If you’ve read my books, you know I love pairing a cowboy with a city girl. My characters usually wonder how they can be attracted to someone who fails to hit even one item on their this-is-what-I’m-looking-for-in-a-potential-date list, and this creates great conflict. But another reason I love throwing cowboys and city women together is it creates great dialogue and can even increase sexual tension.
Here are some sayings that have great dialogue potential. I’ve tweaked some a little the way I would if I used them in dialogue. ?
• Woman, you’re as friendly as a fire ant.
• Darlin’, I’m so country I think a seven-course meal is a possum and a six pack. (I can see my hero saying this one with a wry grin.)
• If a trip around the world cost a dollar, I couldn’t get to the Oklahoma state line.
• You look like you were sent for and couldn’t go. (Can’t you see the sparks flying if my cowboy hero said this to a heroine?!)
• You’re so skinny you have to stand twice to make a shadow. (More sparks flying, I think as my heroine wonders if this is a compliment or a diss.)
• You look like the cheese fell off your cracker.
• Honey, you make a hornet look cuddly.
• Woman, you talk any faster and you’ll catch up to yesterday.
• You look like you’ve been rode hard and put away wet. Or, it’s twin, you look like you’ve been chewed up, spit out, and stepped on. (This one has potential for a tender moment, as the hero asks her what on earth happened. When she asks why he thinks something is wrong, he uses a soft husky voice and says, “Sweetheart, you look like you’ve been chewed up, spit out, and stepped on.” Of course, what he says shatters her control. She confides in him. He understands and consoles her. Bond forms, and there you go, sexual tension.)
• Woman, you could talk the legs off a chair.
• Are you two sandwiches short of a picnic?
• Don’t dig up more snakes than you can kill. (Can’t you imagine a city girl trying to understand what the hero means by this one and him trying to explain it?)
• Don’t write a check your ass can’t cash.
• He’s all hat, no cattle.
• You can put your boots in the oven, but that don’t make ‘em biscuits.
• Same trailer, different park. (In response to being asked how you’re doing.)
• Dang, if you aren’t double-backboned (I can see my hero saying this to a heroine when he’s impressed with her strength of will or character. Of course, she won’t quite get the compliment, and when he explains it, she’ll just melt all over his boots.)
• Woman, you’d charge hell with a bucket of ice water.
Not only can a western saying add color and realism to a story, it can add humor, reveal character or even create sexual tension. But best of all, it’s fun as all get out to write.
Now mosey on over to leave a comment about one of the sayings above or your own personal favorite and be entered for a chance to win the snack set and a copy of To Catch A Texas Cowboy featuring AJ, a Texas Aggie cowboy and New York City girl Grace Henry.
We’re very happy to have multi-published author Charlene Raddon come to visit. Writing is in her blood and she pens some mighty good stories. Authors, if you’re in need of a cover, check out her Silver Sage link at the bottom. Please make her welcome.
Since the heroine in my latest book, Divine Gamble, dealt faro for a living, I had to do a good deal of research on 19th Century games of chance.
Thanks to TV and old western movies, most people (like me) believed poker to be THE game of the times. Instead, it was faro. An honest faro game is as close as you can get to an “even money” game, meaning your odds of winning are nearly the same as for the house. Before the end of the century, however, card sharks figured out how to cheat even at faro.
Faro (for Pharoah, from an old French playing card design) was played with a standard pack of 52 cards. First played in France and England, faro became particularly popular in the U.S. In the movie Tombstone (1993) Wyatt Earp (Kurt Russell) plays faro, but the game wasn’t depicted entirely accurate. In Wyatt Earp (1994) Wyatt (Kevin Costner) and his brothers deal faro using the right layout, but still do not play 100% correctly.
The term “bucking the tiger” is said to have come from early card backs that featured a drawing of a Bengal tiger. “Twisting the tiger’s tail” is another euphemism for playing faro. Many gambling parlors were often referred to as “tiger alley” or “tiger town.” Brag, another popular saloon game of the time, which later evolved into 5-card draw poker or “Draw”.
Draw, also called “bluff poker” or “bluff,” was a rarity on the frontier until the late 1870s.
One person was designated the “banker” and an indeterminate number of players could be admitted. The faro table was typically oval, covered with green baize, and had a cutout for the banker. A board was placed on top of the table with one suit of cards (traditionally the suit of spades) pasted to it in numerical order, representing a standardized betting “layout”. Each player laid his stake on one of the 13 cards on the layout. Players could place multiple bets and could bet on multiple cards simultaneously by placing their bet between cards or on specific card edges. Players also had the choice of betting on the “high card” bar located at the top of the layout.
A deck of cards was shuffled and placed inside a “dealing box”, a mechanical device also known as a “shoe“, which was used to prevent manipulations of the draw by the banker and intended to assure players of a fair game.
The first card in the dealing box was called the “soda” and was “burned off”, leaving 51 cards in play. The dealer then drew two cards: the first was called the “banker’s card” and was placed on the right side of the dealing box. The next card after the banker’s card was called the carte anglaise (English card) or simply the “player’s card”, and it was placed on the left of the shoe.
The banker’s card was the “losing card”; regardless of its suit, all bets placed on the layout’s card that had the same denomination as the banker’s card were lost by the players and won by the bank. The player’s card was the “winning card”. All bets placed on the card that had that denomination were returned to the players with a 1 to 1 (even money) payout by the bank (e.g., a dollar bet won a dollar). A “high card” bet won if the player’s card had a higher value than the banker’s card. The dealer settled all bets after each two cards drawn. This allowed players to bet before drawing the next two cards. Bets that neither won nor lost remained on the table, and could be picked up or changed by the player prior to the next draw.
A player could reverse the intent of his bet by placing a hexagonal (6-sided) token called a “copper” on it. Some histories said a penny was sometimes used in place of a copper. This was known as “coppering” the bet, and reversed the meaning of the win/loss piles for that bet.
When only three cards remained in the dealing box, the dealer would “call the turn”, which was a special type of bet that occurred at the end of each round. The object now was to predict the exact order that the 3 remaining cards, Bankers, Players, and the final card called the Hock, would be drawn. The player’s odds here were 5 to 1, while a successful bet paid off at 4 to 1 (or 1 to 1 if there were a pair among the three, known as a “cat-hop”). This provided one of the dealer’s few advantages in faro. If it happened that the three remaining cards were all the same, there would be no final bet, as the outcome was not in question.
A device, called a “casekeep” was employed to assist the players and prevent dealer cheating by counting cards. The casekeep resembled an abacus, with one spindle for each card denomination, with four counters on each spindle. As a card was played, either winning or losing, one of four counters would be moved to indicate that a card of that denomination had been played. This allowed players to plan their bets by keeping track of what cards remained available in the dealing box. The operator of the casekeep, such as the heroine in my book Divine Gamble, is called the “casekeeper”, or colloquially in the American West, the “coffin driver”.
Certain advantages were reserved to the banker: if he drew a doublet, that is, two equal cards, he won half of the stakes upon the card which equaled the doublet. In a fair game, this provided the only “house edge”. If the banker drew the last card of the pack, he was exempt from doubling the stakes deposited on that card. These and the advantage from the odds on the turn bet provided a slight financial advantage to the dealer or house.
Other popular games of chance in wild west saloons were “Beat the Dealer” or “High Dice”, a quick and simple game. This was often played right on the bar with the barkeep as the dealer.
Then there was “Under and Over” (or “High/Low” or “Hi & Lo” or “Lucky Number 7”), a popular party game for three to six players played with a dice tray and 2 dice in a shaker cup.
“Chuck-a-Luck”, aka “Sweat”, Sweat Cloth”, “Birdcage”, “Chucker Luck”, “Chuck” or “Big Six” is an old game originating in England. This was played with a dice cup and 3 dice. Because of cheating, the use of a heavy welded metal birdcage device became the standard for the game.
Grand Hazard (not to be confused with Hazard) was a more advanced for of Chuck-a-Luck, with a more sophisticated layout allowing for the simple 1 through 6 “chuck bets”.
Hazard was played with two dice and was the ancestor of the modern dice game, craps.
Monte Bank was a popular card game of the early 19th Century, particularly in the Southwest and mining camps in Northern California.
In Divine Gamble, a mistake made long ago has put Maisy Macoubrie in a killer’s crosshairs. Her only hope is to run. Yet, her chances are slim of surviving alone.
The Preacher, a bounty hunter known for bringing men in alive, finds his own face on a wanted poster—dead or alive—for a crime he didn’t commit. He knows who the real killer is, but trying to prove it could be the last thing he ever does.
United in battle against a common enemy, can Maisy and The Preacher find love and solace in each other? Can they win the biggest gamble of their lives?
Are you a gambler? Have you ever visited a casino? Or have you read a book where they did? Charlene is giving away one digital copy of Divine Gamble to one commenter.
Charlene Raddon is an award-winning author of western historical romance novels and a book cover artist. Originally published by Kensington Books, she is now an Indie author. You can find her at:
What draws us? Beyond smokin’ hot cowboys, that is. 🙂 Is it the setting? Is it the courage? Is it the tenacity and work ethic?
I never expected to write historicals even though I love history. Even though I drink history like a good-for-me protein shake… Even though I dragged my kids to the Genesee Country Village and Museum every single year… and sent them to a school that dragged them there a couple of times, too!
The lure of the west… a country, untamed. A people displaced for expansion.
An expansion that refused to be stopped. Two cultures, divided. One strong. One losing strength. Different ideologies. Different beliefs. One faction that believed in ownership. One who decried it.
There was sadness with the push west, sadness that wasn’t limited to Native American tribes. Pioneers lost families. They buried children. Many children. They buried young wives, lost in childbirth. And they lost homes to fires, fires that swept forest lands and dried, thick-grassed prairies, fires that destroyed the dried-out thatch of grass but spurred thick, green grazing grass for the following year.
It took courage to go west. Courage to put everything you thought you’d need into a covered wagon and WALK CROSS COUNTRY. Can you imagine that? To walk cross-country, through streams and over hills and through thick grass… How quickly those wagons left their marks in the ground, a trail formed by wagon after wagon, trekking west.
In Laura Ingalls Wilder’s books we get a clear picture of the stop-and-go of westward expansion, a family that stopped here, stopped there, never giving up despite being removed from land, facing plagues of locusts, fire, hostile tribes, disease and accidents.
That bravery, that raw courage, built a nation. Then the railroad, on the heels of that expansion, opening up the vast countryside in every direction.
In a space of forty years, such a dot in a planetary timeline, the face of a country was changed, and continues to change to this day.
I loved Margaret Brownley’s post the other day about laboratory-produced beef…. Oh mylanta, the very thought of allowing ourselves to be completely dependent on anything or any industry for our food is ridiculous. Think of the repercussions that can make every teen dystopian novel come true… to put ourselves in the hands of government and/or big business and lose that self-sustaining impetus…. I’m going to just say: Not smart.
The more we know, the safer we are.
The more we do, the better we feel.
The more we grasp, the better we maintain.
And that was the lure of the West… to face nature and not only survive but thrive… to face hunger and make do… and be the benchmark for generations to come. To face want and learn to appreciate every little thing we have…
Remember Sally Field in Murphy’s Romance? How she tells her son to appreciate the rags, the bits of this and that… That you’ve got to “use it up, make it last, wear it out…”
A Western mentality, and when I’m in the West or Midwest, a lot of people, the heartland people, still practice all these little things.
They call the Heartland the “fly-over” states…. the way to get from coast to coast. Now there’s nothing wrong with the coasts, but the very different mindset of so many people living in big cities in the East and West… Their normal is their normal. They think of it as normal because it’s what they know.
But that Heartland…. the wide open prairies and the Big Montana Sky…. The plains of Texas and the mountains of Idaho (which is seeing a huge upswing in population!!! WHAT????) 🙂 The small farms and wide spreads of Washington and Oregon…
Before you get to the coast!
The lure is still there. It lives… and may it live a long time because I don’t want my beef raised in a lab, shaped like a Porterhouse…
I want it raised in the field… with a side trip to the grain lot!
Cooked over a wood fire…. Yep. There’s the lure.
SO THEN THERE’S THIS!!!!!!
So far two of my Double S Ranch books are being translated into POLISH!!!! They will be reading about my Washington cowboys in Poland! SWEET!!!! And right now, available nationwide, is this beautiful story…
“Her Secret Daughter”… You will love Josie Gallagher’s story… and you’ll fight for her every step of the way… a story ripped from the headlines before there were headlines…. You’ll find it at Walmart, Kroger, Winn Dixie, about anywhere mass market paperbacks are sold. And I hope you’ll love it! Coincidentally I have a copy to give away today…. Leave a comment and I’ll put your name into the cowboy hat!
Ask any of my friends who really know me and they’ll tell you I like to watch TV. I find a lot of inspiration in good storytelling and, let’s be honest, physical inspiration for heroes. And though a lot of the actors aren’t cast in cowboy roles, I could easily see them with a cowboy hat and boots, a nicely worn set of Wranglers and sitting astride a horse as he rides the range. So I thought it would fun to share some actors I think would be good as cowboy heroes.
Because of photographers’ copyrights, I won’t be putting the pictures of the actors on here. But I’ll link their names to a picture so you can check them out and see if you agree. I’d also love to hear who you think would make a great casting for a cowboy hero. I’m always looking for inspiration to drive my creation of those sexy cowboy heroes in my books, and I’m sure our blog readers wouldn’t mind the visual treats as well. 🙂
Hello to everyone at Petticoats and Pistols! Thank you so much for inviting me to stop by to talk about my new book, Luckiest Cowboy of All, coming out next Tuesday.
This book has gotten rave reviews at both Publisher’s Weekly and RT Reviews and from my amazing readers on Goodreads. To say I’m excited about it would be an understatement.
The Luckiest Cowboy of All is the third and final book in the Happy, Texas trilogy, following Toughest Cowboy in Texas and Long, Tall Cowboy Christmas. Although it’s part of a series, it’s a stand alone book that can be read without reading the first two.
AND—I love that word because it means there’s more to come—this is a two-for-one book. After you read Luckiest Cowboy of All, you are only half finished with the book. My good friend, Sara Richardson’s book Hometown Cowboy, is included. It’s Jessa Mae and Lance Cortez’s story. She’s a small town veterinarian and he’s a big-time rodeo star.
Voices in my head….
Jace Dawson has waited patiently for his turn to tell me his story, and I loved having him sitting behind me in the recliner telling me all about his life while I wrote it. I have a plaque on the wall of my office that reads: I know the voices in my head are not real but they have really great ideas.
That saying became very real during the time I was privileged to spend with Jace. He’d fallen in love with Carlene back when they were in high school and had even entertained notions that someday they might be together forever. But after graduation her father got transferred and she went with him. She’d promised to keep in touch but she hadn’t and her old aunt, who still lived in Happy, wouldn’t give him a bit of information.
Now it’s almost a decade later and Carlene has taken a teaching job back in Happy at the elementary school. One look at her daughter and Jace knows immediately that the child is his and he’s pretty angry that Carlene didn’t even tell him that she was pregnant.
Secret Baby/Second Chance
The secret baby/second chance trope has been done so often that I knew when I started writing this story; it had to touch my readers emotions to keep their attention. I hope I’ve done that and that they travel with Jace through his battle with giving up his bachelorhood and doing what his heart is telling him. And that they experience Carlene’s reluctance in listening to her heart—when she fears that Jace is only doing “the right thing” in wanting a relationship with her. How could he love her after she deceived him?
Secondary Story Threads
There’s a secondary story thread that began in Toughest Cowboy in Texas and continued through Long, Tall Cowboy Christmas. It’s about the Dawsons’ grandmother, Hope, and a past love from her youth. It wraps up in Jace and Carlene’s story as this trilogy comes to an end.
I hope that when you finish Sara and my stories that you sigh and wish for more! If so, don’t put your reading glasses away and keep your cowboy boots close by because there are more cowboys on the way. Cowboy Bold debuts the first book in the Longhorn Canyon series in May. Cowboy Honor, the second book, will arrive in September and then Cowboy Brave will finish the series in January of 2019.
I’ll give away a signed copy of Luckiest Cowboy in Texas to one person who comments on today’s post. Tell me, what makes you go from merely taking a look at a book to putting it in your cart to take home? Cover? Back blurb? Those first few sentences on page one?
Carolyn Brown is a New York Times, USA Today, and Wall Street Journal bestselling author and a RITA finalist. The author of more than eighty published books, she’s also the three-time recipient of the National Reader’s Choice Award, a Bookseller’s Best Award, and a Montlake Diamond Award. Carolyn and her husband live in the small town of Davis, Oklahoma, where everyone knows everyone else, as well as what they’re doing and when—and they read the local newspaper on Wednesday to see who got caught. They have three grown children and enough grandchildren to keep them young. When she’s not writing, Carolyn likes to sit in her gorgeous backyard with her two tomcats, Chester Fat Boy and Boots Randolph Terminator Outlaw, and watch them protect the yard from all kinds of wicked varmints like crickets, locusts, and spiders. Visit her at http://www.carolynbrownbooks.com.