Hello everyone! It’s so good to be back in the stable temporarily. I’ve missed you all.
Karen asked me shortly after I stepped away if I wanted to blog at all in the coming year. At that time, I knew I had this release coming out (that’s one good thing about traditional publishing, I know WELL in advance of a release) that I had this book coming!
This is a book that I’d been talking about for a long time and finally, my friend Carolyn Miller contacted me and basically said, “let’s stop just talking about this and find two other authors to do it.” I had the time in my schedule (weird, I know) and I was excited.
It took a little while to find two other authors who also had time in their schedules (more normal people, lol) but then the discussion really started. We decided this would be historical and we like the idea and the tension of a bachelor country preacher finding love either by the push of his congregation, one member, or by the woman herself. It was really fun bouncing ideas around.
Since I was the only author who hadn’t yet published with Barbour, I had to write my first chapter to submit with the proposal. So, not only did I have to write a one page synopsis of the story, I had to have a nearly perfect, compelling chapter one. I was worried that if my chapter didn’t do it, I could blow the whole project for everyone else.
It took six months to hear back from my agent that we had gotten the contract. In that time, I’d written four indie books. I could barely remember what I’d plotted. Thankfully, I kept good notes. Since I’m a fast writer, I wrote that 30,000 word story in four days (minus the first chapter, which was already done). Then, unlike when I indie, I let it sit. It wasn’t due back to the publisher for six months, so I wanted to return to it and not remember what I’d written when it came time for a read-through.
A few months later, we got the mockup for the cover. I already knew that I wouldn’t really be all that involved in the cover creation process, but Barbour did allow us to make suggestions (the church in the background didn’t have a steeple at first). But it was so lovely, I had no real changes to suggest. I’ve been blessed to have two amazing covers for my traditional books.
It was due in February, so in January, I opened the document and did some deep editing. I wanted it to shine for the editorial team so they would like me and hopefully take future work from me. In the end, my editor loved the story. One funny thing I wasn’t expecting was four rounds of edits in a week and a half. I expect that from indie, but I always expect traditional publishing to be slow. In my case, it was not. I was exhausted after those ten days.
I didn’t receive the galley copy (the final read through copy) for a few months after the editing stage. That was a wow moment for me because they do it differently from Harlequin. You literally get to see the fun fleuron (graphic separating a scene) and the chapter header images. Barbour did such a beautiful job. I was blown away.
I printed out my section, did my final read through and sent it back, knowing the next time I would see it would be when it came to me in a box of books from the publisher. As of writing this blog, I haven’t gotten my author copies yet.
I WISH I could describe to you what that is like. I’ve only experienced it with Harlequin. When that box is sitting there and you know what’s in it, something wells up inside you. It isn’t pride, it isn’t joy, it’s more pure than either of those. You’ve done something God asked you to do and in that box is the proof. I cried like a baby the first time I opened one of those boxes and I’m not too proud to say so.
By the time you read this (I wrote this in early September after seeing Karen, Winnie, and Mary at the ACFW conference in New Orleans) I should have my author copies of the book. I would LOVE to offer a signed copy to one commenter (in the US or Canada only, please) outside of those areas, I’ll buy an eBook copy for you and send that. I apologize in advance. I know that’s unfair.
Here is the back cover copy, so you’ll know if you want to enter:
Every Preacher Needs a Wife, Right?
Being a preacher in the countryside is not for the faint of heart nor faith. Four inexperienced preachers face a myriad of challenges including those who figure a man of the cloth needs a wife. Can they meet the expectations of “helpful” congregants and be true to their hearts?
The Mountie’s Rival by Angela K Couch
Canada, 1907 — Tired of living in his twin’s shadow, Jonathan Burton is frustrated to find himself serving as a still wet-behind-the-ears preacher in the same community as his Mountie brother. How is he to find a wife when all the eligible women of the community seem enamored by his dashing brother in scarlet uniform?
Convincing the Circuit Preacher by Carolyn Miller
Australia, 1863 — As soon as Dorothea Maclean saw the country preacher, she knew Mr. Hammill was the man of her dreams. Now she just needs to convince her wealthy parents—and Mr. Hammill.
The Angel and the Sky Pilot by Naomi Musch
Minnesota, 1905 — A preacher with a checkered past sets off to win souls in the lumber camps like the “sky pilots” before him. But can he earn the respect of hard-living men—and still respect himself—after a local trader’s daughter joins the all-male congregation?
Mail Order Minister by Kari Trumbo
South Dakota, 1889 — Olive’s parents mail-ordered a preacher and prayed he’d be a husband for their daughter. The rest of the town—and Olive—have other ideas.
Purchase Courting the Country Preacher
To enter the drawing, tell me what you love most about your preacher or minister.
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Kari Trumbo is an international bestselling author of historical and contemporary Christian romance and romantic suspense.
She loves reading, listening to contemporary Christian music, singing when no one’s listening, and curling up near the wood stove when winter hits.
She makes her home in central Minnesota—where the trees and lakes are plentiful—with her husband of over twenty years, two daughters, two sons, a few cats, and a bunny who’s the star of one of her books.