for me in July.

Do any of you enjoy seeing behind the scenes as much as I do?

Cheryl St.John: Only in the Movies

1. It is always possible to find a parking spot directly outside or opposite the building you are visiting. This also applies to a building you are surveying in the dark to spy on someone. There is always an open spot on the street with a view of the exact window you need to see.

2. If you suspect your boyfriend is cheating on you, simply go to any restaurant with your girlfriends to catch him. He will never see you there, so slip out and walk home.

3. Television news bulletins usually contain a story that affects you personally at the precise moment it’s aired. If you need to catch a breaking news report, try stepping out of the shower and flipping on the TV.

4. Creepy music (or satanic chanting) coming from a graveyard should always be closely investigated.

5. Any lock can be picked with a credit card or paperclip in seconds. UNLESS it’s the door to a burning building with a child inside.

6. If you decide to start dancing in the street, everyone you bump into will know all the steps. This phenomenon can be seen in high school hallways and classrooms as well.

7. All bombs are fitted with electronic timing devices with large red digital displays so you know exactly when they are going to explode. Try as you will, you will never get the bomb diffused until 3 seconds away from detonation.

8. Should you wish to pass yourself off as a German officer, it will not be necessary to learn to speak German. Simply speaking English with a German accent will do. Similarly, when they are alone, all German soldiers prefer to speak English to each other.

9. Once applied, lipstick will never rub off. Even while scuba diving and kissing. Makeup looks as fresh in the morning as it did the night before and hair is only becomingly mussed, never ratted or all bunched up on one side.

10. The Eiffel Tower can be seen from any window of any building in Paris. And the windows and balconies have no glass or screens. AAaarrr…

11. Any police officer about to retire from the force will more often than not die on their last day, especially if their family has planned a party. (Caveat: Detectives can only solve a case after they have been suspended from duty.)

12. Getaway cars never start with the first turn of the key in the ignition. But all cop cars do. (They will also slide to a dramatic stop in the midst of a crime scene.) If you’re trying to escape a maniacal killer, you will drop the keys as soon as you get into the car and then fumble with them. It will never occur to you to roll up the window and lock the doors.

13. If staying in a haunted house, women should investigate all strange noises while wearing their most revealing underwear. Walk backwards a lot and don’t look behind you.

14. On a police stake-out, the action will only ever take place when food is being consumed and scalding hot coffees are perched precariously on the dashboard . . .

15. All grocery shopping involves the purchase of French loaves which will be placed in open brown paper b. When said bags break, only fruit will spill out.

16. Cars never need fuel, unless they’re involved in a pursuit.

17. If you are heavily outnumbered in a fight involving martial arts, your opponents will wait patiently to attack you one by one by dancing around you in a threatening manner until you have defeated their predecessor.

18. If a microphone is turned on it will immediately feed back.

19. Guns are like disposable razors. If you run out of bullets, just throw the gun away. You will always find another one.

20. All single women have a cat.

21. Cars will explode instantly when struck by a single bullet.

22. No matter how savagely a spaceship is attacked, its internal gravity system is never damaged.

23. If being chased through a city you can usually take cover in a passing St Patrick’s Day parade – at any time of the year.

24. The ventilation system of any building is the perfect hiding place. Nobody will ever think of looking for you in there and you can travel to any other part of the building undetected.

25. You will survive any battle in any war UNLESS you show someone a picture of your sweetheart back home. If you want to live, don’t get out a photo.

26. Prostitutes always look like Julia Roberts or Jamie Lee Curtis. They have expensive clothes and nice apartments, but no pimps. They are friendly with the shopkeepers in their neighborhood who don’t mind at all what the girl does for a living.

27. A single match is usually sufficient to light up a room the size of a football stadium or an underground cave.

28. It is not necessary to say “Hello” or “Goodbye” when beginning a telephone conversation. A disconnected call can always be restored by frantically beating the cradle and saying “Hello? Hello?” repeatedly.

29. One man shooting at 20 men has a better chance of killing them all than 20 men firing at once.

30. When you turn out the light to go to bed, everything in your room will still be visible, just slightly bluish.

31. Plain or even ugly girls can become movie star pretty simply by removing their glasses and rearranging their hair.

32. Rather than wasting bullets, megalomaniacs prefer to kill their enemies with complicated devices incorporating fuses, pulleys, deadly gases, lasers and man-eating sharks.

33. All beds have special L-shaped sheets that reach to armpit level on a woman but only up to the waist of the man lying beside her.

34. Anyone can land a 747 as long as there is someone in the control tower to talk you down.

35. During all police investigations it will be necessary to visit a strip club at least once, and the most important conversations happen at the urinal in the restroom.

36. You can always find a chainsaw when you need one.

37. Most musical instruments, especially wind instruments and accordions, can be played without moving your fingers.

38. In Middle America all gas station attendants have red handkerchiefs hanging out of their back pockets.

39. All teen house parties have one of every stereotypical subculture present, even people who aren’t liked and would never get invited to parties.

40. When paying for a taxi, don’t look at your wallet as you take out a note. Just grab one out at random and hand it over. It will always be the exact fare. This works at restaurants as well. If your girlfriend gets in a huff and runs out, just throw money on the table or at the girl at the counter.

What did I miss? Can you think of anything else that happens only in the movies?

I’ve been on hiatus, recovering from a knee replacement. It’s good to be back in touch!

Smooches!

Cheryl St.John: Christmas at the Historic General Crook House

‘Tis the season to admire Christmas trees! Oh, how I love decorated trees. Never get my fill. I enjoy them so much that each year readers and authors send me photos of their trees and I post them on my blog all through December.

Today I’m sharing photos taken at the General Crook House in Fort Omaha. It’s a lovely historic home, and though the furnishing aren’t original, the home and decor have been restored and furnished with items true to the time period.

The one above on the left is on an upstairs bathroom. Many of the trees included themes from nature.

On the right above is a tree standing in one of the main rooms at the front of the house.

This one below left is in Mrs. Crook’s bedroom. It is decorated with White House ornaments that the historical society collects and adds to each year. Notice the red and white quilt on the bed. Ever notice how small those beds were? Men and women were MUCH smaller a hundred years ago.

If you want to see more trees throughout the month, check them out at The Annual Christmas Tree Tour: http://cherylstjohn.blogspot.com/

You’ll note one decorated with flags.

There were so many trees to admire!

This piano is in the formal dining room.

And now just for fun I’ll add interesting furniture and architecture. Enjoy!

Purples lovers will dig this decor!

There are two chairs and two footstools in the study made with horns!

Animal heads hang on the walls – I didn’t take any pics of those.

General Crook would have loved Cabellas. lol

Hope you’re getting into the Christmas spirit.

Please send me a photograph of your Christmas tree and a paragraph about it or about your family’s  Christmas traditions.

I would love to feature YOUR tree on The Great Christmas Tree Tour.

Cheryl St.John: Quick Meals for NaNoWriMo

November is National Novel Writing Month. For those of you who aren’t writers, that means thousands upon thousands of writers are hunkered over their keyboards right now, tallying a word count. There’s a whole website and online community devoted to what is known as Nano-ing. Some years I participate and some I don’t. This year I committed to the whole 50,000 word goal.

It never fails that when a writer is buckled down for an intense writing spree, 300 emails pour into her inbox, the assistant editor requests a dear reader letter and study questions, ten things crop up on the home front that scream for her attention—and her turn to blog rolls around.

The organized Nanoers shop, prepare meals ahead and freeze them. Is that impressive, or what? Others send hubby for carry out four or five nights in a row—and some—like me—make use of all their quick and simple recipes.

And so today I share with you, a couple of my easiest on deadline or Nano-ing recipes.

TACO SOUP

This is a no fail hit. I’ve made it for only the family and I’ve made it for a soup supper at church. The quantities are easy to adjust.

1 ½ lbs ground beef, browned with a medium onion

For a crowd/  9 lbs & 4-6 onions

28 oz crushed tomatoes     / 168 oz

8 oz tomato sauce   / 48 oz

1 can corn      / 6 cans

1 can pinto beans      / 6 cans

Packet taco seasoning       /6 pkgs

1 cup water          / 6 cups

Simmer for 45 min to an hour and serve with shredded cheese, sour cram and corn chips

(My daughter adds a package of ranch dressing mix to the single recipe)

IHOP PANCAKES

1 ¼ c flour

1 egg

1 1/4 c buttermilk

½ c sugar

1 heaping tsp baking powder

1 tsp baking soda

1 ¼ c oil

Pinch of salt

Preheat a nonstick skillet.

Combine all ingredients with mixer until smooth.

Pour by spoonfuls or small measuring cup to form 5” circles

When bubbles pop and edges appear to harden, flip.

Cook other side until golden.

8-10 pancakes

Serve with ready-to-eat sausages or microwave bacon

BEST BREAD MACHINE BREAD EVER

Mix: 1 cup + 2 Tbsp water and 1 or 2 eggs

4 tsp gluten

3 Tbsp brown sugar

3 Tbsp olive oil

1 ½ tsp salt

1 scat tsp yeast

1 cup Hodgson rye flour

1 c Hodgson whole wheat flour

1 cup unbleached bread flour

Easy to slice once cooled! Makes great sandwiches and excellent toast.

Have you noticed if some of your favorite authors have Nano-meters on their blogs this month? If so, leave them a note of encouragement.

Cheryl St.John Shares How She Got Started Writing

Today I’m responding to another of the most often asked questions writers hear:

How did you get started writing?

I’ve always written in one form or another. As a child I wrote stories, drew the covers, and stapled them into mini-books. My first rejection came at age fourteen when I submitted a romantic short story to Redbook Magazine. I still have the form rejection. I was crushed.

I wrote long hand off and on after that, occasionally typing a story on my Grandma St.John’s manual typewriter. For years I pretty much dedicated myself to my family, and raised my four kids.

I used to read only horror, mystery and main stream novels, but I read a few Victoria Holts I’d received from the book club and found them appealing, yet somewhat unsatisfactory in some way I couldn’t define at the time. On a whim one day, while browsing the store shelves, I bought Lisa Gregory’s The Rainbow Season and LaVyrle Spencer’s Hummingbird. Imagine that out of all the books available, I chose two classic romances for my first taste of romance!

Needless to say, I was hooked from that day forward. I devoured everything either of those two authors ever wrote, and went on to Janelle Taylor, Jude Devereaux, Johanna Lindsey, Francine Rivers, and Kathleen Woodiwiss.

ORIGINAL DRAWING BY A VERY YOUNG CHERYL

When my youngest daughter went to Kindergarten, I was lost without her. In retrospect, it was empty nest syndrome, but instead of having another baby, which many women do, I decided it was time to write the novel that would launch me to stardom.

Yeah, right.

All The Tender Tomorrows and Soft Summer Magic are still on a shelf in my closet, along with a few other manuscripts, and rightly so. Looking back on the manuscript preparation, the stories with no plot or conflict, and the volume of editors I sent them to is a humiliating, yet laughable experience. I can’t believe I did that! I was rejected by the best in the business. Repeatedly.

I wrote in a vacuum for years, reading outdated how-to books from the library and sending stuff out to anyone in The Writer’s Market that I hadn’t already pounced on.

My mom, who’s always been my biggest fan, even when I was producing crap, clipped an article about Diane Wicker Davis from the newspaper. An Avon writer, she and her husband had recently been stationed nearby. Diane had started an RWA chapter. I was impressed.

But not in that league! So I continued on my solitary way.

Then one day in 1989, by brother, who is also a writer, brought me the Sunday paper with an article about another local writer from the local RWA chapter. It took me weeks to get the courage to call that number. I was terrified that they’d all be professionals with history and journalism and English degrees, and here was little old clueless me, puttering along on my used Selectric. (I had upgraded – lol)

Well, I garnered all my bravado, attended a meeting, and discovered that though they were elementary teachers, criminal justice teachers, and newspaper reporters, many of the members were moms, and they were all regular people just like me. (Some would beg to differ that I’m regular, but that’s a topic for another day.)

Later, as the group grew and evolved, I served as program chairman, vice president, president, and PAN liaison of my local chapter, the greatest bunch of writers I could ever hope to know. They’ve become my critique partners, my teachers, my mentors, and my supporters, but most of all, my friends.

With the networking in RWA, the teaching and guidance of my local chapter, and a terrific agent who took me on and believed in me, I sold my first book in 1992. Rain Shadow was released as part of Harlequin Historical’s March Madness promotion in 1993, and my second book followed in October of that same year. After the sale of my third book, I quit my job as a merchandising artist and started writing full time.

This month Western Winter Wedding Bells is my 35th published book, and I have two more scheduled in June and July 2011 and a Christmas 2011 novella—contracted just yesterday—to write.

And that’s how I got started writing.

Charlene Sands and Cheryl St. John’s Christmas in October

Since Cheryl St. John and I both have short Christmas stories in Western Winter Wedding Bells we thought it would be fun to chat with you together. We both love the holiday season and I feel blessed authoring this anthology with two very talented writers!  Hope you enjoy this fun little perspective about our stories!

How would you describe your heroes, Alpha or Beta?    Do you want to slap his face or wash his underwear?

CHERYL SAYS:  I usually write a beta hero. That seems to be the way I’m wired when it comes to creating characters. I do occasionally make a concentrated effort to do an alpha male, and it’s a lot of fun. If I made a list of all the heros in all my books, the percentage would lean heavily toward betas.

CHARLENE SAYS:  Oh, slap his face, to be sure!   I write mostly Alpha heroes, who have a soft side that they rarely show.  Cooper Garnett is hot, sexy, tortured and on a secret mission to hunt down the man responsible for his wife and child’s murder.  He’s not happy that a robbery left him injured on the Double J Ranch with a widow woman and boy tending him. They are a painful reminder of the family he’d lost.  Though, there’s some underwear washing going on too!


Is there someone in your story that STEALS the show?  Any cute kids, pets or secondary characters we might see again?

CHARLENE SAYS:  Eighteen-month old Johnny Bodine slowly worms his way Cooper’s hardened heart.  He’s the same age as the boy Cooper lost many months ago and he’s quite adorable, if I say so myself.  Probably won’t be seeing him again, but he’s a keeper!   

CHERYL SAYS: She doesn’t steal the show, but Owen’s youngest sister JoDee captured my interest. She’s a gifted musician in a small town, and Owen plans to send her to a conservatory. She might show up again.
 

It takes skill to create a satisfying story in the short novella format.  Do you have any tips for writing to this length?

CHERYL SAYS:  A novella needs all the same elements as a full-length novel: Engaging sympathetic characters, internal and external conflict, believable motivation, a realistic setting and hooks that keep the reader turning pages. However, you have a lot fewer pages in which to do all that. Here are a few techniques I use.

*  The first place I look for a story is in my idea file where I’ve saved ideas that didn’t have enough conflict to support a full-length novel. Don’t ever throw out an idea—the archives are a gold mine when you need a novella.

*  It can be helpful if the hero and heroine already know each other. There is less set up and getting-to-know-you time involved.

*  When developing your characters, don’t give both major story people complicated pasts or set them both up with difficult to resolve motivations or conflicts. Keep the major stumbling block to falling in love focused on one character.

*  One character may already be in love with the other or have admired them from afar.

*  Use a secondary character from a previous book as your hero or heroine. You already have their names and descriptions decided and most likely your setting has been established, so your job is easier.

*   Secondary characters are important, but one character may serve several purposes. Look to combine characters if the cast gets too large.

*  Use stereotypes for secondary characters. The reader already has expectations and a mental image.

CHARLENE SAYS:  Pretty much what Cheryl said, but I’ll emphasize that reunion stories work very well.  If they know each other first, then they have past history. But I broke the rules in Wearing the Rancher’s Ring– Cooper’s mission to hunt down his family’s murderer, works well because the conflict to see justice to the end, wars with the eventual love he feels for Rachel and Johnny. He’s torn and that’s makes for a very strong conflict. 

Also, I write only 8 chapters in an anthology, keep the pace fast and the story moving forward. Each scene has to be important. No room for dallying, as they say.

How did you come up with a story to fit the Christmas or Springtime theme?

 

CHARLENE SAYS:  The setting played an important role with this Christmas themed story. When you think Christmas, you immediately think of snow, cold winter days and sizzling fireplaces.  So I was lucky with this story since I’d left one heroine hanging, without a story in my full-length western historical, Bodine’s Bounty.  Rachel’s tale had to be told.  And she lived in northern California, where, guess what?  There’s snow, cold winter days and fireplaces.  The same holds true for Mother’s Day or Spring Brides themes. Though they CAN be set anywhere, I tend to think of them as clear blue-sky places, a western setting on the plains or small towns of the Old West.

CHERYL SAYS:  Anthologies are most often released in time for Mother’s Day or Christmas, so those themes are already established. My novellas have always been part of a western collection, so that narrows the possibilities even further. I just start thinking cowboy hero or small town holiday or babies, and an idea comes to me. As I mentioned in my previous list of novella tips, I sometimes have a story set aside because it wouldn’t work for a full-length book, and this is a good place to use it. I often use a secondary character from a previous book whose story begs to be told.

What one word would describe your heroine?  

CHERYL SAYS:  Tenacious.  Chloe does not give up. She is bound and determined to save her grandfather’s church, and she’s fighting with all her resources–as well as Owen’s–to see the task completed before the deadline.

CHARLENE SAYS:  Survivor.   Rachel has endured much loss and suffering in her life, but as a young widow with a little son to raise, she still manages to keep her heartache to herself and keep the ranch going.

Now tell us why?

CHERYL SAYS :  She’s alone and always has been. The church is her connection to the only family she ever had–her grandfather. She will do anything in her power to save it from demolition.

CHARLENE SAYS:  Rachel doesn’t try to find a new beau, or a man to marry. She was deeply in love with her husband and never thought she would find love again.  The appearance of Cooper Garnett on her ranch and the yearning she feels for him makes her realize how lonely she truly is. 

Any special Christmas traditions in your story?  And what holiday traditions do you enjoy today with your family?

CHARLENE SAYS:  In Wearing the Rancher’s Ring, Rachel maintains the same traditions that she had enjoyed with her husband Josh.  She asks Cooper to chop down a small pine tree and then she invites her ranch hands inside the house to string popcorn and help decorate the tree.  Her humble home is open to friends and they sing carols, enjoy her pumpkin muffins and cakes as she hands out knitted gifts to her close friends and her loyal employees.  

Our family spends Christmas Eve together every year at my sister’s house.  It’s a fun night of eating honey-baked ham with all the fixings and playing games.  We open gifts and eat some more!  The most wonderful thing about Christmas is that the entire family is together. 

CHERYL SAYS: Christmas in Red Willow features a family gathering with all the chaos that makes the day special and memorable. Owen’s family plays parlor games, to which Chloe has never been exposed.

My family plays board games on winter holidays. We play Masterpiece, Monopoly, Scrabble, Aggravation, Clue, Uno and more recently, Life. I introduced the younger kids to Apples to Apples a long time ago. They were all excellent readers at a very young age and the game helped their vocabulary skills as well as being fun. We just like to laugh, and that is parallel to Owen’s family.  

CHARLENE SAYS:  Would you believe that I found fully decorated Christmas trees in a department store in the middle of September?  Which warrants this question:  What kind of holiday shopper are you?  Do you shop early and often?  Do you wait until after Thanksgiving?  Or are you a last minute shopper, waiting until the week of Christmas?

One lucky commenter today will win a $10 Amazon Gift Card and for a bigger Amazon Holiday Shopping Spree go to Charlene’s website at www.charlenesands.com and visit her Win Stuff page.

 

 

 

Petticoats & Pistols