Weaving creates an image, doesn’t it? No matter how you apply the word, we envision yarn or threads being moved in lock-stitch by hand or machine. We see the flash of success as the weft threads pass through the warp threads, and a foot treadle bounces the threads up and down in clockwork precision.
That’s kind of what it’s like when we write a story.
Umm… NOT THE PRECISION PART!!!!
I’m a pantser, a writer who begins with the idea of how I see the story and characters and then I create… and I add and subtract as I go. Not all writers work like this, some like notes, charts, timelines, etc… I do better by avoiding all that as completely as I can. But what all authors have in common is the weaving of the word… and when I’m writing a Western (like my upcoming Shepherd’s Crossing series with Love Inspired or my Double S Ranch series with Waterbrook) I weave with a different set of threads. Some are coarser. Some are thicker. Some are rugged because carving a living off the land requires not only skill but fortitude. And I love folks with fortitude! (I just listened to the full recording of Peace in the Valley this weekend… Barbara McCullch did a great job with this Western and the character voices!)
I want my Westerns to sound authentic. Not contrived. Not over-done. If a rancher is educated, I want them to sound that way with a distinct twang as needed. 🙂 There’s nothing like an Ivy League educated cowboy (Colt Stafford “Back in the Saddle”) that comes across when he faces the heroine and does nothing more that touch the tip of his index finger to the brim of his hat.
No words needed.
He said it all with one gesture, a gesture he wouldn’t have used in Lower Manhattan but one that is quite effective in Central Washington. Colt’s a coming home character, a man returning to his roots out of necessity, a man surprised to find he’s exactly where he’s supposed to be… at last.
Mary Connealy taught me years ago that cowboys aren’t generally the talkative type. She’s right.
Like so many hard-working men, they grunt a lot, and then they’re surprised when those around them are at a loss to read their feelings. And then you go and read a Paul Harvey poem “So God Made a Farmer” and you realize you need to go beyond words, to actions.
There’s a book that talks about love languages, and it’s so stinkin’ true in many ways… not all people speak in poetic license.
A lot of men have to choke out “I’m sorry” or “I love you”… the dolts! 🙂
But sometimes those same men will go the distance to make sure the wagon seat is smooth enough to not snag a pretty dress…
Or extra warm potatoes to keep a historical heroine’s feet from taking a chill…
Or run to school to pick up a sick child of a single mother so she doesn’t lose her job at the diner…
Or dig the grave for his daddy’s old Golden Lab, gone home to heaven. I love that scene in “Saint Maybe” and used a similar scene in one of my first books “Waiting Out the Storm”… because acts of sacrifice transcend genre and touch a reader’s heart and soul.
There are so many ways to show emotion as we write. Some require few words. Some require a pause in the action. A long moment. Unshed tears. Or gut-wrenching sobs…
While others show the frontier or pure country joy… a single flower, tucked in a Mason jar on the heroine’s table. A pair of pumpkins, set on a porch with a tuft of corn by their side. A walk with a calf, or a foal, or to bottle feed lambs…
Love on the ranch or the farm or in the country isn’t always shown the same way as on the coasts. Fancy meals and pricey nights out are usually not the norm. And while those are good in their place, there’s something more soul stirring about a pot of stew and fresh bread. A homemade pie. A pretty scarf that the hero buys because it matches the heroine’s eyes…
When I’m writing Westerns, I make sure my mindset is on animals and kids first, because honestly, when dealing with a farm or ranch and animals, they have to come first. They can’t fend for themselves… That simple admission leads the reader into the heart of the rancher, the devotion of the hero and/or heroine. The words I choose to set the scene or ride the wave of emotions have to ring true to the reader, no matter where he or she lives… or what they do for a living.
Word weaving… it’s what makes an authors voice distinctive, and what makes a story memorable or forgettable. Those words create and follow the rise and fall of emotion and that roller coaster ride should be as real as we can make it… so the reader gets the full price of their ticket!
Do you have favorite book scenes that have stuck with you over years? I’d love to hear about them… comment today because I have a beautiful copy of my newest Love Inspired book “The Lawman’s Yuletide Baby” as a giveaway… and I think you’ll love this beautiful story of healing and hope and sacrificial love.
Of course the fact that it’s my 20th LOVE INSPIRED STORY is a wonderful milestone!!! 🙂 I brought coffee and hot chocolate because things are cooling down here in Western New York… and some homemade double chocolate chip cookies, because while Pumpkin Spice everything is fun… nothing beats double chocolate chip. And it don’t pay to argue with me, because I’m armed… and dangerous, my friends!
Cookies for everyone!