Category: Oklahoma History

Posts that have to do with the history of Indian Territory/Oklahoma Territory prior to 1907 or shortly thereafter when Oklahoma became a state.

RIDE THE WILD RANGE ANNIVERSARY AND GIVEAWAY by CHERYL PIERSON

It’s funny what “pops up” on Facebook and how it triggers memories–things you might have completely lost track of. Yesterday, a memory from five years ago showed up of where I had shared my “latest” publication–RIDE THE WILD RANGE–with Prairie Rose Publications.

This story had come out as a compilation of three novellas in the Texas Legacy series: RED EAGLE’S WAR (BOOK 1), RED EAGLE’S REVENGE (BOOK 2), and TEXAS FOREVER, (BOOK 3).

I started to write this tale as a short story, but it wasn’t long before it turned into a novella.  But after I wrote the novella, I realized I wasn’t done with the story…so I wrote two more.  These stories really wouldn’t be classified as “romance”, since there’s no sex and very little romance–not really even any spoken words of love between Jacobi Kane and Laura, who later becomes his wife.

I did this on purpose, since the stories are told from the point of view of a young boy. That stuff would be too mushy for him to think about for too long! No, these stories were more action oriented, and being told from the first person viewpoint, it was necessary to keep a high level of feeling to the forefront.

Will Green is the young boy who tells the stories. In RED EAGLE’S WAR: TEXAS LEGACY BOOK 1, we meet him at the age of 9, almost 10. His parents and older sister have just been murdered by the Apache, and he has been kidnapped as they torch his home. But a few days later,  just as he’s given up hope, a fearless man walks right into the Apache camp and rescues him.  Jacobi Kane has a mysterious past that he isn’t too keen on discussing with Will, though Will senses a kind of kinship between the two of them as they travel toward Fort Worth and safety. Kane harbors a terrible secret that might force Will’s hero worship of him to turn quickly to hatred…or of understanding, that Kane is a man who does what he must. But will that realization be enough, and is Will mature enough to come to grips with what Kane had to do?

 

 

In RED EAGLE’S REVENGE: TEXAS LEGACY BOOK 2, Will continues to learn more aboutJacobi Kane’s past when a group of law officers seek Kane’s help in capturing some of the same Apache Indian band that killed Will’s family.  Kane resists going because he is now re-married, with a new baby on the way and tells the lawmen he’s turned in his badge for good—years ago. But a promise he made in the past keeps him hungry for vengeance, and his new wife urges him to go and see an end to it all.  Of course, Will is not going to be left behind. Jacobi might need him!

 

 

 

 

 

TEXAS FOREVER: TEXAS LEGACY BOOK 3 wraps up the trilogy with a surprise visit from a man Will had never expected to see—his ship-building magnate grandfather from Boston, Robert Green. His grandfather first tries to intimidate him into returning to Boston with him, then falls back on honesty only when he must to convince Will to come back. Will vehemently refuses, but when he hears two of his grandfather’s men planning to murder his grandfather, he knows he has to go at least part of the way—to the first stop, back where it all started—the little burned-out cabin where his family was murdered over two years past. Jacobi is out there, trailing them for protection, unseen and silent, but then Will learns a secret that makes his blood run cold. A man that Jacobi thought of as a friend is also caught up in the plot—but Jacobi doesn’t know the tide has turned. He’s in as much danger as Will and his grandfather are.

 

This is just a short bit about each story, but the big news is, now you can get all three stories under one cover, RIDE THE WILD RANGE! With a little bit of editing and changing here and there for  “flow”, these stories are all combined into one novel now. This book is loved by young and old alike, a great YA novel for boys (and girls!), but also something adults enjoy as well. I loved every minute of writing these adventures of Will Green and Jacobi Kane, and I have a feeling I’m not done yet.

Livia J. Washburn did all my wonderful covers for these PRAIRIE ROSE PUBLICATIONS books, and I just love them all.

I’m giving away one digital copy of RIDE THE WILD RANGE today to a commenter, so please remember to leave your contact info somewhere in your comment! My question for today is, what is the most memorable youngster you’ve read about in any story? I have several–Scout, in To Kill a Mockingbird is probably the “most” memorable young character, but what about Bob Starrett in Shane? So many, it’s hard to choose! 

 

 

Here’s an excerpt from RIDE THE WILD RANGE:

THE SET UP: Thirteen-year-old Will and his grandfather are having a meeting of the minds as they travel up to Indian Territory from Fort Worth. Surrounded by men who want to kill both of them, they find themselves at odds in this conversation where Will tells his grandfather some things about himself that his grandfather didn’t know.

EXCERPT:

I had learned a lot from Jacobi. And by the way my grandfather looked away and fell silent, I knew there was a mighty big hole in the story somewhere.

“What is it you’re not tellin’ me, old man?” My voice was strong but quiet. I wasn’t sure if this was some kind of family secret or somethin’ he didn’t want Jack Wheeler, riding a few paces behind us, to hear.

He gave me a sharp look. “You may call me Grandfather, William. There’s no need for disrespect.”

“No need to tell half the story, either.”

At first, he looked at me from under his eyebrows like he’d like to take a strap to me. But I looked right back at him. Finally, he nodded and glanced away.

“I’ve been so desperate to find you because…you’re my only living heir. I built a ship building dynasty for my family, Will, and there’s no one left but you.” He cursed as the wagon hit a hole and jolted him sharply.

“My sister married a man, Josiah Compton, whose wife had died. He brought two sons to the marriage, but he and Margaret never had any children together. The boys are men, now, of course. George, the eldest, is a pastor. But Ben, the younger of them, is quite a wastrel. He has squandered his inheritance and is looking for more. If you weren’t…alive….well—everything would fall to the two of them. And though George is not the type to seek gain, Ben is quite a different story.

“Ben knows I won’t be around much longer. But you will always be a threat, Will. I’m afraid this is going to end badly for one of you.”

I thought about what he’d told me. It seemed like maybe he needed me to say somethin’. It bolstered my confidence to know that somewhere out there, Jacobi was ridin’ along easy, keepin’ a eye out on us. Especially, now that I’d learned this part of the story.

I looked at him straight in the face. “I’ll tell you one thing. It ain’t gonna be me that ends up dead.”

“I didn’t say that—”

“It’s what you meant though, ain’t it? When there’s a pile of money to be had, somebody’s always worried it’ll get taken away from ’em. Even if he knows I don’t want it, he’ll be worried about it. I’ve killed before. I’ll do it again, if need be.”

His expression turned to one of shock. I went on with what I was saying. “Ain’t nobody gonna take my life over somethin’ I don’t even want.”

He studied me openly, as if he were trying to decide what he should say. I saved him the trouble.

“I know you’re wonderin’ about it, so I’ll tell you.” And I did just that, from start to finish, from the day Papa and I had been out working together and seen the Apaches ride up all the way through when Jacobi had rescued me and we’d ridden out of the Apache camp together.

“We rode as long as we could, until I fell off the horse. Then Jacobi picked me up and we rode some more. When Red Eagle caught up to us, Jacobi and him fought.” My throat dried up just thinkin’ about how I’d felt to see Red Eagle and Jacobi locked close together, fighting with everything they had, and knowin’ one of ’em was gonna end up dead.

“I killed Red Eagle. Shot him dead.”

Grandfather was quiet.

“I ain’t sorry for it, either. It felt good. Every time I think about what he did to Papa and Mama, I know it was the right thing. But mainly it was right because he was so dang pure evil.”

I’m really proud of this story, and it’s amazing to me to think it came from a short story idea. I’m so glad I had the opportunity to write the story to the length it really needed to be. And you know…I think there is more to Will’s story that needs to be told. So, I’m wondering, what DOES happen between Ben, the evil relative, and Will when the time comes? 

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STAND WATIE–A MOST UNCOMMON MAN by CHERYL PIERSON

 

I am fascinated by Cherokee leader Stand Watie. I’ve used him as a character in many of my stories. I think the reason I can’t seem to get enough of him is because of his remarkable life and accomplishments. Here’s a little bit about Stand Watie and what he did–and then I’ll tell you about my stories he appears in.

 

 

 

 

 

 

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Only two Native Americans on either side of the States’ War rose to the rank of brigadier general.  Standhope Watie (Uwatie), fighting for the Confederacy, was one of those two.  Yet, what makes this accomplishment so incredible is the fact that while he was fighting for the Confederate States of America, he was also fighting other Cherokee tribal leaders who held opposing political views and very different visions for the Cherokee nation.

Stand Watie commanded the Confederate Indian Cavalry of the Army of the Trans-Mississippi.  While the cavalry unit was comprised mainly of Cherokee, some Muscogee (Creek) and Seminole tribal members also served.

Born in Oothcaloga in the Cherokee Nation, State of Georgia, Uwatie (or Oowatie) was also known as Isaac.  He was educated in a Moravian mission school.  In his early adulthood, he occasionally wrote articles for the Cherokee Phoenix newspaper.  The State of Georgia confiscated Cherokee lands in 1832 when gold was discovered, including the thriving plantation owned by Stand’s father and mother.  Stand and his brothers, part of the powerful Ridge-Watie-Boudinot faction of the WA040Cherokee council, stood in favor of the Cherokee Removal. Their signing of the Treaty of New Echota facilitated the removal of the Cherokee people to Indian Territory—what is now Oklahoma.

Another faction of Cherokees following John Ross refused to ratify the treaty signing.  This segment was known as The Anti-Removal National Party.  Members of this group targeted Stand Watie and his brother, Elias Boudinot, along with their uncle, Major Ridge, and cousin, John Ridge for assassination.  Stand was the only one who survived the assassination attempt.  Although Watie’s family had left Georgia before the forcible removal of all Cherokees in 1838, another brother, Thomas, was murdered by Ross’s men in 1845.

In October, 1861, Watie was commissioned as colonel in the First Mounted Cherokee Rifles. Besides fighting Federal troops in the States’ War, his men also fought opposing factions of Cherokee, as well as Seminole and Creek (Muscogee) warriors who supported the Union.

In 1862, Stand Watie was elected principal chief of the Cherokee Nation, through dissension continued among John Ross’s supporters.

On June 15, 1864, Watie’s troops captured the Federal steamboat J. R. Williams on the Arkansas River off the banks of stand_watie_memorial_editedPleasant Bluff near Tamaha, Indian Territory.  The next morning, Colonel John Ritchie’s men, who were stationed at the mouth of the Illinois River near where the two rivers met, engaged Watie’s men as they attempted to confiscate the cargo.  The river was rising, and they fought to a standoff.  When Watie learned of the advance of Union troops from Fort Smith, Arkansas, (within about 40 miles), he burned the ship and much of the remaining cargo, then sank it.

Watie surrendered a year later in June of 1865, the last Confederate general to lay down his arms.

In my debut novel, Fire Eyes, I weave this bit of history into my plot.  The villain, Andrew Fallon, and his gang have come upon the site where the J.R. Williams was sunk four years earlier.  Fallon speculates there could have been gold aboard, and sets his men to dive for it.  As mercurial as his temper is, none of them dare question his order.  Here’s what happens:

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FROM FIRE EYES:

“Damn! I know where we are.” Dobie Perrin said.

Andrew Fallon turned in the saddle, glaring at Perrin, the afternoon sun dappling them through the leaves of the thick canopy of trees. “So do I, you idiot! So do we all, now.”

The secluded cemetery sat on a bluff, overlooking the Arkansas River. They had been wandering for two days, ever since retracing their steps to the first small creek they’d come to. The one Fallon felt sure would give them their bearings. Now, at last, he recognized where they were. He’d figured it out ten miles back.

“Tamaha,” Denver Rutledge muttered. “I was raised up over yonder.” He inclined his head toward the riverbank. “Over in Vian.”

“Then why didn’t you know where we were?” Fallon’s anger surged. “I am surrounded by idiots!”

“I shore ’nuff shoulda known, General,” Rutledge said apologetically. “Right yonder’s where we sunk the J.R. Williams. Rebs, I mean. Stand Watie’s bunch.”

Fallon jerked his head toward the other man. “Right where, soldier?”

Rutledge kneed his horse, coming abreast of Fallon. “Why, right yonder, General. It was in June of ’64. She was a Union ship, the Williams was.”

“What was she carrying?”

Rutledge shrugged. “Don’t rightly know. Supplies, maybe.”

“Payroll? Gold?” Fallon fingered his curling moustache. “Could be anything, eh, Rutledge? But the Yankees were known to cache their gold profits in casks. Maybe that’s what the J.R. Williams was carrying. Casks that weren’t really supplies, but were filled with gold.”

“Could be, I ‘spect.” Rutledge’s voice was hesitant.

Fallon nodded toward the river. “I think maybe we’ll try to find out.”

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prp-meant-to-be-1-webThe next story Chief Watie was included in was my time-travel western novella, MEANT TO BE.  Here’s a little bit about this Civil War story:

Robin Mallory is facing another Christmas all alone when she decides to surprise her aunt and uncle several hours away. A flat tire leaves her stranded near a desolate section of interstate. With a snowstorm on the way, Robin has no choice but to walk, hoping to find shelter before the storm hits full force. But the road she chooses leads her back in time, to a battleground she’s only read about in history books.

Confederate Jake Devlin, an officer in Stand Watie’s Cherokee forces, is shocked when the spy he captures turns out to be a girl. She’s dressed oddly, but her speech and the ideas she has are even stranger than her clothing. Where did she come from, and what is he going to do with her? Will he be able to hold on to his heart? Is it possible for a love this strong to span centuries? It is, if it was MEANT TO BE…

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My most recent story that Stand Watie appears in is my first venture into “alternate history” in the alternate history anthology, TALES FROM THE OTHERVERSE released through Rough Edges Press. If you aren’t familiar with alternate history, it’s fascinating to read and to write–because you can change history to suit the story you want to tell. My novella is called MRS. LINCOLN’S DINNER PARTY–a very different story about how the Civil War ended, thanks to Varina Davis, Mary Lincoln, and of all people, Stand Watie. Hmmm…let’s just see what’s going on at this odd dinner party of Mrs. Lincoln’s, shall we?

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“If you’ll excuse me, sir,” Mary said, “I must return to the receiving line. You’ve had a long journey—if you’d like a moment to freshen up, Mr. Pennington can show you to your quarters—” She nodded at the guard standing behind the general.

“Yes, please. I’d like to know where I need to place my bag,” the general said.

Mary glared at Mr. Pennington, who squirmed uncomfortably.

“Thought maybe there was a mistake, Mrs. Lincoln—”

Mr. Pennington. There is no mistake. And I will not tolerate rudeness. Please, show General Watie to his quarters—and you carry his bag.”

“Yes, ma’am,” Pennington answered. “This way, sir.”

General Watie gave Mary a rare smile. “Thank you. I will see you at dinner, Mrs. Lincoln.”

Mary felt Abe’s eyes boring into her as she moved across the floor, back into her place in line.

“I’m…surprised at you, Mary.”

Mary felt the hot flush creep up her neck, into her cheeks.

“I’m wondering, what other—guests—you may have invited without my knowledge.”

Oh, how she did wish he’d keep his voice down! She didn’t want the children to see the discord between them—especially here in public, where it was so easy for others to read between the lines, pick up on any issues that were best kept private. As Robert had said earlier, they could all find themselves on the front page of the papers along with unflattering descriptions and comments if they weren’t careful.

She didn’t answer Abe’s prodding, becoming suddenly resentful of being placed in such a predicament. She wouldn’t have had to resort to this if Abe and the others who had started this war had been more reasonable.

And though, in her heart, she believed fathers loved their children dearly…she couldn’t yet reconcile how fathers could call for sons to go to war. War! Where the children mothers had fought so hard to keep safe and whole all their childhood years could—in one moment—be maimed, or left to die a horrific death at the hands of their enemy…The enemy—people who had, just two scant years earlier, been their neighbors, their friends—even their own families!

She couldn’t sit by any longer and do nothing. Robert would be heading off to West Point in the fall…then Eddie and Willie would follow.

She was not going to lose her precious boys to this confounded idiocy.

“My God,” Abe swore, his tone calling her back to the present. “Is that—”

“Varina Davis. Yes. It is.” Mary turned to look up at her husband. “It looks as if Jefferson declined the invitation. Would you care to accompany me to greet her, or—”

“Yes, I’ll come,” he all but growled. “Mary, we have some talking to do.”

But Mary was already on her way across the floor to greet Varina Davis, Confederate President Jefferson Davis’s wife.

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I want to thank everyone for joining me today! Do you have a favorite historical character you like to see included in fictional tales? 

THE DEVIL’S IN THE DETAILS #4–CONAGHER AND CINDERELLA by CHERYL PIERSON

Have you ever read a story that made you wonder why the author spent such a long, boring time describing an item or place that seemed of little importance to the story?

Usually when that happens, it’s because its importance will be revealed later on, or some scene will call up that particular memory or description for some reason—and its usually a pretty darn good reason!

Let’s look at Cinderella’s slipper as our first example for this. Of course, a glass slipper would be highly unusual, wouldn’t it? In fact, most likely, there would be no other slippers like that one pair!

This particular pair of shoes serves as a symbol for the entire story—improbable things happening to a young woman who has been treated so terribly for so long that lead to her ultimate happiness—it’s a story we can all relate to!

The magic that brings her happiness is not just going to the ball and all the wonderful things that happened on the way—the beautiful gown, the carriage, and so on—the true magic for Cinderella is falling in love. And how can the two lovers hope to be reunited? Well, if it weren’t for those exquisitely, perfectly-fitting glass slippers, everything else that came before—all the magic, hopes, and dreams—could have amounted to nothing at all. Everything hinges on the glass slipper fitting!

Hence the description of the slippers themselves, carrying the slipper on a pillow (which I always believed was taking a terrible chance!) and the endless search and trying on of the slipper throughout the kingdom.

The slipper is all-important because it is the proof that she is “the one” –and it has come to symbolize the very story itself. When we see a picture of the glass slipper, we know it “means” Cinderella, right?

Think about Lous L’Amour’s iconic western, Conagher. Two lonely people meet and fall in love through heartfelt notes that Evie, the heroine, writes and ties to tumbleweeds. They could be found and read by anyone—or no one at all.

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But the fact that Conagher feels they speak directly to him, shows us how important what she did is to the story. This is further borne out when, in conversation with him, she uses a phrase she’s written on one of the notes—and he knows immediately it is she who has been writing them.

 

Loneliness and the vast emptiness of the land is a common theme throughout the book. It was unimaginable to her that Conagher would be the one who found “that note” – the one she repeated the phrase from in conversation with him—but it wasn’t impossible. And his line to her is one of the most romantic of all time, in my opinion.

 

He takes one of the notes out of his pocket and asks if she wrote it, and she says yes, she did. She tells him she was just so lonely she had to talk to someone, even if no one was there to hear. He says, “There was, Evie, there was me.” 

 

The details of:

  • The land around them and their feelings about the emptiness and aloneness of where they are…
  • Evie’s acting on those feelings by just writing them down on paper and tying them to tumbleweeds…
  • The act of Evie repeating the phrase in conversation she’d used on the note Conagher found…

all add up to make this story so special and memorable—and one you will not want to put down once you start reading!

Conagher isn’t a fairy tale, but it does have its own brand of magical connections that lead to love. The details and descriptions in both of these stories, as different as they are, give the reader insights that the author, in both cases, was masterful in providing throughout the story!

 

Finally, another couple of tales that come to mind are two short stories many of us read in our high school English classes—The Necklace, by Guy De Maupassant, and The Gift of the Magi, by O. Henry. Do you remember these—both based on objects that were described in great detail—and the twists at the end that left you gasping in surprise?

 

If you haven’t read them, or even if it’s been a while, they are always good to revisit and are classic examples of why detailed descriptions of “things” can be so important to a story’s premise.

Can you think of an example in your reading where the detailed description of something had deep importance to the story?

 

THE DEVIL’S IN THE DETAILS–SETTING by CHERYL PIERSON


Are you a reader who loves descriptions and details of settings? Glittering ballrooms, the bone-chilling cold of a winter in the Rockies…or maybe the oppressive, killing heat of the desert? What about something idyllic, like a river or creek babbling through the woods? A beautiful rose garden, or even the ugly side of description—such as barren prison walls, or a Civil War battlefield?

 

 

 

 

It depends on the story, doesn’t it, and again, how much importance those descriptions have on the impact of the action, and the outcome of the story.

Let’s use a ball as our example.

If you’ve never been to an 1800’s ball—and none of us have—we need to know at least the barest details.

Five basic things we need to know are:
What is a ball?
Why is the ball being given?
Who will be invited?
When will the ball be given?
Where will it be held?

That’s enough for some stories. But the main question is—how important is the ball to the plot?

This is where layering comes in—and this one scene, and the details it contains—can be vital to what comes next, or even many scenes later.
So many things can happen at a ball!

Guests can meet for the first time, uninvited guests can show up, clothing can have significance, music can bring back memories, the food can even be poisoned!

Or, the ball can just be a ball, like the old saying attributed to Sigmund Freud, “Sometimes a cigar is just a cigar…” –and if that’s the case, then tedious description and intricate detail is wasted because the ball is just a vehicle to get from one scene in the story to the next, and has no real underlying importance.

 


Describing the details of the clothing worn is sometimes distracting as it pulls us away from the action. We may be reading about a blue satin gown when we need to be concentrating on the man who lurks in the shadows. Too much description can bog down the reader and deaden the story rather than bring it to life.

Why? Because deep description of the things such as décor, clothing, and meals stop the action of the characters. The plot “takes a break” while our minds process all of the description of the scenery, the meals, the clothing. In this case, again, sometimes, “less is more” and we need to let the reader’s mind fill in much of that kind of detail.

Consider this: We know certain facts—a ball costs a lot of money to host. So we already understand that those who are invited are most likely people who move in the same upper crust social circles. Therefore, we know they, too, have money, so are appropriately dressed, arrive in style, and are schooled in proper societal customs. One excellent way to cut through the “red tape” of description (of things we already know) is to describe something that is out of place, or “not right” as this reminds us of what should be—and those details of descriptions we’re already aware of.

Perhaps an impostor at the ball commits a social faux pas without realizing it, alerting others to the fact she isn’t who she pretends to be. Maybe an unlikely hero comes to her aid quickly, offering an excuse, or correcting the mistake before others notice.


This scenario does several things for the story that simple description can’t achieve.

1. Points out the discrepancy in what should be and what is.
2. Allows our characters interaction, and possibly dialogue and observation, rather than the author filling the page with scenic description.
3. Allows the reader the opportunity to learn more about the characters and their personalities through this interaction, and can be a vehicle to reveal something of importance.
4. Can possibly further the action during such a scene rather than slowing it by miles of scenic description.

This is not to say that there isn’t a time and a place for detailed descriptions of settings! We can’t call ourselves authors and take the “easy” way out by saying, “It was a ball like any other” by way of description, unless—we put it in the right context.

How about this: 
Jake looked around at the opulent ballroom –the surroundings were familiar in a tiresome, cloying way. Or…maybe was jaded. It was a ball like any other—except for one thing. Something that made him catch his breath and inwardly let go a streak of curses he’d love to shout to the skies. She was here. The woman he’d thought he’d never see again…

Well, anything can happen now, can’t it? Maybe she’s wearing an inappropriate shade of red amidst a sea of violet and blue. There are so many ways to make setting come alive without endless description that many readers become bored with and skim over.

If you read my last installment of this blog series about main characters, the examples I used from Shane (Jack Schaefer) and St. Agnes’ Stand (Tom Eidson) are also prime examples of description of setting as well as character.

But here’s another good one I really think is wonderful from Conagher, by Louis L’Amour. In this story, Evie from “back East” has come out west to marry a man with two children. Evie tries to make the best of things, but she lives in fear at first. The land is so different, After she’s been there a while, she finds there is a beauty in her surroundings she had to grow to love, in time.


As L’Amour describes the heroine’s (Evie) dismal hopelessness at the land her husband (Jacob) has brought her to, we wonder how she will survive. Yet, Jacob has plans, sees the possibilities that Evie cannot, or will not see. The underlying message is, “The land is what we make of it.”

As the story continues, she begins to appreciate the beauty of the prairie, while acknowledging the solitary loneliness of her existence. She plants a garden, nurturing the plants, and gradually she sees the farm being shaped into a good home from the ramshackle place she’d first laid eyes on.

The land is beautiful, but unforgiving. Her husband is killed in a freak accident, and for months she doesn’t know what has happened to him. She faces the responsibility of raising his two children from a previous marriage alone.

In her loneliness, she begins to write notes describing her feelings and ties them to tumbleweeds. The wind scatters the notes and tumbleweeds across the prairie. Conagher, a loner, begins to wonder who could be writing them, and slowly comes to believe that whomever it is, these notes are meant for him.

At one point, visitors come from back East. One of them says to Evie something to the effect of “I don’t know how you can stand it here.”
This is Evie’s response to her:

“I love it here,” she said suddenly. “I think there is something here, something more than all you see and feel…it’s in the wind.

“Oh, it is very hard!” she went on. “I miss women to talk to, I miss the things we had back East–the band concerts, the dances. The only time when we see anyone is like now, when the stage comes. But you do not know what music is until you have heard the wind in the cedars, or the far-off wind in the pines. Someday I am going to get on a horse and ride out there”–she pointed toward the wide grass before them–”until I can see the other side…if there is another side.”

The land, at first her nemesis, has become not only a friend, but a soulmate. L’Amour gives us this description through Evie’s eyes and feelings, not in writing about it from his perspective as the author.

Think of your own writing projects, and books you’ve read. What importance do you give setting in description, plot, even characterization? Within 40 pages of ‘Conagher’, we understand that the land, with all its wild beauty and dangers has become enmeshed in Evie’s character. She can’t leave it, and it will never leave her.

Endless, detailed description can’t do what L’Amour does through Evie’s eyes in a very few sentences. Do you have a favorite description of a setting you’ve read about or written about?

Ada Carnutt – U.S. Deputy Marshal

Hello everyone, Winnie Griggs here.

Back in January I started a series of articles about 10 amazing women who paved the way for females in various branches of law enforcement. If you missed the prior posts you can find them here:

Kate Warne, the first female Pinkerton Agent.

Phoebe Couzins, the first woman to be appointed to the U.S. Marshal service.

Marie Owens – First US Female Police Officer

F.M. Miller – Female Deputy Marshal to the Indian Territory

 

This month I want to talk about Ada Carnutt, another trailblazing female Deputy U.S. Marshal.

Ada was the daughter of a Methodist minister and as such had a strong sense of ethics. Ada was 20 when the Oklahoma Territory opened to settlers and when her sister and brother-in-law moved there she joined them.

Shortly thereafter she took a job as the Clerk of the District Court in Norman, Oklahoma as well as that of Deputy Marshall to U.S. Marshal William Grimes.

The arrest for which she is best known occurred in 1893 when she was 24 years old. Marshal Grimes sent her a telegram with instructions to send a deputy to Oklahoma City to apprehend a pair of outlaws. The notorious duo, named Reagan and Dolezal, were wanted for forgery. Unfortunately all the other deputies were busy with other cases, so Ada decided to take matters in her own hands. She headed for Oklahoma City on her own and when she arrived she learned the two criminals were in a local bar. Unwilling to enter a bar unless absolutely unavoidable, she asked a passerby to go inside and ask them to step outside. She used the added incentive of asking that they be told a lady was waiting to have a word with them.

Apparently that did the trick because Reagan and Dolezal stepped out to see who this ‘lady’ might be. Ada proceeded to read the warrants and then declared them under arrest. The pair, who were well armed, thought it a joke and even allowed her to place handcuffs on them. However, their laughter soon turned to anger as they realized the joke was on them. Ada proceeded to take them in by train to the marshal’s office in Guthrie, Oklahoma.

The newspapers of the day did report the incident, noting her bravery and then ended it with a note that afterwards she went back to her favorite hobby, that of china painting.

The U.S. Marshals Service said of her “Like all deputies of her era, she had to be extremely tough and ready to face a wide range of situations.”

 

There you have it, another very brief sketch of the trailblazing life of a brave and ahead-of-her-times woman. What struck you most about her? If you’d already heard of her, did you learn anything new, or do you have more to add to her story?

I’m so excited about my new release that I’ve decided I’ll give a copy away to one reader who leaves a comment on this post.

THE UNEXPECTED BRIDE

Had she stepped out of the frying pan just to land in the fire?

Fleeing an arranged marriage, socialite Elthia Sinclare accepts a governess position halfway across the country. But when she arrives in Texas she finds more than she bargained for – more children, more work and more demands. Because Caleb Tanner wants a bride, not a governess. But marrying this unrefined stranger is better than what awaits her back home, so Elthia strikes a deal for a temporary marriage. She says I do and goes to work—botching the housework, butting heads with her new spouse, loving the children.

Caleb isn’t sure what to make of this woman who isn’t at all what he contracted for—she’s spoiled, unskilled and lavishes her affection on a lap dog that seems to be little more than a useless ball of fluff.  But to his surprise she gets along well with the children, works hard to acquire domestic skills and is able to hold her own with the town matriarchs.

Could the mistake that landed him with this unexpected bride be the best thing that ever happened to him?

You can find more info or get your copy HERE

 

Updated: May 5, 2019 — 8:08 pm

THE DEVIL’S IN THE DETAILS–MAIN CHARACTERS! by Cheryl Pierson

Are you the kind of reader who likes to have a detailed description of the hero or heroine in romance books? What about other secondary characters? And do you feel the same way about characters in books of genres other than western historical romance, or romance in general?

To me, there is a big difference in how much character description is needed in romance novels versus other genres, and here’s why.

When we read romance, we put ourselves in the story, empathizing with both the heroine and the hero. Of course, we need enough description to let us be familiar with them both, but this might be a case of “less” being “more.”

In our personal lives, we have preferences in how our romantic “leading men” look, speak, behave, and so on. If our preferences are toward the tall, dark, and handsome hero, it will be hard for us to be vested in a story with a hero who’s short, fair, and ugly. Or one who has habits we personally don’t find attractive.

I knew a woman who didn’t like blond heroes. If he had blond hair on the cover, she’d color it brown or black with a marker. In the book, if “blond” was mentioned, she’d mark through it and write whatever color of hair she’d decided he needed. I asked her about the heroines. “They’re all me,” she answered. “I don’t pay attention to their descriptions.”

It made me wonder how many others felt this way.

Stephen King had mentioned at one time in his book ON WRITING that “description begins in the writer’s imagination, but should finish in the reader’s.”

And in genres other than romance, character description is different and maybe more important, because the reader doesn’t have any preconceived expectations of the story, such as romance readers do.

When I taught creative writing classes, this description was one I used to illustrate how so much could be packed in to a short amount of words without being an info dump.

AMAZON LINK FOR ON WRITING BY STEPHEN KING

http://amzn.to/2EdXjVy

 

 

 

AMAZON LINK FOR ST. AGNES’ STAND BY TOM EIDSON

http://amzn.to/2T4bXZU

This is the beginning of St. Agnes’ Stand, by Thomas Eidson, who also wrote The Missing. Take a look:

He was hurt and riding cautiously. Thoughts not quite grasped made him uneasy, and he listened for an errant sound in the hot wind. His eyes were narrowed—searching for a broken leaf, a freshly turned rock, anything from which he could make some sense ofhis vague uneasiness. Nothing. The desert seemed right, but wasn’t somehow. He turned in the saddle and looked behind him. A tumbleweed was bouncing in front of the wild assaults from the wind. But the trail was empty. He turned back and sat, listening.

Over six feet and carrying two hundred pounds, Nat Swanson didn’t disturb easy, but this morning he was edgy. His hat brim was pulled low, casting his face in shadow. The intense heat and the wind were playing with the air, making it warp and shimmer over the land. He forced himself to peer through it, knowing he wouldn’t get a second chance if he missed a sheen off sweating skin or the straight line of a gun barrel among branches.

And then this, a couple of paragraphs down:

He had been running for a week, and he was light on sleep and heavy on dust and too ready for trouble. He’d killed a man in a West Texas town he’d forgotten the name of—over a woman whose name he’d never known. He hadn’t wanted the woman or the killing. Nor had he wanted the hole in his thigh. What he did want was to get to California, and that’s where he was headed. Buttoned in his shirt pocket was a deed for a Santa Barbara ranch. Perhaps a younger man would have run longer and harder before turning to fight and maybe die; but Nat Swanson was thirty-five years that summer, old for the trail, and he had run as far as he was going to run.

I absolutely love this. Can you feel that you’re right there with Nat Swanson as he’s riding? There are no wasted words, and this is just such an eloquent, masterful description of not only Nat, but the situation and the physical place he’s in as well as the dilemma he’s faced with.

Another excellent way of describing a character and setting the scene at the same time is from another character’s POV. This passage is from Jack Schaefer’s iconic classic, Shane—from the eyes of Bobby Starrett—when Shane first rides into his life.

AMAZON LINK FOR SHANE BY JACK SCHAEFER

http://amzn.to/2BWlIin

This is just the very beginning of the book—there is more physical description of Shane a few paragraphs later, but I chose this passage because it lets us know what’s going on in a few short sentences—and that is real talent.

He rode into our valley in the summer of ’89. I was a kid then, barely topping the backboard of father’s old chuck-wagon. I was on the upper rail of our small corral, soaking in the late afternoon sun, when I saw him far down the road where it swung into the valley from the open plain beyond.

In that clear Wyoming air I could see him plainly, though he was still several miles away. There seemed nothing remarkable about him, just another stray horseman riding up the road toward the cluster of frame buildings that was our town. Then I saw a pair of cowhands, loping past him, stop and stare after him with a curious intentness.

He came steadily on, straight through the town without slackening pace, until he reached the fork a half-mile below our place. One branch turned left across the river ford and on to Luke Fletcher’s big spread. The other bore ahead along the right bank where we homesteaders had pegged our claims in a row up the valley. He hesitated briefly, studying the choice, and moved again steadily on our side.

This is tough, because we’re seeing it through two “lenses”—Bobby is nine years old, and this is what he sees, but it’s filtered by the adult Bobby who’s now telling the story of what happened all those years ago.

In writing the story this way, the reader gets the full impact of experiencing the fears, the situation brings, the joy of having Shane there, and the anguish of his leaving all through the eyes of a nine-year-old boy, with the adult overview that lets us know that Shane was not a hero—but he was to Bobby and those small time settlers who needed one so desperately. Yet, leaving was the only thing he could have done and kept Bobby’s view of him untarnished and intact.

Because we don’t know how the story will end, and we don’t know what to expect, we are learning about Shane’s character right along with Bobby so we are actively looking for details and descriptors the author might give us along the way—it will affect our opinion of Shane and let us know if Bobby is a reliable narrator, and it affects the outcome of the story.

I bring this up because in romance, seldom does the description have such a direct effect on the story itself, unless our main characters have scars, afflictions, or disabilities that might have some direct bearing on the story and its outcome. 

So what do you think? Do you like a lot of description and detail about the WHR heroes you read about, or would you rather “fill in the blanks” for yourself?

As far as heroines go, most people I’ve talked to are not as concerned with her physical description (maybe because each person sees herself in the heroine?) but are more concerned with her personality traits—is she likable? Is she determined?

If she is not a fierce match for the hero, the story line is doomed.

And what about our hero? Though he can get away with more “questionable” traits, he has to be endowed with almost superhuman strength to overcome everything that’s thrown his way, and that is description that must be thoroughly detailed—not left to the reader’s interpretation.

F.M. Miller – Female Deputy Marshal to the Indian Territory

Hello everyone, Winnie Griggs here. Back in January I started a series of articles about 10 amazing women who paved the way for females in various branches of law enforcement. If you missed the prior posts you can find them here:

Kate Warne, the first female Pinkerton Agent.

Phoebe Couzins, the first woman to be appointed to the U.S. Marshal service.

Marie Owens – First US Female Police Officer

 

This month I want to talk about F. M. Miller, another very colorful Deputy U.S. Marshal.

Unfortunately, very little is known about Miller’s life outside of her role as a Deputy Marshal. In fact, in my research I found her listed as both Miss Miller and Mrs. Miller. And I couldn’t find any record of what the initials F.M. stand for or who her husband was if indeed she was married.

But despite all of that, she was obviously a force to be reckoned with. In 1891 F.M. was appointed a Deputy U.S. Marshal in Paris, Texas.

The Fort Smith Elevator reported in November of 1891:

“The woman carries a pistol buckled around her and has a Winchester strapped to her saddle. She is an expert shot and a superb horsewoman, and brave to the verge of recklessness. It is said that she aspires to win a name equal to that of Belle Starr, differing from her by exerting herself to run down criminals and in the enforcement of the law.” The same article also went on to describe her as a charming brunette who wore a sombrero.

And another newspaper, the Muskogee Phoenix, reported:

“Miss Miller is a young woman of prepossessing appearance, wears a cowboy hat and is always adorned with a pistol belt full of cartridges and a dangerous looking Colt pistol which she knows how to use. She has been in Muskogee for a few days, having come here with Deputy Marshal Cantrel, a guard with some prisoners brought from Talahina.”

Paris, Texas was the in the Southern District of the Indian Territory and during this period the Indian Territory was considered a violent place, and for good reason. It served as home to literally hundreds of the most dangerous outlaws from around the country – villains who were guilty of murder, arson, rape and robbery among other heinous acts. They flocked there because it was a place where law enforcement had no jurisdiction there.

However, the appointment of Judge Isaac Parker to the Western Judicial District changed all that. Judge Parker commanded some 200 deputy marshals to clean up this outlaw haven. It was a task easier said than done, however as the territory covered some 74,000 square miles of rugged land. And one of the few female deputy marshals to work in this territory was F.M. Miller. In fact, at the time she was commissioned she was the only female Deputy Marshal to serve in the Indian Territory. And lest you wonder how dangerous this task was, from 1872 to 1896 over 100 of these deputies lost their lives while attempting to enforce the law throughout the territory.

There are some reports that F.M. had a high arrest count and never shied away from an exchange of gunfire when called for. She had a reputation of being both fearless and a superb horsewoman.

I couldn’t find any record of either F.M.’s origins or her ultimate fate. But there is no doubt that she was a trailblazer and an exceptional law enforcement officer.

 

There you have it, a very brief sketch of the trailblazing life of yet another brave and ahead-of-her-times woman. What struck you most about her? If you’d already heard of her, did you learn anything new, or do you have more to add to her story?

Leave a comment and you’ll be entered in a drawing for winner’s choice of any book from my backlist.

 

And today I thought I’d give you a sneak peek at my upcoming release, The Unexpected Bride. This is the revised version of Something More, a book that was published in 2001 and is my first foray into the Indie publishing world. It was also the first time I had free rein to work with the cover designer for one of my books – it was both a fun and a scary experience. So how do you think we did?

Stay tuned for details about release date and where to purchase.

THE UNEXPECTED BRIDE

Had she stepped out of the frying pan just to land in the fire?

Fleeing an arranged marriage, socialite Elthia Sinclare accepts a governess position halfway across the country. But when she arrives in Texas she finds more than she bargained for – more children, more work and more demands. Because Caleb Tanner wants a bride, not a governess. But marrying this unrefined stranger is better than what awaits her back home, so Elthia strikes a deal for a temporary marriage. She says I do and goes to work—botching the housework, butting heads with her new spouse, loving the children.

Caleb isn’t sure what to make of this woman who isn’t at all what he contracted for—she’s spoiled, unskilled and lavishes her affection on a lap dog that seems to be little more than a useless ball of fluff.  But to his surprise she gets along well with the children, works hard to acquire domestic skills and is able to hold her own with the town matriarchs.

Could the mistake that landed him with this unexpected bride be the best thing that ever happened to him?

 

 

Updated: April 7, 2019 — 5:58 pm

HOW WILL WE REMEMBER OUR ANCESTORS? by Cheryl Pierson

How will we remember our ancestors? In these days of hectic living, when there is very little oral tradition–much less written documentation–of our family history, what can we do to preserve the memories of these people who came before us? For their life experiences were so different than ours, yet the same–births and deaths come to every generation, along with the happiness and sadness those events bring with them. But learning about our family and the events that brought us to the place we are, as individuals, NOW–is a precious gift that is slipping away from us.

Every so often, (and it’s been a while now!) I teach a class called “Writing Your Life Story.” Most of the people who are there for classes are senior citizens, who, for the most part, have been urged by family members to come.

As they introduce themselves, it goes something like this:  “I’m Jane Doe, and I’m here because my children keep telling me I need to write this all down—but I don’t know where to begin.”

My first assurance to them all is that they don’t need to write like Laura Ingalls Wilder—their families will be thrilled with anything they put down on paper.  It’s amazing to me how many people don’t feel they have anything of interest to tell their descendants!

This is a picture of me and my aunt, Emogene (my mom’s sister) on one of her visits. She was one of the funniest, sweetest, and MOST REBELLIOUS people I ever knew. I loved her with all my heart, and I do think maybe I got a bit of that rebellious attitude of hers! I was 6 here. There was never a dull moment with her–and I have some wonderful memories to cherish.

Cheryl and Aunt Emogene 1964I want to tell you about my parents, because they were the epitome of opposites when it came to this. My mother told stories from the time I can remember about her family, about her friends, the small town she grew up in. These were details of an ordinary life that gave me insight into the way times were during the Dustbowl days in Oklahoma. It told me about her life in particular and life in general, and it also brought people I never knew to reality for me through her memories.

Mom had a dear friend, just her age, named Mary. They were both the eldest of their respective families, each with many younger siblings that they were responsible for. Mom mentioned how she and Mary both longed for an d cherished the few times when they could be alone to talk “girl talk” without each having two or three little ones they had to look after.

One of their favorite places to go was the cemetery. They’d both been born in Albany, so they knew the stories of everyone buried there in the small cemetery: The Taylor family, whose six children went berry picking, only to take shelter under an oak tree when a storm blew up suddenly. Lightning struck the tree and killed all but two of them. The oldest boy crawled to a nearby farmhouse for help, but died later. Out of the six, only one survived. There were no markers on their graves, but Mom showed me where each was buried.

A drawing I found when going through my mom’s things after she died. She did this in 1939–she would have been 17. Of course, it’s faded and blotchy, but I can’t help but marvel at the talent she had for someone with no artistic training, with only a pencil and piece of paper. My daughter inherited this from her…I can’t draw to save my life!

Another grave she showed me was that of a young child who, at eighteen months, crawled under the porch and drank tree poison his father had believed was well-hidden. Mom told me how his lips were stained purple She and Mary had gone to the funeral and it was imprinted in her mind forever.

Christmases were sparse in that time. It was a good Christmas if they each received and apple, and orange, and some hard candy in their stockings, and maybe a doll, in addition, in the better-then-most years. I wrote a story called SILVER MAGIC for an Adams Media Christmas anthology about something she told me. They’d brought home a Christmas tree that particular year, and one of her younger brothers had suggested maybe they could have some tinsel…My grandfather went into the shed and hand-cut tinsel and a star from the foil covering of an old battery. What a thrill that was for them! Yet, who would ever dream that was something that could be done, now, in our world of buy-it-already made?

 

GENEALOGY STALLINGS AUNT JOYCE487347_384127544966584_100001080247175_1016691_1728302232_nFrom Mom I learned about our family ancestors—where they’d come from and who they were. As a child, I thought of them as a story she told, but as I grew older, they became real people to me.

I learned about her, too—how, as a teen, she’d pool her hard-earned money with her younger sister, Joyce, to buy the newest Hit Parade Magazine with all the lyrics to the latest songs. They had sung together from the time they knew how, adding more harmonies as more sisters came along.

 

My aunt, Joyce. She was something else! She was in the Navy during WWII where she met and married her husband, Bill. Remember the expression “cuss like a sailor”? She could, and did–regularly. My mom always gave her the “big sister look” and said, “Joy-y-y-c-ce” in that shaming voice. She always just laughed. And she could cook like nobody’s business. Her heart was huge.

 

MOM AND DADScans 009My dad never talked about his adolescence much. Even though he and Mom grew up together in the same small community, he never had much to add to the conversations. What I know of his family, I learned mostly from my aunt, his younger sister–and my mom, who had known him from the time they started elementary school together. Theirs was a love story for all times–they grew up together, married, had their family, and were married over 60 years–and they died within 3 weeks of one another.

Why write it all down now? Because most people never believe they’ll run out of time. “Someday” never comes. My mom had such fascinating stories, filled with tenderness, charged with emotion—stories that made it seem as if I was there along with her as she spoke. She was a painter, an artist, and she could paint pictures with her words, as well.

 

El Wanda and Fred Moss, my parents, newlyweds in 1944–ready to take on the world!

Mom told stories of my great grandparents, who I never met–who eloped and ran away from Tennessee in the dead of night. (He was a high-tempered school master…and she was one of his students.) Makes you wonder, doesn’t it?

This is my great grandmother, Josie Belle Walls McLain Martin,  the granddaughter of the Indian boy who was stolen by the cavalry (see story below). In this picture she was only about 25 years old, and already getting gray hair. She had 4 children, very young, and her husband had been killed in a freak accident. She married a man with children and they had more between them, for a grand total of seventeen kids before it was all said and done! Mom loved her “grandma”–I did get to know her when I was very young, but she passed when I was in elementary school.

GenealogyJosieBelleWallsMcLainMartin1882-1972made1907542164_386610498051622_691310310_nAnother story of my great-great-great-grandfather, a young Indian boy, who was stolen by the cavalry from his village and given to a white Presbyterian minister to raise, and “assimilate” into his family (my story One Magic Night is based on this–he finally got his happy ending). His name was changed, and I don’t believe he ever saw his real family again, once he was adopted.

And my dad’s grandmother, who stopped beneath the shade of a tree long enough to have her third child as she and her husband made their way to a new life in Indian Territory? He must have been a typical man–they stayed two nights and moved on, her with a new baby and two “stairstep” children just a little older.

I treasure these stories now, but oh, how I wish I’d had my mom a little longer, and that I’d been a little older, to be able to ask her questions that now overrun my thoughts. Mom always had good intentions, but like so many, never found the time before it was too late, and Altzheimer’s took away that ability.

I will write it all down…all that I can remember of it. But I can’t help thinking how I wish she had written her story, with all the vivid details and description she used in telling about it. There is so much I won’t know. So much will be lost, simply because this was her life.

My mom (the oldest) with some of her siblings. Dustbowl Oklahoma–taken probably 1935 or so–she’s on the far left in the back. Hard, hard times.

Genealogy Stallings kids484279_386540661391939_100001080247175_1022301_589553159_nThe memories are hers: the hard times, as well as the good—the days in an everyday life…and, the nights, when entertainment was nothing more than the beautiful harmonies of the four little girls, floating in the summer stillness for miles as they sang on the front porch…in a much simpler, slower time.

Do you have any special “family” stories that have been handed down from your ancestors? Any special memories of special family members from the past? I would love to hear them!

 

Cheryl’s Amazon Author Page:  http://www.amazon.com/author/cherylpierson/span/a/p?tag=pettpist-20

Here’s an excerpt from my story ONE MAGIC NIGHT–an oldie but a goodie!–based on the life of my great great- great-grandfather, David Walls (his name after he was adopted).  I’ll be giving away a digital copy to one lucky commenter! Leave your contact info in your comment so I can reach you if you win!

PRP One Magic Night WebONE MAGIC NIGHT EXCERPT:

As Whitworth’s hand started its descent, Katrina turned away.  But Shay’s arm shot out, grasping Whitworth’s hand and holding it immobile.

You will not.”

Three words, quietly spoken, but with a heat that could have melted iron, a force that could have toppled mountains.

Katrina’s father’s face contorted, his teeth bared, finally, as he tried to jerk away. He didn’t utter a word.  He stared up into Shay Logan’s eyes that promised retribution, as the seconds ticked by.  Finally, he lunged once more, trying to pull free, but Shay still held him locked in a grip of steel.  Only when he released that grip was Whitworth freed.

“You presume too much, Doctor Logan, unless you are assuming the care and responsibility of my daughter.”

“Papa! Oh, please!” Katrina felt herself dissolving into a puddle of less than nothing beneath stares of the townspeople of Talihina.  What had started as an exciting, beautiful evening had become an embarrassing nightmare.  It was torture to think that she was the cause of it all.  How she wished she had stayed home with Jeremy as she’d first planned, before Mrs. Howard had volunteered to keep him company.

Now, Papa was saying these things that she knew he would regret later.  It was always this way when he drank too much.  These accusations had gone beyond the pale of anything he’d ever said before.  But Shay Logan wouldn’t realize that.  He wouldn’t know that Papa would be sorry tomorrow.

Evidently, there was one thing Shay did recognize, though.  She saw the very slight flare of his nostrils as he drew in the scent of alcohol on her father’s breath, and in that instant, there was a flash of understanding in his eyes.

“You’ve had too much to drink, Mr. Whitworth,” he said in an even tone.  “I will overlook your behavior toward me because of that, but not toward your daughter.  She has done nothing, yet you would strike her, and cause her shame.”

“She’s my daughter,” Whitworth replied sullenly.

“But not your property, Whitworth.  Never that.  You owe her an apology.”

“No, Shay, really—” Katrina began, then as her father whirled to look at her, she broke off, realizing her mistake.  ‘Shay,’ she had called him.  As if she had known him forever.  As if she was entitled to use his given name freely.  As if she were his betrothed.

“‘Shay’ is it, daughter?  Not, ‘Dr. Logan’Shay.”  He spit the words out bitterly.  He drew himself up, looking Shay in the face.  “I’ll not be apologizing to her—or to you.  And I’ll expect nothing less than a wedding before this week’s end.  Do you understand me, Doctor?”

Shay had lost any patience he might have harbored.  “You understand me, Whitworth.  You will not dictate to me, or to your daughter on such matters of the heart.  As I say, the alcohol has got you saying things you’re going to regret, and—”

“Threatening me, are you?  Threatening me?”

“Truman.”  Jack Thompson stepped out of the crowd and smoothly came to stand beside Katrina.  “Let’s put this…unfortunate incident…behind us, shall we?”  He confidently tucked Katrina’s hand around his arm.  “I can see that the church auxiliary ladies have almost got everything set up for this wonderful Independence Day meal—” he frowned at Mrs. Beal, nodding at the picnic tables behind her.  She jumped, motioning the other ladies to resume the preparation.

He gave a sweeping glance around the group of onlookers.  “I, for one, am ready to eat! How about you all?”

Katrina was swept along at his side as he walked toward the tables, speaking to acquaintances and friends, laughing and…and seething with tense anger the entire time.  She could feel it in his body, with every step he took and the tightness of his grip as he covered her hand with his. Katrina glanced back over her shoulder, hoping to catch a glimpse of Shay, but the crowd blocked her view.

“Smile, my dear,” Jack gritted into her ear.  “I’m hoping we can still salvage your virtue, no matter what happened, really, between you and the good doctor.  If I see him near you again, I’ll kill him.”

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

If you just can’t wait to see if you’ve won, click the link to buy on Amazon

WHY DO WE HAVE VETERANS DAY? by CHERYL PIERSON

This year, Veterans Day fell on Sunday. The 11th of November is the actual day of the holiday. But did you know that if it falls on a Sunday, it’s celebrated on Monday, and if it falls on a Saturday, it’s celebrated on Friday?  So, that being said, since we are “in the ballpark”, I couldn’t let this day go by without talking about the meaning of Veterans Day and how it came to be in our country. When I was a young child, I remember asking my parents about Veterans Day–but my mom always called it “Armistice Day”. When she told me the story about “the eleventh hour of the eleventh day of the eleventh month”, it always seemed like a magical spell–and maybe that’s what the world hoped it would be–the war to end all wars had already been fought, and so there wouldn’t be anymore. But there were.

World War I – known at the time as “The Great War” – officially ended when the Treaty of Versailles was signed on June 28, 1919, in the Palace of Versailles outside the town of Versailles, France. However, fighting ceased seven months earlier when an armistice, or temporary cessation of hostilities, between the Allied nations and Germany went into effect on the eleventh hour of the eleventh day of the eleventh month. For that reason, November 11, 1918, is generally regarded as the end of “the war to end all wars.”

The Last Two Minutes of FightingSoldiers of the 353rd Infantry near a church at Stenay, Meuse in France, wait for the end of hostilities.  This photo was taken at 10:58 a.m., on November 11, 1918, two minutes before the armistice ending World War I went into effect. It’s called “THE LAST TWO MINUTES OF FIGHTING”.

In November 1919, President Wilson proclaimed November 11 as the first commemoration of Armistice Day with the following words: “To us in America, the reflections of Armistice Day will be filled with solemn pride in the heroism of those who died in the country’s service and with gratitude for the victory, both because of the thing from which it has freed us and because of the opportunity it has given America to show her sympathy with peace and justice in the councils of the nations…”

(WWI SCOTTISH PIPER IN TRADITIONAL KILTS, STANDING TALL ON THE BATTLEFIELD–OVER 1000 PIPERS WERE KILLED IN WWI)

WWI Scottish PiperThe original concept for the celebration was for a day observed with parades and public meetings and a brief suspension of business beginning at 11:00 a.m.

The United States Congress officially recognized the end of World War I when it passed a concurrent resolution on June 4, 1926, with these words:

Whereas the 11th of November 1918, marked the cessation of the most destructive, sanguinary, and far reaching war in human annals and the resumption by the people of the United States of    peaceful relations with other nations, which we hope may never again be severed, and

Whereas it is fitting that the recurring anniversary of this date should be commemorated with thanksgiving and prayer and exercises designed to perpetuate peace through good will and mutual understanding between nations; and

Whereas the legislatures of twenty-seven of our States have already declared November 11 to be a legal holiday: Therefore be it Resolved by the Senate (the House of Representatives concurring), that the President of the United States is requested to issue a proclamation calling upon the officials to display the flag of the United States on all Government buildings on November 11 and inviting the people of the United States to observe the day in schools and churches, or other suitable places, with appropriate ceremonies of friendly relations with all other peoples.

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An Act (52 Stat. 351; 5 U. S. Code, Sec. 87a) approved May 13, 1938, made the 11th of November in each year a legal holiday—a day to be dedicated to the cause of world peace and to be thereafter celebrated and known as “Armistice Day.” Armistice Day was primarily a day set aside to honor veterans of World War I, but in 1954, after World War II had required the greatest mobilization of soldiers, sailors, Marines and airmen in the Nation’s history; after American forces had fought aggression in Korea, the 83rd Congress, at the urging of the veterans service organizations, amended the Act of 1938 by striking out the word “Armistice” and inserting in its place the word “Veterans.” With the approval of this legislation (Public Law 380) on June 1, 1954, November 11th became a day to honor American veterans of all wars.

united-states-flag_2183_58326922[1]From 1971-1978, Veterans Day was celebrated on October 25. In 1975, then-President Gerald Ford signed a bill that would return it to November 11 again starting in 1978.

Veterans Day continues to be observed on November 11, regardless of what day of the week on which it falls. The restoration of the observance of Veterans Day to November 11 not only preserves the historical significance of the date, but helps focus attention on the important purpose of Veterans Day: A celebration to honor America’s veterans for their patriotism, love of country, and willingness to serve and sacrifice for the common good.

Do you remember the poem by Canadian John McCrae “In Flanders Fields”? Many of us had to memorize this in elementary school. McCrae was a physician/surgeon during WWI–he died of pneumonia not long before the war ended. Take a minute to listen to this recitation of “In Flanders Fields” by the late Leonard Cohen. It is haunting.

http://www.youtube.com/watch?v=cKoJvHcMLfc&feature=share

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CREDIT GIVEN TO:  Office of Public and Intergovernmental Affairs website for much of the text and one picture in this post.

THE DEVIL’S IN THE DETAILS–by Cheryl Pierson

 

There’s an old saying that “the devil’s in the details” that’s true in many circumstances in life, but I think it’s especially true in all forms of art.

Of course, it’s obvious to us in visual art—paintings, drawings, photography—and tactile art such as a beautiful quilt or piece of pottery, or a woven basket.Hexagon Quilt–selling for over $6000! But look at the work and the detail that went into this “work of art”!

But what about books? Are you a reader who loves lots of descriptive details? Or do those bog you down and leave you frustrated and impatient?

I have to admit, as I’ve gotten older, there are many kinds of stories that I feel could do with less detail in some areas. A lot of my “changes” come from looking at the way details and descriptions are presented more closely when I read. I’ve evolved into this kind of reader.

As a younger reader, I needed those details to help me create images in my mind. The descriptions were beautiful to me because I knew less of the world, and everything I read was a learning experience! Have you ever thought about it like that?

When I was a YA reader, whether reading sci-fi books (during the flying saucer craze) or historical fiction, I needed those descriptions and details to feed my hunger for learning about—well, everything!I loved this series by John Christopher–read it when I was about 12 or 13, and it stayed with me all through the years so that when my own kids were young, I went searching and found it for them! The descriptions of the aliens that were determined to take over earth, the bravery of the young people that fought against them, and wondering what in the world was going to happen kept me reading far into the night!

“Back in the day” I think authors engaged readers with a different type of writing style, too. Ours had not yet become a world of technology such as it is now. Life “took longer”—and happened at a much more unhurried pace. It was important for writers to create pictures in the readers’ minds—because there was no way to already have a pre-conceived idea of the things the author was trying to describe.

Here’s what I mean: In today’s world, we are inundated with images of all kinds, from instant pictures on our phones that we take ourselves, to movies, to ads on television, to video on Youtube. And so much more—this is just the tip of the iceberg.

One of my very favorite paintings by the very fabulous Jack Sorenson. This one is called “Horse With Christmas Spirit”–love the “details” in this one!

Can you see how this de-values art? When a beautiful picture can be photoshopped together in minutes and seen by millions, or even mass produced in ways that hadn’t been thought of fifty years ago, the artist who painstakingly delivers every brush stroke “the old-fashioned way” can be under-appreciated in a hurry!

Some writers suffer this same twist of fate in a different way. Because our lives are so rushed, and our society has been geared toward “quick reads” we’ve lost the pleasure of savoring those descriptions of the setting, the characters, even the emotions of the “players” in the books we read. It seems that finishing a book is more important than, as we once did, lingering over certain passages and re-reading them for the sheer joy of the way the words came together, the image they created for our hungry minds—and souls.

My confession—and you may all think this is weird—I do not ever skim. Even when I don’t feel the need for the minutiae that may be included, I read every word. What if I miss something? Deep down, I believe the author must have thought it important or he/she wouldn’t have included it!

What’s your pet peeve? Too much description? Not enough? More description needed of the characters? Or do you want some things left to your own imagination?

One does a whole painting for one peach and people think just the opposite – that particular peach is but a detail.

–Pablo Picasso

I learned no detail was too small. It was all about the details.

–Brad Grey

Sometimes when you start losing detail, whether it’s in music or in life, something as small as failing to be polite, you start to lose substance.

–Benny Goodman

Do you remember a book you’ve read that you thought was too detailed? IS there such a thing? I think many of the authors from the earlier days wrote in that style—it was just how it was done—and there was no mass media to show instant pictures, so there was even so much more to learn through reading.

As one who wrote very descriptive passages, James Fenimore Cooper comes to mind, but Diana Gabaldon’s books are full of wonderful descriptions of the landscape, the characters, and so on, and that skill she displays for description makes her stories and characters come to life!

For modern-day books that show a complete mastery of adding wonderful detail and pulling you into the story, there is no better author than Kathleen Eagle. I’ve never read a story by her that I didn’t love and one of the main reasons is the adept talent she has for adding the smallest details as the story moves along and drawing the reader right into each and every scene, as if you are truly there with her characters, experiencing their pain, loss, worry, and love.

Do you have a favorite author who gives just the right amount of description? More about this next time on CHARACTER descriptions–I’ve been doing a lot of thinking on this subject!