A dear friend, Jennifer Jacobson sent me a link to an article on a wonderful artist, Felice House. It’s her amazing work you see in this post. Her paintings and Evan Porter’s write up got me thinking more than usual about heroes and heroines.
We all love a strong, confident hero. The phrase alpha male comes to mind. When I started writing, I attended countless workshops on how to create a strong hero. But writing this, I paused and thought for a moment. How many workshops had I taken on how to create a self-assured, strong heroine? I’ve attended a few, though not nearly as many as ones on heroes. That thought led me to realize whether I’m reading a book or writing one, for me, the stronger the hero’s personality, the stronger the heroine must be. She can’t be a wimpy Missy Miss who crumbles under a strong wind or the hero’s stinging retort.
I want a heroine who doesn’t need a man in her life because she’s fine just the way she is, thank you very much. But should she find one, she believes he’s lucky to have her in his life. She has skills she’s proud of and helps the hero as much, often more, than he helps her. She’s not sitting back moping about the obstacles fate has thrown in her path. No, sir. Instead, she tugs on her big girl panties and develops a strategy to overcome her problems. And if the hero is one of those obstacles? He’d better watch out.
Felice House’s painting reminded me of that type of heroine. When House moved from Massachusetts to Texas, like many of us, she fell in love with “western” culture: the clothes, cowboy boots, music, the whole thing. However, when she watched classic western movies starring actors such as John Wayne, Clint Eastwood and James Dean, she found women’s portrayal as helpless damsels in distress disturbing. House described the situation as “the empowered and the powerless.” Already familiar with creating work that fought stereotypical women’s images, House set out to re-envision these cowboy heroes with women.
As you can see from House’s paintings, she and her models succeeded in portraying woman every bit as formidable, compelling and fierce as the original actors. To add emphasis, House made the paintings 1.25 times larger than life to ensure these western women towered over people. These paintings portray images of strong, capable women who can handle anything life sends their way.
House’s paintings have inspired a 2019 goal for me—create heroines half as awe-inspiring, assertive, and frankly, badass as the women in Felice House’s paintings. If I can do that, I’ll be more than happy.
Now it’s your turn. Leave a comment about what you think makes a compelling heroine to be entered to win a copy of To Catch A Texas Cowboy. I’m interested in hearing your thoughts.