FINDING INSPIRATION IN A MOUND

Encouragement from an unexpected source set Barbara Ankrum’s romance-author’s feet on a new path. Help us welcome Barbara to Wildflower Junction.

By Barbara Ankrum

Barbara Ankrum
Barbara Ankrum

For years, I resisted the temptation to write a romance with a Native American protagonist.  Frankly, I was scared to do it. I might get it wrong. Or, worse, insult someone! So I avoided it even though I longed to write one.

Then my daughter moved to Kansas.

On a visit, I took the grandkids to a cool little farmstead called Deanna Rose, and was surprised to find there a reproduction of a Kanza (tribe) mound lodge. From the outside, the mound looked like a tall, grass-covered hill with two tunnel-like doorways. Inside, it was a circular wood-braced lodge, 14’ high at the center with cottonwood tree trunk poles supporting the arched roof. Beds lined the walls all the way around the forty feet in diameter perimeter. In the center, a fire pit and a hole in the ceiling for smoke to escape.

indian mound 3The earthen walls were fourteen inches thick insulating the interior from the harsh Kansas summer sun. Outside, it was 3,000 degrees, (I jest—but it was Kansas in July!)  But inside that mound it was a cool 70-something and I lingered.

A Native American docent started to chat with me about the structure and I asked a bunch of questions. The mounds are scarce—almost non-existent now, because they were nearly all destroyed by the Army in the Indian Wars, set ablaze and collapsed.

indian mound 5When I admitted I write historical romance and secretly always wanted to write a Native American hero, but didn’t have the nerve, this woman looks at me and says, “Why not?” And I was like, “Well, because I’m not Native American. I might not do their story justice.” This sweet woman laughed. “But you see,” she said, “You’d be telling their story, a story that might not be heard otherwise. A story that might never have a voice. You must write it.”

I was dumbfounded but profoundly affected by her words.  Maybe I just needed a new perspective. If I did my best with it and gave it my heart and told the story that was calling me, then it might be enough. After all, isn’t that what writers do?

indian mound 4This woman’s off-handed encouragement was the jumping off point for THE RUINATION OF ESSIE SPARKS. Set Montana, my hero is a half-breed Cheyenne (okay, so I dipped my toe in!) and my heroine is a white schoolteacher he accidentally kidnaps and drags into the wilds of the Montana Mountains. It’s set in the post-Indian War devastation of the far West tribes and the systematic removal of the Native American children to white-run boarding schools.

And it turned out Essie was brave and maybe a little inspired by that docent’s words, too. When I got a really nice review from a Native American reader thanking me for not backing off the true story of the boarding schools, I could only smile and secretly thank that woman from Deana Rose.

Essie SparksYou never know where encouragement will come from. You never know how your words will affect someone else. And you never know what you can do until you try.

I hope you’ll give THE RUINATION OF ESSIE SPARKS a read. Maybe it will inspire you to be brave about something in your own life.  I think if we just remember that we bring our own heart to the things we do, we bring something to the table that no one else possibly could. And that’s more than enough.

Find The Ruination of Essie Sparks and Barbara’s other books at Amazon.

 

What is it you’d love to try, but have held back doing? Tell me and I will give away one e-copy of THE RUINATION OF ESSIE SPARKS to one lucky commenter.

Barbara Ankrum and the fun research into rodeo bull riders!

Barbara Ankrum
Barbara Ankrum

Hello, my name is Barbara and I’m a rodeo fan-girl.

There, I said it. Yes, I love watching cowboys take their lives in their hands aboard those lunatic pro-bulls. (Screaming into my fists, aside.) But after agreeing to write a bull-riding hero for my next book, I realized how little I actually knew about the mechanics of the sport. I needed to do some research, which is always one of my favorite parts of writing. I’ve discovered many a good turning point through research.

Hours of YouTube marathons yielded these tidbits, for example:

* Bull riders most often use man-made barrel contraptions manipulated by a huge lever to practice on and not (for the most part) real bulls because…life and limb.

* There are coach/mentors who teach/hone bull riding technique, even to the pros. One of these ended up figuring into my story and even changed my hero’s living situation.

* The bull ‘athletes’ are respected every bit as much as the riders and are specially bred to buck. One is even crowned champion at the end of the season for big money.

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Click to Buy

 

* The difference between a slinger –a bull that tries to hit the rider in the head with its horns and a honker: a really ‘rank’ and difficult animal to ride.

Most intriguing was the bullrope—that woven rope/strap that goes around a bull’s chest and which the rider wraps around his gloved hand—which he must release at the end of the ride or risk getting hung up and dragged around by the arm. (The screaming into fists part.) It took a while to figure out the wrap techniques and how riders freed themselves at the end of a ride.

Traditional American bullropes, position the cowboy’s hand directly over the bull’s spine. Each time a bull bucks, the rope slides a little to the left, tightening on the cowboy’s fingers. And if the stars align badly, the cowboy is unable to release this bucking strap from his pinched fingers and he gets dangerously hung up.

Barbara Ankrum Bull rider 1Brazillian bullropes are relatively new on the scene. They appeared with the influx of Brazillian cowboys who have taken many of the top spots on the rodeo charts in the past few years. The bullrope they use is slightly different from the American one.

Their grip handle starts off center, to the right of the bull’s spine, and releases to the right, the opposite direction of the American rope, which takes the pressure off the cowboy’s hand and allows him to easily free himself, preventing hang-ups. Some U.S. rodeos have banned them, claiming they’re an unfair advantage for the Brazillians and U.S. riders who have embraced them, but the jury’s still out on whether it’s simply a smarter design or an advantage. With the high stakes money in the PBR, it’s understandable that some sour grapes linger over these ropes. But I decided to use one in my story, because it felt like a smarter choice for Finn Scott, who had two little children waiting at home for him, along with a temporary wife with commitment issues.

Barbara Ankrum bull rider hung upI loved every minute of writing CHOOSE ME, COWBOY (Part of the Montana Born Rodeo series) And for those who read last year’s, A FAIR TO REMEMBER, this book follows the second of the Canaday sisters, Kate.

I have a $10 Amazon gift card for one lucky commenter here. Just tell me your favorite rodeo event!

Barbara Ankrum is the bestselling author of fourteen books, including her latest contemporary romance, CHOOSE ME, COWBOY, from Tule Publishing. Her bestselling western historical series, ‘Wild Western Hearts’ and ‘Wild Western Rogues” are available on all e-book platforms. She’s been twice nominated for RWA’s prestigious RITA Award.