Hello everyone, Winnie Griggs here. It’s Game Day!! Always a fun time. And since I love word games (I also love math games but I’m aware I may be in the minority there 🙂 ) I thought we’d play one that combines wordplay and music.
This is going to be super easy – take the letters in EITHER your first or last name (or both if you’re feeling ambitious!) and list a song that starts with that letter. Here’s an example using my name – I used both my first and last names because I wanted to cover more songs (and yes I’m a BIG Randy Travis and Beatles fan 🙂 )
Whisper My Name (Randy Travis) In My Life (Beatles) Nowhere Man (Beatles) Norwegian Wood (Beatles) I Told You So (Randy Travis) Eight Days A Week (Beatles)
Girl (Beatles) Revolution (Beatles) If I Didn’t Have You (Randy Travis) Good Day Sunshine (Beatles) Get Back (Beatles) Somewhere In My Broken Heart (Randy Travis)
So now it’s your turn. I can’t wait to see what musical choices you make.
And everyone who plays along gets entered in a drawing for their choice of any book in my backlist
You’re in for a treat. Jan Sikes is sitting in for Linda Broday today and she has a heck of a new book to tell you about. Oh, by the way, she’s also Linda’s talented little sister. Please welcome her to the Junction!
I’m so happy to be here at P&P talking about my first contemporary romance. Thank you for having me. I’ve written four full-length biographical fictions about my life with country/western performer Rick Sikes. But now I’m writing romance and it’s so much fun. My creative juices are flowing in a totally different way.
One of my greatest joys in life is going to hear live music. I loved it as a little girl and even more now as an adult. COVID-19 has put a halt to all live music for the time being, but I miss it and long for it to return.
In Ghostly Interference, Jag Peters plays an electric keyboard. Music is his passion. He loves every aspect of it. He longs to play on the big stages to sold-out crowds. It’s the dream he holds and protects deep in his heart.
In a scene early in the book, he confesses this desire to Rena, then questions himself at his willingness to share that secret.
So, when his mother sets up a benefit concert and brings a man out of retirement to perform that Jag has idolized his entire life, he is on cloud nine. All his life, he’s wanted to meet his idol and now he has the chance. Little does he know this will change everything.
Jag Peters has one goal in his quiet comfortable life—to keep his karma slate wiped clean. A near-miss crash with a candy apple red Harley threatens to upend his safe world. He tracks down the rider to apologize properly. Slipping into a seedy biker bar, he discovers the rider isn’t a “he”, it’s a “she”, a dark-haired beauty.
Rena Jett is a troubled soul, who lives in a rough world. She wants no part of Jag’s apology, but even while she pushes him away, she is attracted to him. When he claims to see a ghost—her brother—can she trust him? And could her brother’s final gift, a magical rune stone with the symbol for “happily ever after” have the power to heal her wounds and allow opposites to find common ground—perhaps even love?
A local radio DJ personality took to the stage and slipped a microphone off the stand. “Ladies and gentlemen, if you’ll all take your seats, we’re just about ready to get this show started. Are you excited to be here?”
The crowd applauded and some whistled.
“All right! But first, I want to say a word about the charity you’re supporting here tonight. The Exodus Project has helped women escape from abusive situations for over six years here in Cedar Springs. And without your contributions and fundraisers like this one, it wouldn’t have the outreach that it currently does. So, thank you, from the bottom of our hearts.”
Jag grinned and winked at his mother when she slipped into the empty seat next to Rena. Again, he had a strong feeling something was up with her.
The DJ continued. “So, without further ado, I present to you a man who has graced stages around the world, and we’re honored to have him here in Cedar Springs on this stage tonight, Damien Blue!”
Jag held his breath. The band came on first kicking it off with the intro to Damien’s first big hit. The high-energy straight-ahead rock, heavy on the backbeat sound, they were famous for poured out of them.
The crowd cheered.
Thirty seconds later, Damien strolled onto the stage, guitar slung across his back, both hands in the air greeting the audience.
Jag felt Rena shift beside him and glanced at her to see her eyes wide and mouth slack.
Mesmerized, he focused on the man he’d admired for a lifetime. Tall and lean, he had a commanding presence. Dressed in black pinstripe pants, white silk shirt open to mid-chest and matching pinstripe vest, he could have stepped out of a fifties gangster movie. The fedora pulled low over his eyes and sharp-toed shiny black Spats completed the look.
People were on their feet, clapping, whistling and yelling. One woman’s voice rang out. “I love you, Damien!”
He flashed a dazzling grin and stepped up to the microphone. “I love you too, darlin’.”
Even under the fedora, Jag could see streaks of gray in his brown hair. He was close enough to see small lines at the edges of his idol’s blue-gray eyes. Eyes that held intrigue, mystery, and power.
When Damien shifted his vintage Les Paul Gold Top guitar around to the front and delivered a blistering riff, the audience went wild before they finally took their seats. Damien’s soulful whiskey flavored voice filled the auditorium.
Jag knew every word and every chord. He immersed his entire being into the music, unaware of anything else. He never took his eyes off his hero. The electricity he’d felt earlier settled down to a low steady hum under his skin and rang in his ears along with the amplifiers.
Tell me about the most amazing concert you ever attended. Did you get to meet the artist? I want to hear about it! I’m giving away one ebook copy of the book to two people who comment.
I’ll admit to being a big fan of Disney’s animated movies and of course the music in them is always great – be it toe-tapping, whimsical, introspective or poignant.
So I hope you won’t mind today if I indulge myself a little bit by listing some of my favorites (along with links so you can listen to them if you like) and so that it’s not entirely frivolous, tie each of them to a writerly takeaway. .
Here they are, in no particular order
You’ve Got A Friend In Me (from Toy Story)
Writer Takeaway: Writing can be a lonely, solitary business. Savvy writers will take the time to make personal connections, to be supportive of other writers and to maintain connections with friends outside of the writing community.
Bare Necessities(from Jungle Book)
Writer Takeaway: Most of us are working with limited resources when it comes to finances and time. But we all bring special resources to the table, namely our creativity and storytelling abilities. That is what the true ‘bare necessity’ is that it takes to succeed in this business. As for the rest, work with what you have and know that, if you stay alert to opportunities, you can go a long way on your God-given talent.
A Whole New World(from Aladdin)
Writer Takeaway: Take the time in your worldbuilding to transport your reader to someplace they’ve never been before or to see the familiar in a whole new light, and make sure there are things to make them feel wonder and surprise over.
Writer Takeaway: There are things that will come your way – story ideas, promo opportunities, project participation offers, etc. – that you won’t be able to pursue/take advantage of. Hard as it is to let them go, you have to accept that they were not to be and don’t let regrets weigh you down.
Go The Distance(from Hercules)
Writer Takeaway: No one promised it would be easy or quick – persistence is key to making it in this business. And of course you want to add in the proper training, because the best writers know that they never reach the point where they know it all.
Writer Takeaway: Similar to the takeaway from the prior song, this one reminds me that there is no substitute for putting in the work. As a previous mentor once told me BIK HOK is the only way to get the book written (Butt In Chair, Hands On Keyboard).
Writer Takeaway: I love this song and it is a great lesson on how to develop a love story between two mismatched people. It also provides a good example of how to show versus tell a character’s growth and transformation.
Writer Takeaway: As writers we sometimes get stuck in a rut of sorts, writing the types of stories that have worked for us in the past and that we are comfortable with. Or perhaps we have become pigeon holed by our editors or readers who are leery of supporting us in a new direction we want to explore. But, scary as it might be, stretching ourselves, even if we eventually decide it’s not working, is how we grow as writers and as people.
Dig a Little Deeper (from the Princess and the Frog)Writer Takeaway: This is such a fun upbeat song – gets my toes to tapping whenever I hear it. But the writer takeaway is that I should always ‘dig a little deeper’ when I’m developing my characters and stories, that just being satisfied with what’s on the surface is not enough to really touch the reader I’m trying to reach.
I could go on and on, but as I said, I’m under a tight deadline, so I’ll stop there.
Did your favorite Disney song make the list? If so, which one is it? If not, let me know what that missing song is and why you like it. I’ll pick someone from the list of respondents to give a copy of one of my books to.
I hate to admit this, but as a child, I wasn’t a fan of the country music my mother played music. But since I sold my first contemporary western romance in 2011, I’ve come to love it. The other day I thought about how many great songs have cowboy in the title. The first one that popped into my mind was “My Heroes Have Always Been Cowboys” by Willie Nelson. For fun, I ran a searched to find others.
The first site on my search was http://www.myweddingsongs.com. The irony is the day before I wrote this post, I turned in revisions on To Marry A Texas Cowboy which comes out in September. In that book, my hero temporarily manages his grandmother’s wedding planning business! When I went to the website, I discovered the fourth Saturday in July is the Day of the Cowboy. If I’d known, July 25th would’ve found me in my recliner watching cowboy movies. Then I would’ve sat on the patio with a cool drink and listened to cowboy songs.
Since I missed this year’s day, I’m compiling my Day of the Cowboy playlist for Saturday July 24, 2021. Here’s my list so far.
Rhinestone Cowboy by Glen Campbell
Mammas Don’t Let Your Babies Grow Up To Be Cowboys by Waylon and Willie
Where Have All the Cowboys Gone? by Paula Cole
Should’ve Been a Cowboy by Toby Keith
Cowboys and Angels by Garth Brooks
Save a Horse (Ride a Cowboy) by Big and Rich
Cowboy Casanova by Carried Underwood
Cowboy Take Me Away by The Chicks
The Cowboy Rides Away by George Strait
Don’t Call Him Cowboy by Conway Twitty
My Heroes Have Always Been Cowboys by Willie Nelson
The Cowboy in Me by Tim McGraw
Whatcha Gonna Do With a Cowboy by Chris LeDoux
Cowboy Love by John Michael Montgomery
Asphalt Cowboy by Jason Aldean
The Cowboy’s Hat by Chris LeDoux
Cowboy’s Back in Town by Trace Adkins
100% Cowboy by Jason Meadows
Cowboys and Angels by Garth Brooks
My Cowboy by Jessie James
Cowboys Like Us by George Strait
All Around Cowboy by Waylon Jennings
Cowboy Logic by The Charlie Daniels Band
Cowboys Are My Weakness by Trisha Yearwood (Oh, yes! Mine too!)
I Want a Cowboy by Reba McEntire
I Ain’t Her Cowboy Anymore by George Strait
Broken Down Cowboy
And two non-country music entries…
Put the Boy Back in Cowboy by Bon Jovi
I Wannt Be a Cowboy by Boys Don’t Cry
(This has a great video if you love watching Jon Bon Jovi!)
Since I was having a great time and in a wonderful mood after listening to many of the above, I searched for best songs about cowboys, and I had to include these.
Wanted Dead or Alive by Bon Jovi
Desperado by The Eagles
The songs that spoke to me as I compiled my list were “Cowboy Logic” by The Charlie Daniels Band, “I Want a Cowboy” by Reba McEntire, and “100% Cowboy” by Jason Meadows. To listen to those, click on the song title. Now I have another way to brighten the day when I’m feeling blue–listen to songs with cowboy in the title!
To be entered in the random drawing for the brand wine glass, the wine cover and a copy of Home on the Range: Colorado Rescue, leave a comment stating your favorite song with cowboy in the title and why you like it.
I’m so glad to be here during the Boot Scootin’ Special Week! Today I’m here to tell you that you can’t scoot those boots if you don’t have music to scoot them to, and I’m going to specifically talk about Western Swing.
What is the difference between Western Swing and good old country music?
All music evolves and changes over time as it is influenced by other musical genres and the people who play the music. Not everyone is satisfied with playing the same song the same way and look for ways to jazz it up a little. That is literally how western swing came to be.
Western swing evolved from the cowboy and country dance music played in dance halls and parties during the early part of the last century. In the late 1920s and early 1930s, classic western music played in the southern and western US states was influenced by the blues, jazz, folk, polka and eventually swing itself. The instruments started changing, too. Classic western music is played on a fiddle and or/guitar, but the western swing movement added piano, drums and, of course, the steel guitar, which gave the genre its distinctive sound.
Unlike big bands and swing bands of the same era, which tended to follow a set score, western swing bands tended to improvise, giving them a fun and unpredictable quality, but it was a quality people liked. Dancers loved western swing, which could be danced with a variety of styles. Thanks to its tempo, it was possible to do round dances, two-steps or even the jitter bug in later days. Before World War II, recording companies had a hard time coming up with a marketing name for western swing. They called it hillbilly music, old time music, and hot string music. Many of the bands that played it called it simply “western music”.
In 1933, Bob Wills organized The Texas Playboys, one of the iconic western swing bands, with two fiddles, two guitars, a banjo, drums, and of course the steel guitar, played by Leon McAuliffe. If you listen carefully to some of his songs, you can hear him call on “Leon” to play. Other western swing bands were The Fort Worth Doughboys, Brown and his Musical Brownies, Light Crust Doughboys, Spade Cooley and His Buckle-Busters and Billy Gray and His Western Okies.
In the mid-1930s Fort Worth was the center of Western Swing, but California would soon catch up. During World War II western swing reached the height of its popularity with promotors creating circuits of dance halls for the bands to travel to. Bob Wills played a dance at Venice Pier in Los Angeles attended by 15,000 people. Riverside Rancho, also in Los Angeles, had a 10,0000 square foot dance floor and hosted huge dance parties.
Western swing began to ebb in the 1950s, however the genre influenced rock and roll and rockabilly during that decade. One of Bill Haley’s early bands was known as Bill Haley and the 4 Aces of Western Swing. In the 1970s, western swing experienced a revival thanks to groups such as Asleep at the Wheel, Commander Cody and His Lost Planet Airmen and Lyle Lovett.
In case you aren’t familiar with the western swing sound, some classic western swing songs are Pistol Packin’ Mama, San Antonio Rose, Stay All Night, Stay a Little Longer and one of my favorites, which you can listen to below, Big Balls in Cowtown.
Are you a western swing fan? If so what’s a favorite western swing dance song of yours? I’ll choose two commenters to receive a $10 Amazon gift certificate.
Hello everyone, Winnie Griggs here. Around our house we’re currently on baby watch. My oldest daughter is pregnant with her first child and it’s due in a matter of days. Her pregnancy has put me in a mood to reminisce, to remember when she was just a little one herself. And one of my very favorite memories is of tucking her (and later her siblings) into bed with lullabies.
Singing lullabies to young children seems to be something ingrained in all of us – it crosses classes, cultures, and generations. I sang them from an early age myself. I have a sister who’s ten years younger than me. When she outgrew her crib and moved into the king-sized bed with me and my middle sister I began singing her to sleep. It was a ritual we both enjoyed and I continued singing to her at bedtime until I headed off to college eight years later. I also did quite a bit of babysitting during my high school years, and I reached into my stock of lullabies when I had a fussy child that needed soothing.
So when I had kids of my own, it became a much-looked-forward-to part of the good night ritual. I allowed each of my four children to pick their choice of songs when I tucked them into bed.
But I rarely used conventional lullabies. Our repertoire included silly children’s songs, show tunes, vacation bible school songs, hymns and even Christmas carols. I thought I’d share links to some of this eclectic collection (I’ve starred their favorites)
What do you think – Are any of these songs unfamiliar to you? Do you have a favorite lullaby of your own? Or perhaps special memories associated with lullabies? >
Leave a comment to be entered in a drawing for your choice of any book in my backlist.
In this time of ‘house arrest’ we are all staying home most of the time. Now I don’t know about other writers (haven’t seen any) but I started out the first two weeks thinking I’d write like crazy.
Didn’t work. I cleaned closets, cooked, watched TV, read books.
When the two weeks continued on and on, I made a list every morning of what I would do. Pretty soon I learned I could keep my Monday to-do-list all week and just change it to Tuesday, then Wednesday, then Thursday.
THEN I discovered a box of old music, country of course. I bounced out of bed, put on my sweat pants, didn’t bother with shower or makeup half the time, and flipped on Only the Lonely by Roy Orbison. We danced around the house.
I know it sounds strange but it cheered me up. By the time I played it three times, I was ready to write.
Then I found a CD of Riders in the Sky with a song Gene Autry wrote. Back in the Saddle Again. I learned to sing Whoopi-ty-aye-oh. Dancing again. To hear the song click here.
I played it as I saddled up for work. When I was a kid I loved nothing more than riding across open country and today (as I have for thirty years) I love writing.
I’ve stepped into fiction in good times and bad. When my heart’s been broken, I fall in love with my characters. When reality gets too much, I make my own world. When I simply want to have an adventure, I travel in my mind.
During this time of isolation, I still feel connected to my readers and all the writers I know. We may be home dancing to Only the Lonely but we’re together.
After I took a bad tumble riding in my teens, the hardest thing I ever did was climb back on a horse, but the strange thing was, once in the saddle, I wondered why it had taken me so long.
My advice for this time:
Be good to yourself. Get lost in a good book whether you’re reading it or writing it. Have a party every night. Popcorn and a movie or cookies and milk on the porch watching the rain.
Be happy. Sure you don’t get to see the people you love, but the upside is you don’t have to be around all those folks who bother you.
Dance. Personally, I never learned to dance, but I do it anyway. I told Tom once that I may look like I’m standing still, but I’m dancing inside. He smiled and said, “I know.”
I’m in the middle of a series and I’m loving it. Book One, BREAKFAST AT THE HONEY CREEK CAFÉ came out last week. It’s packed with action and love stories that will keep you reading through the night.
Please add it to your reading list and ‘if you have time’ leave a comment and tell me what you’re dancing to during this isolation. One reader’s comment will be selected to receive my first book out of the box.
Joke of the day from Riders in the Sky. “If the world was logical, men would ride sidesaddle.”
No western romance trope is more cheesy or more famous than the old Damsel on the Railroad Tracks trope. Which is why when I recently wrote a scene that ended with my heroine stuck on a railroad bridge with a train heading for her, I just had to giggle. I promise the scene is ripe with tension and believability. There is no mustachioed villain cackling in the background. And she’s not actually tied to the tracks. She doesn’t even scream for help. Though our hero is still called upon to rush in to make a daring rescue.
So how did this trope get started and how has it endured so long in tongue-and-cheek fashion?
Most people credit the damsel on the tracks to the melodramas of silent movies. However, the first time it appeared with significant impact was on stage in an 1867 play called Under the Gaslight by Augustin Daly. By 1868, the trope reportedly could be found in five different London plays all running at the same time, and remained a theatre staple for decades. But here’s the kicker. In the original story, it is a man who has been tied to the railroad tracks and a woman who rescues him!
This trope became so popular in the theatre, that even though there are no original silent movies that use this plot in a serious fashion, several used it for comedic effect. The most notable of these spoofs was a Keystone Komedy called Barney Oldfield’s Race for a Life from 1913. Note the top hat and impressive mustache on the villain. Those become staples of the trope.
Some of you will probably remember watching the classic cartoon The Adventures of Rocky and Bullwinkle, either when it aired in the 1960’s or in reruns in the 1970’s like I did. This was a silly spoof that used over-the-top villains to hilarious effect. One of the main characters on the show was the dim-witted yet heroic Mountie named Dudley Do-Right. His nemesis Snidely Whiplash wore a top hat, sported a curvy mustache, and had a tendency to tie damsels to railroad tracks. Hence the trope was preserved for a new generation.
In 1969, Ray Stevens released a song called Along Came Jones which reached #27 on the billboard charts. My husband and I are big oldies fans, so we love this silly song and have even shared it with our kids – successfully perpetuating the trope into the future.
Do you remember any of these songs or shows?
Besides the top hat and mustache, what are other villain elements that have become cliche over time?
Speaking of damsels and railroads, my Harvey House Brides novella collection, Serving Up Love, is on sale this month for only $1.99.
Grab a copy while you can!
In a moment of madness, I decided to join a square-dancing class. I figured it would be good exercise and wouldn’t be that hard to learn. I mean how hard could it be to do-si-do?
Well, I got the first part right. It is good exercise. I clock more than ten thousand steps during class. Dancing is also good for the brain. According to Psychology Today,research shows that dancing reduces incidences of dementia and Alzheimer’s.
As for the easy part: forget that. Square-dancing requires memorizing hundreds of steps and learning a new language. The director told us that if we got lost, to just stand still and look confused. Now That I can do.
In spite of the challenges, the one thing I really enjoy is the courtesy. Call me old-fashioned, but I love the way partners bow and honor each other. Though dress is informal, almost everyone dresses up a bit, which adds to the fun. The best part? There’s no shortage of cowboys. Yee-haw!
The various square dance movements are based on the steps and figures that were used in traditional folk dances from different countries. Folk dances were originally gala occasions where news would be swapped, and courtships formed.
The early colonists brought popular folk dances from France, Italy and Britain with them. However, following the American Revolution, the British dances fell out of favor and the French dancing styles took over. Many French terms like “do-si-do,” “allemande” and “promenade” are still used in square dancing today.
The French were not satisfied with the long double line of an indefinite number of couples, so they concentrated on the square limited to four couples. These squares were known at first as “French contra-dances,” or more simply as “French dances.”
The dances done in early America didn’t have a “caller,” or someone who yells out the moves to dancers. Rather, the expectation, Jamison says, was that dancers went to school, memorized the moves, then went to the ball.
“Square dancing in those early days was done to live music that was almost always played by African-American musicians. It’s believed that many of these musicians became callers due to the gap in literacy and formal training among slaves of the time.”
Jamison says he found evidence of an African American caller dating back as early as 1819 in New Orleans. Other African American dance moves, instruments like the banjo and fiddle, and call and response traditions were also incorporated.
There have been several attempts to have square dancing designated the national dance but, so far, the efforts have been defeated. However, according to The Smithsonian, thirty-one states now claim square dancing as the official state dance.
Square Dancing has changed through the years to fit the needs of the people doing it. All ages can join in the fun and there are many LGBT clubs. There are also groups for the handicapped.
Though square dancing, as we know it today, is now an American dance, it’s popular the world over. S.Foster Damon wrote in his book, The History of Square Dance, “Square-dancing is greater than any one nation: it is democracy itself, in dance form. Can anybody think of a better way to spread the spirit of democracy?”
What new and exciting things do you have planned
for the New Year?
Meet the Haywire Brides
The Outlaw’s Daughter is available for preorder Amazon
In my latest release, Dulcina, book 5 in “The Widows of Wildcat Ridge” series, I feature a heroine who has a natural singing talent and, with her husband, owned a saloon in a gold mining town in Utah Territory. Her contribution was being the “talent” at the various saloons she and her husband owned over the eight years they were together. They ran a respectable establishment with no fancy ladies, relying on Dulcina’s singing talent to draw in the customers. Although she wasn’t well accepted by the women in the town, Dulcina looked on her talent as providing the right type of atmosphere to keep the atmosphere calm.
I’m an author who believes in including lots of historical facts in my stories. If you read about a certain product or tool or company, you can be sure that product existed at the time the story is set. Often, I’m lucky enough to find a resource that provides me with an image so I can describe what the products looked like to create an authentic visual. Researching what the popular music she would have performed proved enlightening, at least to me. I had no idea some of the songs that I’ve learned from various settings (elementary school choir, Girl Scouts, camps, music tapes for my children) were as old as they are.
Consider that many people who settled the western part of the United States after the Civil War were a vast mix of people. Some came from well-established homes in the East where too many sons existed and a third or fourth son wouldn’t inherit much. These individuals would have an upbringing that included music and many could play piano, including the women. Other settlers came from foreign countries and brought their own music and songs. For many, a piano, or a banjo, or a violin—or all three—and sheet music provided an entire evening’s entertainment with people of all ages joining in.
In the 1870s and 1880s, the plays by W. S. Gilbert and Arthur Sullivan provided lots of songs. H.M.S. Pinafore was their first huge success and provided “Never Mind the Why and Wherefore”, “Things Are Seldom What They Seem” and “Sorry Her Lot Who Loves Too Well.” From Pirates of Penzance came “Away, Away, My Heart’s on Fire”, “A Rollickin’ Band of Pirates, We” and “I am the Very Model of a Modern Major-General” and from Iolanthe “When Britain Really Ruled the Waves”, “None Shall Part Us” and “Welcome to our Hearts Again.” Or other familiar tunes were “My Bonnie Lies Over the Ocean”, “Farmer in the Dell”, “Oh, My Darling Clementine”, “Polly Wolly Doodle”, “The Fountain in the Park” (better known as “I Was Strolling in the Park One Day”), “There is a Tavern in the Town”, “Blow the Man Down” and “Sailing, Sailing.”
Not only would the singing be a unifying activity for the family, or residents of a boarding house, or citizens traveling through a small town in a sparsely populated area, but it also put the people in touch with what was happening in other places in the world. What fun to perform songs that were also being sung in theater performances across the continent in New York or halfway around the world in London. Oftentimes, people living on the frontier had a limited scope of life, meaning they didn’t travel far from the place where they were raised, but music made them feel like they belonged to a larger society.
Left widowed following a Utah mining disaster, Dulcina Crass faces running a saloon on her own when her previous contribution was solely as the singer. She struggles to learn the necessary tasks but her heart isn’t in being a saloon keeper. All she ever wanted was to be a famous singer. Will asking Gabriel Magnus, a neighbor from her New Mexico hometown, bring the help she needs or a new kind of trouble?
Gabriel Magnus isn’t fulfilled by his role as ranch hand on the family’s New Mexico sheep ranch. What he wants is the chance to prove his boot making skills are good enough to start his own business. When he receives a letter from recent widow Dulcina offering a partnership in the Last Chance Saloon, he recognizes the chance to come to the rescue of the vivacious girl he wanted to court a decade earlier. Upon his arrival, he presents her with a demand–her answer could decide both of their fates.