Writing

What Should I Tackle Next?

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Hello everyone, Winnie Griggs here. Today’s post is a bit different than my usual post. Instead of sharing information I came across in my research I’m going to ask you to help me with a bit of research of the reader variety.

I have three older releases that I’ve received the rights back for and I’d like to reissue them as self-published editions. However, they all need to be gone through and updated and right now I’m working on a contracted book that has a firm deadline. That means I have limited time to focus on them and will need to do them as low-priority side projects. So I’d be interested in learning which of the books intrigues you the most. So please rank the following in the order in which they interest you – and there are no wrong answers.  I’ll select at least one person to receive their choice of any book from my backlist (and I still have several copies of the below out of print books I’ll throw in the mix as well)

Book 1 – this was first published in 2002 under the title Whatever It Takes. Here’s the original blurb:

Flirting With Perfection…

To adopt the little girl she’s come to love, widow Maddy Potter needs a fiancé, not another husband. Luckily, she’s found the ideal beau for her purpose:

Clayton Kinkaid agrees to court her, propose marriage, and then leave her at the altar as she requested. But when he arrives on her doorstep she knows their charade will never work. Clay is too handsome, too smooth… too potent. Who would believe such a charming, good-looking man wants to woo her?

Clay accepted Maddy’s proposal in order to repay a family debt of honor. He traveled to Missouri expecting to find a reserved widow, not a beautiful young woman—a woman who has the temerity to suggest he comb his hair differently, mess up his clothes a little, maybe even walk with a limp. She even has the audacity to instruct him on how to court her!  Clay knows he could be the perfect suitor. What he didn’t realize was that he’d soon long to be the perfect husband.

Book 2 – this was originally published in 2004 under the title A Will of Her Own. Here’s the 2004 blurb:

Will Trevaron’s grandfather demands that he leave America and return home to England to claim his title of Marquess. Will is expected to put himself on the marriage market but balks at the idea. He hits on the perfect solution: a marriage of convenience to Maggie Carter. A union with a “nobody from the colonies” would shock and horrify his stuffy family and rescue from poverty the woman who had once saved his life. Will didn’t count on getting three spirited children in the bargain though. And he didn’t expect to fall for his wife.

But as Maggie sets his household straight about what an independent lady from an ‘unsophisticated country’ would and would not accept, the new marquess begins to discover that his marchioness has a will of her own.

Book 3 – this one was originally published in 2010 under the title The Heart’s Song. The 2010 blurb reads:

Widower Graham Lockwood hasn’t stepped foot in church since he lost his family. So he can’t possibly say yes to his new neighbor’s request that he lead the hand bell choir. But widowed mother Reeny Landry is so hopeful—and her fatherless children so in need—that Graham agrees to help.

Suddenly, the man who closed himself off is coming out of his shell. And he finds himself acting the father figure to Reeny’s sweet, mute daughter and her loner son. But going from neighbor to husband is another matter altogether. Until a loving family teaches Graham to hear the heart’s song.

 

So there you have it, the three projects I’m itching to get to work on. Let me know which order you think I should tackle them in and why, and I’ll throw your name in the hat for the drawing!

 

The Difference Between Romance & Women’s Fiction

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I’ve been thinking about this lately, because I’ve written a women’s fiction that is with an editor now (cross your fingers for me!).

I’m very familiar with the subject, because my first book, The Sweet Spot, I wrote as Women’s Fiction. Half the editors who read it thought it was romance, half, WF. It finally sold to a romance line, so I had to make some changes.

The difference is mainly in the focus. In a romance, the focus is on the relationship, and ends in a ‘happily ever after’. In WF, the focus is on the woman’s journey and emotional growth. It may or may not have romance, or even a happy ending.

I learned that in Romance:

  1. The bad-boy hero can’t be TOO bad. In my debut novel, the couple had lost their son in an accident, and it tore them apart – they divorced. To deal with the pain, my heroine developed a Valium habit. The hero’s drug was young and blonde. In my original version, he was still with the blonde when the book opened. I had to change that; my editor told me that if the readers met the bimbo, the hero would be irredeemable, no matter what he did down the line.
  2. I had to soften the heroine as well – she could be damaged and flawed, but she couldn’t be seen as cold, or uncaring.
  3. Because I wrote the book as a WF, most of the scenes involved the heroine’s point of view. I had to add a couple of scenes with the hero’s, and even though they weren’t together in the same scene in the first third of the book, I had to add thoughts each had of the other, showing how they were changing.
  4. Sexual tension. It’s not critical that the couple make love but there still needs to be escalating sexual tension as the book advances. Inspirational romances do a brilliant job of this.
  5. I had to be more careful with graphic scenes (not talking sex, here). My hero raised bulls for the bull riding circuit. In one scene, the heroine helped a cow with a breech birth. My editor had me reduce the level of gore, blood, etc.  I also had to be careful how I covered breeding details like selling semen (can I say that here?)
  6. And, of course, there must be a HEA (happily-ever-after.) That was no problem, because I originally planned for my couple to end up together!

In my Women’s Fiction:

  1. There is a romantic interest, but it’s a small part. The guy is mostly there to show her issues with commitment. I leave it open-ended as to whether they end up together.
  2. The focus is on a grandmother and her granddaughter who, due to the past, doesn’t like or respect the family matriarch. 
  3. So it’s about the main character’s growth. When she learns her grandmother’s past, and her secrets, she not only accepts her grandmother – she learns more about herself, and what was holding her back.

So tell me – do you read Women’s Fiction? Romance? Which do you prefer, and why?

I’m giving away a copy of The Sweet Spot to two commenters!