Legends of the Fall

I love this movie—have probably seen it four or five times, and it never gets old for me.  Take spectacular Montana scenery, Brad Pitt at his most gorgeous, stunning characters brilliantly played, and a story that would wring tears from a block of granite.  For me, this is the perfect film experience.

I’m betting you’ve seen it.  If not, you’re missing out.   Set in the early decades of the Twentieth Century, between World War I and the Prohibition Era, it’s the story of the Ludlow family—the father (Anthony Hopkins), and his sons Alfred (Aidan Quinn), Tristan (Brad Pitt) and Samuel (Henry Thomas) who  live on a Montana ranch.  The tragedy begins when Samuel brings home his fiancée Susanna (Julia Ormond), and both his brothers fall in love with her.  It deepens when the brothers go off to war and

Samuel fails to return.  Tristan, who’d promised to look after him, plunges into a pit of tortured guilt that drives him away from Susanna and his family.

I won’t create a spoiler by telling the whole story, but there are some glorious scenes.  My favorite is the one where Tristan returns from his wanderings, galloping over the hills on horseback, his long golden hair flying in the wind as he drives a herd of wild mustangs ahead of him.  And waiting for him is the woman who can heal his wounded soul.

The movie goes on and on, through the history of this family, riveting to the end, so I reasoned that  this saga must be based on an  equally amazing book.   I decided to order it.

Imagine my surprise when the slender volume arrived containing not one novel but three novellas.  “Legends of the Fall,” was a narrative short enough to read in one sitting.  The other two very dark stories had nothing to do with the movie—though they were superbly written by a fine American author named Jim Harrison (born 1937).

I’m still shaking my head in disbelief.  Most movies based on novels leave out many elements of the book.  In this case, the writer(s) of the screenplay, as well as the production staff and the actors, had built the bare bones of  a story into a visually rich emotional epic.

In the 1995 Oscars, the film won an award for best cinematography and was nominated for best art direction and best sound.  In my opinion it deserved more—especially for the James Horner musical score, one of the most evocative I’ve ever heard.  I have the cd, which I’ve almost worn out playing it in the background while I write my Western scenes.

How about you?  Do you love this movie as much as I do?  Or do you have other Western film favorites?  What’s your all-time favorite Western movie?

Waste Not, Want Not

A couple of weeks ago, I was watching a news feature on TV.  The reporter tracked a “typical” well-off American family to see how much food they wasted in a single month.  By the end of the month they were astonished to learn that they’d thrown out $500 worth.

My grandma would have been horrified!

Grandma Hannah, who passed away in 1962, was the daughter of a pioneer farm family scratching out a living in dry, gravelly Southern Utah.  She learned early how to make a little go a long way.

I knew her well.  During World War II, while my dad was in the Navy, my mom, my baby sister and I moved in with Grandma and Grandpa.  Since Mom’s  younger brother and his new bride were also living there, they had a houseful.  Grandpa was a carpenter and part-time farmer.   Grandma kept house and tended us two little girls while Mom taught school to help make ends

meet.

One of my favorite treats was something called jelly punch.  When Grandma got to the bottom of a glass jelly jar and couldn’t scrape any more out, she’d add some water, dissolve the traces of jelly in it, and give it to me to drink.  I loved it.  She also made me

something called pearl tea, which was nothing more than hot water, sugar and milk.   Peppermint tea came from the mint that grew along the ditch banks in our little town—as did asparagus and rhubarb, which we picked wild.

 

Grandma had one of those big black coal-burning cook stoves, and  she took a lot of pride in keeping it shiny.  Back then, bread wrappers were made of oiled paper.  Grandma would use those wrappers to polish her warm stove until it gleamed.  And she would save every scrap of stale bread to make bread pudding.  These days they serve bread pudding in fancy restaurants, but I have yet to taste any as wonderful as Grandma’s.

When our clothes wore out beyond mending, we gave them to Grandma.  She would cut them up for quilt pieces or tear them into strips for weaving the beautiful, durable rag rugs she sent up to the Pioneer Handicraft store in Salt Lake City, her only source of income.

The quilt I sleep under now was pieced by Grandma and quilted years later by my mother (the photo shows a similar one).  Every little piece of fabric is a memory of a happy childhood and a woman whose loving hands and thrifty ways I will never forget.

How about you?  Do you have any comments about today’s throw-away society?  Do you know someone like my Grandma who lived by the old adage, “Fix it up, wear it out, make it do, or do without?”

There's Something About Twins

There’s something about twins—or unrelated people who look alike—that captures the imagination, especially in stories.    Think of the classic stories—The Prince and the Pauper, The Man In the Iron Mask,  A Tale of Two Cities.  We could brainstorm a long list.

My first literary encounter with twins was probably “The Bobbsey Twins” series by Laura Lee Hope (actually a pseudonym for a string of writers).  Anyone who can remember, Bert and Nan, Freddie and Flossie as well as I do has been around the block a few times.

My new Harlequin Desire story is about twin brothers, but only one is living.  Jordan is tormented with guilt over his brother Justin’s death in a plane crash.  When he finds out his brother left a son, he is determined to take the little boy in and raise him.  But Angie, Justin’s former fiancée, has other ideas.  Angie has raised her son with pictures and stories about his father, and Lucas understands that his daddy is in heaven.  But she wants nothing to do with Justin’s family, who treated her badly.  This excerpt describes what happens when Jordan shows up at Angie’s apartment for the first time.

“Where’s the boy, Angie?  Where’s Lucas?”

“You have no right to ask!”  She was on guard now, a tigress ready to strike in defense of her cub.  “Lucas is my son.  My son!”

“And my brother’s son.  I have a copy of the birth certificate.  You listed Justin as the father.  I’m assuming that’s the truth.”

Something crumbled inside her.  “I did that for Lucas, so he’d know.  But Justin…”  She gulped back a surge of emotion.  “He never even knew I was pregnant.  I was going to tell him when he came home for my birthday.”

“So you were never married.  Not even secretly.”

“No.  You needn’t worry on that account, Jordan.  I have no claim on your family’s precious money, or anything else.  So go away and leave us alone.”

She studied his face for some sign that her words had made an impact.  But his expression could have been chiseled in basalt.

“You might have told us,” he said.  “It would’ve meant a lot to my parents, knowing Justin had left a child.”

“Your parents hated me!  How could I expose my innocent baby to those ugly feelings?” 

“I want to see the boy.”

No!  Angie’s heart slammed.  She’d had no warning, no time to prepare Lucas for this.

“I don’t think—” she began.  But it was too late.  She heard the opening of the bedroom door and the cautious tread of small sneakers.  Evidently, Lucas had grown tired of waiting and decided to check things out for himself.

Short of lunging for her son, there was little Angie could do.  She watched in mute horror as Lucas emerged from the hallway and caught sight of their visitor.

His brown eyes opened wide.  Then his face lit with joyous wonder.  “Daddy!” he cried, racing across the room.  “Daddy, you came back!”

* * * * *

Here”s a snippet from a lovely review by Romance Junkies:

“Filled with witty repartee, complex characters, an intriguing plot, family dynamics, secrets, guilt, forgiveness, true love, second chances and a truly

emotional ending, this story is sure to steal your heart. It is one that you will remember long after the last page is read and the book is closed.”

You can learn more and find a purchase link on my web site.

Do you have any twins in your family?  What is your favorite “Twin” story?

 

 

Book winner and contribution

The winner of IN HIS BROTHER’S PLACE is CONNIE J!  Connie, please send your snail mail to me at elizlane123@msn.com, and I’ll get that book right out.

Between the readers and Fillies who commented, and a little rounding up, I’ll be sending $15 to Have a Heart Humane Society.  Thanks for your support and your heartwarming stories.

 

Win a book, support a good cause

Welcome to my very first Harlequin Desire set for a January 2013 release.  After a long line of historicals, I’m thrilled to be lending a new voice to these powerful, passionate stories.

While writing this book, I fell in love with my characters.  Fiercely independent, Angie carried on when the death of her fiancé left her pregnant.  Now, as she struggles to raise her son, can she find happiness with a former enemy—the twin brother of the man she loved?

Jordan had long believed Angie was after his brother’s money.  Now her young son, Lucas, is the only surviving link to his twin—and the heir to Justin’s fortune.  Jordan is determined to raise the boy as his own.  But proud, stubborn Angie is part of the package—and he can’t stop thinking about her.

One of my favorite characters has no lines to speak.  He’s a rescue dog, saved from death row by the love of a little boy.  I’m hoping Rudy’s story will inspire some of you out there to adopt a homeless pet or support a group that works to help these innocent animals.  For every reader who posts a comment today I will donate 50 cents to our friend Chelly Kitzmiller’s Have a Heart Humane Society.

I’ll be writing more Desires, with three already lined up after this one.  But for those who like their Westerns set in the past, I also have two historical in the works, the next one set for September 2013.

Meanwhile, I hope you’ll enjoy IN HIS BROTHER’S PLACE.  I’ll be giving away a free copy to a reader who posts today.  Here’s some more information for you.

For three years Angie Montoya hid her son from her late fiancé’s family…until his brother tracked them down.  Now Jordan Cooper demands she move to his Santa Fe ranch—the boy’s birthright.  But how can Angie live with the man who called her a gold digger…the man whose one kiss she’s never forgotten?

 

Racked by guilt since his twin’s death, Jordan seeks redemption by raising his nephew.  But Angie resurrects a hunger in him that only she can satisfy.  Jordan knows he can have her on one condition—she never learns the truth about him.

 

Excerpt and Purchase link (for pre-order before January 1)

http://elizabethlaneauthor.com/inhisbrothersplace.htm

Have you ever adopted or helped a rescue animal?  We’d love to hear about your experience.          

Wild Horses

The wild horse, roaming free, has long been a symbol of the American West.  But unlike the buffalo, wolves, bears and other majestic animals, wild horses, or Mustangs, by scientific definition, are neither American nor wild.

Until about 500 years ago there were no known horses on the American continents.  Then, in 1519, Spanish conquistador Hernán Cortés landed on the shore of Mexico with a ragtag army of fortune hunters.  They brought guns, armor, some horrific diseases, and something that would change America forever—horses.  The native Indians were terrified of the huge beasts.  At first they thought mounted man and horse were one creature.  Only as the conquest progressed did they discover that horses were separate animals, and that they could be killed.

As the Spaniards settled Mexico and moved northward, horses escaped, multiplied and found a new home on the vast North American grasslands.  This was where our Native American tribes found them.

Imagine what those first encounters must have been like—the discovery that a human could climb onto a horse and ride like the wind, hunting, raiding and defeating enemies.  Had someone seen Spaniards riding horses, or did the Indians figure this out for themselves?  The answer is lost to history.  But horses became valuable possessions and the measure of a man’s wealth.  The tribes with horses—the Cheyenne, the Sioux and others, became the lords of the plains.  Only the arrival of European settlers put an end to their power.

These settlers from the East also discovered the wild Mustangs.  They put them to use, running them into corrals to rope, brand and break.  Horses too spirited to ride became bucking broncos.  These captives made possible the settlement of the West and the great cattle drives.  They helped create the legendary figure of the American cowboy.

Still, some wild herds remained free, as they do today.  Pushed from the prairie, they survive in the harsh mountains and deserts of the West, enduring drought, fierce winters, and the mountain lions that prey on their foals.  But their main enemy is man.  In the spirit of keeping down their numbers for the sake of the environment, wild horses are chased by planes and helicopters into corrals, where they’re put up for sale or adoption.  The lucky ones are set free to roam until the next roundup.  But their future is uncertain.  Some people want to protect them, others to eliminate them from the land.  Whatever their fate, the wild horse will remain a symbol of the free American spirit.

If you like wild horses, you’ll enjoy this book—a Holt Medallion finalist and winner of the 2006 Cataromance Reviewer’s Choice award.   Here’s a blurb and an Amazon Kindle purchase link.

Was she only guilty of stealing his heart? When his young prisoner dies during a botched escape attempt, U.S. Deputy Marshal Matthew Tolliver Langtry knows he’s in for trouble—in the form of Jessie Hammond, the young man’s fiery sister. Even as he finds himself falling for her, Matt must deal with his growing suspicion that Jessie, not her brother Frank, was the one who
should have been arrested for murder.
Jessie Hammond will do anything to prove her brother’s innocence, That includes joining forces with Marshal Matt Langtry, the man she blames for Frank’s death. But how far can she trust Matt when his own reputation is on the line? And how can she find peace in the arms of a man she has every reason to hate?

http://www.amazon.com/s/ref=nb_sb_noss/175-4941357-3075844?url=search-alias%3Ddigital-text&field-keywords=Wyoming+Wildfire%2C+Elizabeth+Lane

Have you ever seen wild horses?  Do you know anyone who’s adopted them?  How do you think their future should be managed?

Those Golden Horses

Whether in a parade, a show ring or a Western movie, the palomino horse is a superstar. With its golden coat and creamy white mane and tail, palominos possess a near-magical beauty, all the more magical because the way it comes about is a genetic toss of the coin—a lucky accident.

The palomino isn’t a breed, it’s a color—a color as rare and precious as gold itself. The true palomino color is caused by a single color-diluting gene, usually working on a chestnut (red) coat. But the gene is rare and elusive. Even two palomino parents may not produce golden foals.

The color-diluting gene works on other colors, too. For example, on a bay coat, the gene will produce a buckskin, with a golden body but a black mane and tail. A double gene will produce a very pale horse, not a palomino at all.

I’ve simplified the explanation here. The reality is so complicated that breeding palomino horses is like throwing dice in Las Vegas. If some breeder ever finds a golden stallion that will always sire golden colts, then the palomino will become a breed instead of a color. Meanwhile, breeders wait with high hopes for foals to be born. Only about half of the expected palominos will turn out to be the real thing.

Palominos may appear by surprise among breeds like American Saddle Horses, Tennessee Walkers and Quarter horses. This accounts for the fact that palominos have been around for hundreds of years, long before the gene was known. They came to America by way of Spain (as did the ancestors of our wild horses).

A California rancher named Don Esteban is credited with owning the first known palomino in America. In 1800, as the story goes, he offered a reward for the most beautiful horse in the country. His peons looked at horses, but the ones they saw were covered with dust and mud. A little Indian boy saw a glint of gold. He captured the colt, washed it clean and presented it to Don Esteban for the reward. In the Mexican version of the story, Indians stole a pure white stallion and a buckskin mare from a hacienda. A year later the mare escaped and returned to her owner with a little golden filly.

Whatever the real story, palominos continue to be show-stoppers, and their golden color is a true treasure.

The hero in my January Desire does ride a palomino—but I really wanted an excuse to show you my new cover, which I love. The book isn’t available yet but can be pre-ordered on Amazon.

Here’s a link to more, along with an excerpt.
http://www.elizabethlaneauthor.com/inhisbrothersplace.htm

I can’t claim to be a horse expert. But if you can add to the information here, or if you’re a fan of palominos, we’d love to hear from you.

The Face on the Barroom Floor

What do you call it when two events, totally unrelated in time and place, come together in a surprising way?  The word escapes me.  But here’s the story of one such pairing.

1872, Joe Smith’s Saloon in Manhattan is where the first event supposedly took place.  Nobody knows whether the story is true, but it was used as the basis of a poem written by John Henry Titus, about a man who stumbles into the bar with a tale of how he lost Madeline, the love of his life, when she ran off with another man.  Claiming to have been a famous artist, he offers to draw a portrait of his beloved on the floor for the price of a drink.  The other patrons take him up on his offer.  He finishes the portrait and falls dead across the beautiful face.

In 1887 another poet, Hugh Antoine D’Arcy, adapted and wrote a new version of the poem titled “The Face on the Floor.”   This version was published in the New York Dispatch and became quite popular.  Someone else set a similar poem to music and published the song.  To avoid copyright conflicts, they titled it “The Face on the Barroom Floor.”  Over time, D’Arcy’s poem came to be known by the title of the song (much to Mr. D’Arcy’s displeasure).  The entire poem is quite long, but here are the last couple of verses as a sample.

“Say, boys, if you give me just another whiskey I’ll be glad,
And I’ll draw right here a picture of the face that drove me mad.
Give me that piece of chalk with which you mark the baseball score —
You shall see the lovely Madeline upon the barroom floor.”

Another drink, and with chalk in hand, the vagabond began
To sketch a face that well might buy the soul of any man.
Then, as he placed another lock upon the shapely head,
With a fearful shriek, he leaped and fell across the picture — dead
.

Segue to the second event—Central City, Colorado, 1939.  The gold mining boom town from the mid 1800’s was still a popular tourist attraction.  Artist Herndon Davis had been commissioned to do a series of paintings for the Central City Opera House and also for the Teller House hotel where he was staying.  Alas, things didn’t go well for him.  Davis got into a violent argument with the director of the project and was fired.

A hotel busboy, Joe Libby, suggested that the artist “give them something to remember him by.”  That night Libby smuggled Davis into the hotel bar.  By candlelight, the artist painted a face (thought to be the face of his wife) on the barroom floor.

Davis never signed his work, but the bar’s owners chose to capitalize on it.  They advertised the painting as the one from the poem, and people flocked to see it.  It is there to this day, as Central City’s most popular attraction.

I was unable to find a copyright-free image for this blog.  But here’s a link to the face and the entire poem.

http://www.rangewriter.org/faceonbarroomfloor.htm

This book, one of my best, is also set in Central City, after the Civil War. 

Sarah Parker had tried to escape her past in a dusty mining town. But any hope of redemption was lost once Donovan Cole arrived, carrying battle-seared memories and a bellyful of hate—all for the woman she’d been during a time she’d hoped to forget!  

“The Angel of Miner’s Gulch,” they called her. Fallen angel, more likely, Donovan swore. For the “sainted” Miss Sarah had been a lying, coldhearted Yankee spy who knew how to capture a man and make him her own—forever!

 

 

 

Here’s a link to the Kindle edition

http://www.amazon.com/dp/B0058JTXWO/ref=rdr_kindle_ext_tmb

The Amazing John Clum

One of my favorite Western characters is the man who won the respect of hostile Apaches, captured Geronimo without a shot, served as the mayor and newspaper editor of Tombstone, Arizona and was a lifelong friend of Wyatt Earp.   John Phillip Clum (1851-1932) was a bundle of chutzpah, energy and courage whose accomplishments became the stuff of legend.

 

Clum arrived in Arizona on February 26, 1874, as the newly appointed (and very young) Indian Agent for the San Carlos Apache reservation.  The Apaches, until recently on the warpath, had been abused by previous agents who used their position to line their pockets.  The Army, assigned to keep the Indians under control, only added to their animosity.

Clum was determined to change things.  At San Carlos he treated the Apaches as friends, set up an Indian Police department and a system of self-rule.  His charges nicknamed him “Nantan Betunnikiyeh” meaning “Boss with the High Forehead” because he was losing his hair.  On April 21, 1877, Clum along with 100 Apache Police captured the marauding Geronimo in New Mexico and brought him to San Carlos.   It was the only time Geronimo was ever captured  at gunpoint, and it was done without a shot being fired on either side.  Geronimo and his small band left again, to be recaptured by the Army in 1886.  By then Clum had quit his job.  Frustrated by an uncaring Indian Bureau and harassment by the Army, he resigned on July 1, 1877.

Before this, however, he organized a “Wild Apache” show and, in 1876,  took a number of his charges on the road.  They raised the money for this trip by putting on “Entertainments” in Arizona.  Back East the Apaches were well received, but tragedy struck in Washington, D.C. when Taza, son of the great Cochise, sickened and died of Pneumonia.   The Apaches finished their tour and returned home.  Clum, who’d resigned his post, took it up again until the following year. 

Clum and his wife moved to Florence, Arizona where he ran a weekly newspaper.  Following the great silver strike, they moved back to Tombstone where, in 1880, he began publication of The Tombstone Epitaph.  In 1881, when the town was incorporated he became its first Mayor.  During this time he became friends with Wyatt Earp.  Because of this friendship he was almost assassinated after the Gunfight at the O.K. Corral.

After the famous shoot out, the Earps and their friends, including Clum, were labeled as undesirables.  Clum left Tombstone and later served as Postal Inspector for the Territory of Alaska.  In later life he worked giving lectures and promoting tourism for the Southern Pacific Railroad.  In 1928 he moved to Los Angeles where he died in 1932, at the age of 80.

Clum’s early adventures were made into a 1956 movie, “Walk the Proud Land,” starring the perfect actor to play Clum, Audie Murphy.

This book, one of my favorites, is set in Arizona in the time of the Apache wars.  The cover is a true classic.  Painted by Pino, the most famous cover artist of the early 1990’s it also features the great cover model John DeSalvo. 

The story is a classic, too.  Half-Apache scout Latigo flees for his life after being framed for murder.  Wounded, he collapses on the doorstep of the widowed Rose.  Alone with her baby, should Rose help this man or turn him over to the law?

The book is now available in e-book format.  Here’s a purchase link if you’d like to learn more.

http://www.amazon.com/Apache-Fire-Harlequin-Historical-ebook/dp/B0056H7P32/ref=sr_1_1?s=digital-text&ie=UTF8&qid=1343707295&sr=1-1&keywords=Apache+Fire

Do you have a favorite real-life Western character?   Has anyone seen the movie about John Clum?

A Poem For Your Day

Here’s a little poem for you.

 

Grandmother, on a winter’s day, milked the cows,

slopped the hogs, and got the children off to school;

did a washing, mopped the floors,

washed the windows, and did some chores;

cooked a dish of home-dried fruit,

pressed her husband’s Sunday suit,

swept the parlor, made the bed,

baked a dozen loaves of bread,

split some firewood and lugged it in,

enough to fill the kitchen bin;

cleaned the lamps and put in oil,

stewed some apples she thought would spoil

churned the butter, baked a cake,

then exclaimed, “For goodness’ sake,

the calves have got out of the pen,”

and went out and chased them in again;

gathered the eggs and locked the stable,

back to the house and set the table,

cooked a supper that was delicious,

and afterward washed up all the dishes;

fed the cat and sprinkled the clothes,

mended a basketful of hose;

then opened the organ and began to play

“When you come to the end of a perfect day.”

 

A writer on the site where I found this poem (snopes.com) points out that this is a nostalgic view of life in the “good old days.”   Reality was much harsher—poverty, disease, loss and backbreaking toil were just a few of the burdens women had to face.  In many states they couldn’t vote or own property.  They bore their children under some of the worst conditions imaginable. 

 

I’m thinking of this in terms of the historical romances we write.  Is there a place for this rosy view of the olden days, or are we obligated to deal with life as it really was.  I would love hearing some opinions on this.

 

Petticoats & Pistols