Last month, while attending the Romantic Times BookLovers Convention to promote my latest release, TOUCHED BY LOVE, I had the pleasure of participating as part of a panel on “Historical Romance Through the Ages.” The writers, five in all, covered the gamut of settings, from 1100s Scotland, through Georgian, Regency and Victorian England, and across “the pond” to the American West.
Our discussion concerned what set apart a romance in our chosen time period. In my case, what makes a western a western.
I enjoyed listening as those who wrote European-set stories discussed social mores, etiquette, keeping Mama happy, and buying just the right hat at the right store for that party that all the right people will attend.
In a western, in my opinion, the environment has more influence on stories than most other factors. Think pioneers, survival, and hardship; taking care of yourself and looking out for your neighbors because that’s what a good person does. Hats and parties were important, especially to young ladies of a “certain age,” but, for the most part, people concerned about survival don’t care if their clothes are the latest fashion – they’re just glad to have clothes to wear.
As to social etiquette, the proprieties were certainly observed, but I imagine they were often tossed off the wagon in deference to survival. Of course, the backlash of ignoring them makes for great conflict in our stories.
When a family moved west, they took what they could carry and left everything and everyone else behind. Letters moved slowly, if at all, leaving these westward pioneers isolated from everything familiar. They had to suck it up and create their own “familiar”, their own new lives, friends and routines. They even had to build their own surroundings. Young men suddenly had to provide for their families. Women learned to create a home wherever they decided to put down roots. It took real grit to make it when nothing was familiar. And if the crops failed, or a fire destroyed the house, or their livestock were rustled, they brushed themselves off and started over.
Westerns are about hope and opportunity. That’s a big part of why I love writing them. There was a chance for those who had “fallen” to redeem themselves or turn their backs on the past and begin again. No matter the hardships, they had an opportunity to make a happy-ever-after for themselves and the generations to follow.
How about you? What makes a western a western for you?