Hello everyone, Winnie Griggs here. I’m afraid this month’s blog date sort of snuck up on me – a combination of dealing with my foot in a cast, a looming book deadline and planning an impromptu Disney vacation in a couple of weeks. So I hope you will forgive me if I reprise an older post. And to make it up to you, I’m offering 2 folks who leave a comment here their choice of any book in my backlist.
Did you know that the scientific principles behind 3-D movies had their first practical application as early as 1838? That’s when Charles Wheatstone patented his reflecting stereoscope. I’m sure you’ve all seen stereoscopes before, in pictures if not in actuality. But do you know how they work?
Actually, they work in much the same way human vision works. Because our eyes are spaced about two inches apart we see everything from slightly different angles. Our brains, wonderful creations that they are, then process these into a single image with both dimension and depth. Charles Wheatstone applied this principle to his invention, using drawings that were pairs of reverse images and a series of mirrors to create the illusion of a single three dimensional image.
In 1850, glass images were developed. Though an improvement on the earlier drawings, the quality was low and the price was relatively high.
Queen Victoria took a fancy to the device when she saw one demonstrated at the Crystal Palace Exposition in 1851, and suddenly they were all the rage in Europe. It was somewhat later before the fascination took hold in America.
These early stereoscopes were large, bulky and table mounted, requiring a large commitment of space as well as money. But all of that changed a few short years later. With the advent of photographic improvements, tintypes, daguerreotypes and flat mount paper became available, greatly improving the quality of the images. Early attempts had photographers taking one photograph then slightly shifting the camera and taking a second. The next evolution had photographers utilizing a rig that had two cameras mounted on it to take the twin photos. Eventually an enterprising inventor created a camera with two lenses
Then, in 1862 Oliver Wendell Holmes and Joseph Bates created a compact, handheld viewer named the Holmes stereopticon and the popularity of stereoscopes exploded. In fact, by the end of the century, in spite of their expense, you could find one of these devices in many middle and upper class parlors of the time. The most popular slides were the travelogue type that depicted exotic landmarks such as the pyramids of Egypt and the closer-to-home scenic beauty of Yellowstone. The marvels of the Chicago World’s Fair of 1892 and the St. Louis World Fair also made their way onto stereoscopic slides. As Burke Long put it, “Mass-produced and relatively cheap, the integrated system of mechanical viewer and photographs became fashionable for classroom pedagogy, tourist mementos, and parlor travel to exotic places of the world.” You could say that, as a form of entertainment, the stereopticon was the Victorian era’s equivalent of today’s video players.
By the 1920s movies and the enhanced availability of cameras to the ‘common man’ began to supplant the stereopticon’s hold on people’s interest. But, believe it or not, the stereopticon survives to this day. The child’s toy View-Master, named one of the top 50 toys of the twentieth century, is a direct ‘descendant’ of the stereopticon, utilizing the very same principles.
So, did anything in today’s post surprise you? Do you have firsthand experience with a stereopticon? Did you play with a View-Master as a child?
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